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Haley Mathiot (9 KP) rated Dead Perfect in Books
Apr 27, 2018
My Summary: Shannah is going to die. She has a blood disease that none of the doctors can identify, and she only has months to live. She’s on her last month, possibly her last week… she hates to think it’s her last day, but it sure feels like it. She has been watching the strange tall, dark (and hansom) man for several months, and is convinced that he is a vampire (though she’s not exactly sane when she makes that decision). She goes to him seeking immortality, but collapses in near death on his front porch. When she wakes up, she feels better. What did he do that healed her? She’s not a vampire, but even the doctors couldn’t heal her… then there’s the fact that she’s pretty sure that she’s falling in love with him. but Ronan’s healing doesn’t last forever… and Shannah has to make a hard choice.
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Bob Mann (459 KP) rated Dolittle (2020) in Movies
Feb 23, 2020
A complete mess, but kids will probably love it.
With the words of Mark Kermode's review ringing in my ears ("It's shockingly poor... and that's the same in any language") I was bracing myself when I went to see this latest incarnation of Hugh Lofting's famous animal-chatting character. And I have to agree that it is a shocking mess of a film, given $175 million was poured into this thing. But, and I say this cautiously without first-hand empirical evidence, I *think* this is a movie that kids in the 6 to 10 age range might fall in love with.
Doctor Doolittle (Robert Downey Jnr) - famed animal doctor, with the unique ability to communicate with any animal - is now holed up in his animal sanctuary, a recluse. His beloved wife - adventurer Lily - was lost at sea (in a cartoon sequence that could have just used the same clip from "Frozen"). He's lost the will to practice; and almost lost the will to live.
Impinging on his morose life come two humans: Tommy Stubbings (Harry Collett), a reluctant hunter with a wounded squirrel, and Lