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Erika (17788 KP) rated The Count of Monte Cristo (2002) in Movies
Mar 5, 2018
I remember resisting seeing this movie in theaters, my parents completely made me go. And, I'm so glad they did. I absolutely love this movie. The cast is full of talent, including baby Henry Cavill. Guy Pearce is so repulsive, and Jim Caviezel (pre-Jesus) was so good as Edmond Dantes.
Matthew Krueger (10051 KP) rated Escape Plan (2013) in Movies
Sep 17, 2019
Mumble Mumble Mumble
Contains spoilers, click to show
Escape Plan- takes two big actons stars and throws them into a prison and escape it. Opps did i spoil it. Its in the title.
The Plot: Tough and chiseled Ray Breslin (Sylvester Stallone) knows how to infiltrate a prison -- and bust out of one. His latest job leads to a double-cross, leaving him stuck in a high-tech facility with the worst that society has to offer. Luckily for Ray, he meets Emil Rottmayer (Arnold Schwarzenegger), an inmate who secretly helps him hatch a plot to win his freedom. Only sadistic warden Hobbes (Jim Caviezel) stands in the way of the two men successfully making it out alive.
I would highly reccordmend this movie.
The Plot: Tough and chiseled Ray Breslin (Sylvester Stallone) knows how to infiltrate a prison -- and bust out of one. His latest job leads to a double-cross, leaving him stuck in a high-tech facility with the worst that society has to offer. Luckily for Ray, he meets Emil Rottmayer (Arnold Schwarzenegger), an inmate who secretly helps him hatch a plot to win his freedom. Only sadistic warden Hobbes (Jim Caviezel) stands in the way of the two men successfully making it out alive.
I would highly reccordmend this movie.
David McK (3422 KP) rated The Count of Monte Cristo (2002) in Movies
Jan 23, 2021
Kevin Reynolds - who also directed Robin Hood: Prince of Thieves - take on the classic Alexandre Dumas (probably more famous for The Three Musketeers) tale of love, loss and revenge, starring Jim Caviezel as Edmond Dantes, who is wrongly imprisoned for treason and who - 13 odd years or so later - finally escapes with the aid of another Prisoner, who vouch safes to Dumas the location of a vast treasure that Dumas then spends to gain his revenge on those who betrayed him (including his former best friend).
Since I've never read (or listened to) the book, I cannot speak to how accurate this is to the source.
I can say, however, that it is an enjoyable enough watch, that reminds me (somewhat) of the likes of 'The Man In The Iron Mask' as well as 'The Three Musketeers' - no surprise there!
Since I've never read (or listened to) the book, I cannot speak to how accurate this is to the source.
I can say, however, that it is an enjoyable enough watch, that reminds me (somewhat) of the likes of 'The Man In The Iron Mask' as well as 'The Three Musketeers' - no surprise there!
Matthew Krueger (10051 KP) rated Déjà Vu (2006) in Movies
Jun 12, 2020 (Updated Jun 12, 2020)
Expect The Unexpected
Deja Vu- Is a movie, that you have to watched more than once to fully understand whats going on/happening. Their are alot of twist and turns thought it until the very end. You expect one thing to happen, than boom anethor thing happens. Expect the unexpected. Deja Vu is a twisted movie with psychological espects, suspense, thrills, sci-fi and drama.
The plot: The team of top-secret program brings ATF agent Doug Carlin (Denzel Washington) into its midst to capture the terrorist (Jim Caviezel) responsible for a ferry bombing that left hundreds dead. Its amazing technology lets the team fold time four days backward and see the madman's movements as he plots to kill a woman who could give him away. Doug realizes that the technology could allow him to do what law-enforcement officers dream of -- go back in time to prevent the crime.
Its a really highly entertaining movie, full of twist and turns and make you question alot of things until the very end and still when that happens you still have unanswered questions and more questions.
Highly reccordmend watching.
The plot: The team of top-secret program brings ATF agent Doug Carlin (Denzel Washington) into its midst to capture the terrorist (Jim Caviezel) responsible for a ferry bombing that left hundreds dead. Its amazing technology lets the team fold time four days backward and see the madman's movements as he plots to kill a woman who could give him away. Doug realizes that the technology could allow him to do what law-enforcement officers dream of -- go back in time to prevent the crime.
Its a really highly entertaining movie, full of twist and turns and make you question alot of things until the very end and still when that happens you still have unanswered questions and more questions.
Highly reccordmend watching.
Gareth von Kallenbach (980 KP) rated Escape Plan (2013) in Movies
Jun 19, 2019
80s action stars Arnold Schwarzenegger and Sylvester Stallone have teamed up to power a 21st century prison break in the new film “Escape Plan”. The film was originally to be called “The Tomb” but underwent a title change during production.
Stallone plays Ray Breslin, a former prosecutor who now runs a company that evaluates the security of maximum security installations throughout the country. As such Ray has himself incarcerated under an assumed identity and devices ways to escape from the institutions so they can better understand flaws in their security systems.
Ray is very good at what he does and has been able to escape from every facility that he has tested. While this does not make him popular with Warden’s he is in high demand and as such charges a premium for his services.
Following his most recent escape, Ray and his associated are approached by the government to test a new ultra security facility, one that houses the most dangerous and undesirable elements the world has to offer. Ray is told that the inmates in the facility are there to essential disappear as they would be game changers to security if they should ever find freedom.
Despite the concerns of his staff, and buoyed by the double his usual fee payment, Ray agrees to be taken to the facility under the guise of an explosives maker.
Ray is soon captured in New Orleans and has his tracking chip removed before he blacks out and awakens in a glass walled prison with no windows to locate his position.
During his orientation with a brutal guard named Drake (Vinnie Jones) who killed an inmate during his trip to the facility and sadistic warden named Hobbs (Jim Caviezel), Ray learns that he is in serious trouble as he attempts to trigger his removal from the facility by uttering his extraction code to the Warden. What should have resulted in an immediate removal from the prison is instead greeted by scoffs as Ray is informed that he is there as the people who put him there do not want him ever to see the light of day again.
Enter Emil Rottmayer (Arnold Schwarzenegger), a fellow inmate who takes an interest in Ray and eventually wins over his skepticism. Emil is in the facility as he was a top lieutenant for a crime figure and the Warden is convinced that if he leans on Emil hard enough, he will give up the location of his boss and former associates and thus usher in a huge payday for the Warden.
Despite the bleak, brutal, and seemingly hopeless life in the prison, Ray and Emil work with one another to devise a plan to escape from the facility and the dangerous Warden and his minions before it is too late.
What follows is a tense thriller with some good action in the final act as the two veterans deliver what they have been known for. The film is more a drama than an action film as aside from a few prison fights, there is not much action until the finale when the guns come out.
Faran Tahir does some very good supporting work to the film as a fellow inmate named Javed and it was refreshing to see a person of Middle Eastern origins play a criminal for something other than terrorism. He is a very interesting character who despite having a past and a dangerous side to him is a man of faith who never lets the bleakness of his situation undermine his faith.
Caviezel is very good as the cold and evil Warden who places profits over the lives of his inmates as he is truly a loathsome individual who is every bit the match for the stars.
Stallone and Schwarzenegger seem to be having a great time working with one another and there is some humor filled moments in the film especially during some of their disagreements where jokes are bantered back and forth which seem to also play upon their age and action images.
The audience went crazy during the finale when in trademark style; Schwarzenegger grabbed a massive gun in slow motion, and with a knowing smirk, mowed down waves of bad guys. He is very aware of what audiences expect from his characters and he wanted to ensure that he is still up to the task of piling up the body count.
Sam Neill is sadly underused in the film as the facilities doctor. He has a small part and my wife and I had to wonder why he took the part when an actor of his stature would likely not be interested in something that small.
While action fans may be disappointed with having to wait for the big guns to come out, the film is a very good drama than gets good performances from its stars and supporting cast and is a very enjoyable outing which shows that the two stars still have gas left in the tank.
http://sknr.net/2013/10/18/escape-plan/
Stallone plays Ray Breslin, a former prosecutor who now runs a company that evaluates the security of maximum security installations throughout the country. As such Ray has himself incarcerated under an assumed identity and devices ways to escape from the institutions so they can better understand flaws in their security systems.
Ray is very good at what he does and has been able to escape from every facility that he has tested. While this does not make him popular with Warden’s he is in high demand and as such charges a premium for his services.
Following his most recent escape, Ray and his associated are approached by the government to test a new ultra security facility, one that houses the most dangerous and undesirable elements the world has to offer. Ray is told that the inmates in the facility are there to essential disappear as they would be game changers to security if they should ever find freedom.
Despite the concerns of his staff, and buoyed by the double his usual fee payment, Ray agrees to be taken to the facility under the guise of an explosives maker.
Ray is soon captured in New Orleans and has his tracking chip removed before he blacks out and awakens in a glass walled prison with no windows to locate his position.
During his orientation with a brutal guard named Drake (Vinnie Jones) who killed an inmate during his trip to the facility and sadistic warden named Hobbs (Jim Caviezel), Ray learns that he is in serious trouble as he attempts to trigger his removal from the facility by uttering his extraction code to the Warden. What should have resulted in an immediate removal from the prison is instead greeted by scoffs as Ray is informed that he is there as the people who put him there do not want him ever to see the light of day again.
Enter Emil Rottmayer (Arnold Schwarzenegger), a fellow inmate who takes an interest in Ray and eventually wins over his skepticism. Emil is in the facility as he was a top lieutenant for a crime figure and the Warden is convinced that if he leans on Emil hard enough, he will give up the location of his boss and former associates and thus usher in a huge payday for the Warden.
Despite the bleak, brutal, and seemingly hopeless life in the prison, Ray and Emil work with one another to devise a plan to escape from the facility and the dangerous Warden and his minions before it is too late.
What follows is a tense thriller with some good action in the final act as the two veterans deliver what they have been known for. The film is more a drama than an action film as aside from a few prison fights, there is not much action until the finale when the guns come out.
Faran Tahir does some very good supporting work to the film as a fellow inmate named Javed and it was refreshing to see a person of Middle Eastern origins play a criminal for something other than terrorism. He is a very interesting character who despite having a past and a dangerous side to him is a man of faith who never lets the bleakness of his situation undermine his faith.
Caviezel is very good as the cold and evil Warden who places profits over the lives of his inmates as he is truly a loathsome individual who is every bit the match for the stars.
Stallone and Schwarzenegger seem to be having a great time working with one another and there is some humor filled moments in the film especially during some of their disagreements where jokes are bantered back and forth which seem to also play upon their age and action images.
The audience went crazy during the finale when in trademark style; Schwarzenegger grabbed a massive gun in slow motion, and with a knowing smirk, mowed down waves of bad guys. He is very aware of what audiences expect from his characters and he wanted to ensure that he is still up to the task of piling up the body count.
Sam Neill is sadly underused in the film as the facilities doctor. He has a small part and my wife and I had to wonder why he took the part when an actor of his stature would likely not be interested in something that small.
While action fans may be disappointed with having to wait for the big guns to come out, the film is a very good drama than gets good performances from its stars and supporting cast and is a very enjoyable outing which shows that the two stars still have gas left in the tank.
http://sknr.net/2013/10/18/escape-plan/
JT (287 KP) rated Escape Plan (2013) in Movies
Mar 23, 2020
Arnie and Stallone (1 more)
Entertaining
80s action icons join forces
For those of us that grew up watching action films in the 80s, one can only stand by and admire that Stallone and Schwarzenegger were still going well into their 60s at the time of shooting. Clearly, they’re having fun, which is a good thing as we’re not expecting Oscar material here and those that are may as well leave now.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Gareth von Kallenbach (980 KP) rated The Passion of the Christ (2004) in Movies
Aug 14, 2019
Perhaps the most controversial film of our time “The Passion of the Christ” has arrived amidst much speculation and controversy. Not since “The Last Temptation of Christ” has a film garnered so much controversy and that film did not have a mega-star like Mel Gibson attached to it nor a wide-release reported to reach 2500 screens in the U.S. alone.
The film shows the final hours of Jesus leading to his crucifixion and subsequent resurrection. The film opens with Jesus (Jim Caviezel), and some of his Disciples in the garden as Jesus contemplates what is to come and prays that this burden be passed from him if it is Gods will. Jesus is visibly afraid and is unsure of what to do, as he knows Judas has betrayed him and that troops are on the way to arrest him.
Jesus is soon arrested and is beaten and taken before the Jewish elders to be accused of heresy for teaching beliefs which contradict the locale doctrine and for encouraging others to follow his teachings.
Jesus is soon taken before the Roman consul who decides to punish not execute Jesus, as he does not believe his crimes are worthy of death. Politics soon envelope the situation as the Romans fear an uprising if the wishes of the council are not followed forcing Jesus to be ordered for crucifixion.
While I am not one to give away vital parts to a films story, I take it that the majority of readers will know at least this much of the story. The emphasis on the film is on what Jesus had to endure during the final hours of his life and the untold suffering and brutality that were put upon him for his beliefs.
Much has been made of the films intense and graphic violence and I am not going to sugar coat this. The film is very intense and very violent and on more than once occasion caused me to start tearing as the film is very emotional and it is hard to watch a person suffer especially one who many believe devoted his life for the betterment of all of us regardless of faith. I have always been one that believes that all people are entitled to their beliefs and that no group has the right to say that there way is the only way and that others are wrong for not following them.
In many ways, the film drives this point home as Jesus prays for the forgiveness of those who are killing him even though they do not share his faith. The man who was killed as a threat to the society and doctrines of the community never wavered in his love for his fellow man and retained his compassion to the very end.
Gibson is to be commended for making a powerful and emotional film that can be enjoyed by people of all faiths. The film is a visual masterpiece that is highly detailed and is the most accurate depiction of the final hours of Christ ever committed to film. The use of Latin and Aramaic in combination with subtitles underscores attention to detail that Gibson put into his labor of love and as such, he deserves praise for crafting this film regardless of your opinion on the films content. This is a bold and passionate film that attempts to tell the story in the way that it happened as accurately as possible. While some of the scenes may be very difficult to watch, you will not soon forget the images and will have a hard time not being emotionally moved by the work. This is not a film that blames any group for the death of Jesus; it is simply an account as to how and why it happened. The film also serves as a message that we should all embrace and tolerate the differences in our neighbors as when we do not, atrocities can happen. As a student of history, I found myself pondering during the film in regards to what would happen if a figure arrived today that encouraged others to follow a new path and not those of the traditional religions. If said person were to become widely know and develop a large following what would happen? Would they be called a cult and prosecuted, would they be ridiculed, or would they be killed? This troubled me as I think that despite nearly 2000 years of progress there are those who would resort to violence. Such is the case of the film. The majority did not want to see Jesus killed; it was a strong and vocal minority of the population who wanted to protect their interests. The film is not anti-Semitic and does not blame any group for the death of Jesus and emphasizes that his death was in order to absolve sin and blame.
The film makes you think and in this day of disposable films, it is nice to see that despite the controversy and lack of commercial nature of the film, Gibson put his heart into the production and created one of the best films of the decade. Gibson is a master storyteller and shows that he is a gifted director and producer and should be praised for his craft.
The film shows the final hours of Jesus leading to his crucifixion and subsequent resurrection. The film opens with Jesus (Jim Caviezel), and some of his Disciples in the garden as Jesus contemplates what is to come and prays that this burden be passed from him if it is Gods will. Jesus is visibly afraid and is unsure of what to do, as he knows Judas has betrayed him and that troops are on the way to arrest him.
Jesus is soon arrested and is beaten and taken before the Jewish elders to be accused of heresy for teaching beliefs which contradict the locale doctrine and for encouraging others to follow his teachings.
Jesus is soon taken before the Roman consul who decides to punish not execute Jesus, as he does not believe his crimes are worthy of death. Politics soon envelope the situation as the Romans fear an uprising if the wishes of the council are not followed forcing Jesus to be ordered for crucifixion.
While I am not one to give away vital parts to a films story, I take it that the majority of readers will know at least this much of the story. The emphasis on the film is on what Jesus had to endure during the final hours of his life and the untold suffering and brutality that were put upon him for his beliefs.
Much has been made of the films intense and graphic violence and I am not going to sugar coat this. The film is very intense and very violent and on more than once occasion caused me to start tearing as the film is very emotional and it is hard to watch a person suffer especially one who many believe devoted his life for the betterment of all of us regardless of faith. I have always been one that believes that all people are entitled to their beliefs and that no group has the right to say that there way is the only way and that others are wrong for not following them.
In many ways, the film drives this point home as Jesus prays for the forgiveness of those who are killing him even though they do not share his faith. The man who was killed as a threat to the society and doctrines of the community never wavered in his love for his fellow man and retained his compassion to the very end.
Gibson is to be commended for making a powerful and emotional film that can be enjoyed by people of all faiths. The film is a visual masterpiece that is highly detailed and is the most accurate depiction of the final hours of Christ ever committed to film. The use of Latin and Aramaic in combination with subtitles underscores attention to detail that Gibson put into his labor of love and as such, he deserves praise for crafting this film regardless of your opinion on the films content. This is a bold and passionate film that attempts to tell the story in the way that it happened as accurately as possible. While some of the scenes may be very difficult to watch, you will not soon forget the images and will have a hard time not being emotionally moved by the work. This is not a film that blames any group for the death of Jesus; it is simply an account as to how and why it happened. The film also serves as a message that we should all embrace and tolerate the differences in our neighbors as when we do not, atrocities can happen. As a student of history, I found myself pondering during the film in regards to what would happen if a figure arrived today that encouraged others to follow a new path and not those of the traditional religions. If said person were to become widely know and develop a large following what would happen? Would they be called a cult and prosecuted, would they be ridiculed, or would they be killed? This troubled me as I think that despite nearly 2000 years of progress there are those who would resort to violence. Such is the case of the film. The majority did not want to see Jesus killed; it was a strong and vocal minority of the population who wanted to protect their interests. The film is not anti-Semitic and does not blame any group for the death of Jesus and emphasizes that his death was in order to absolve sin and blame.
The film makes you think and in this day of disposable films, it is nice to see that despite the controversy and lack of commercial nature of the film, Gibson put his heart into the production and created one of the best films of the decade. Gibson is a master storyteller and shows that he is a gifted director and producer and should be praised for his craft.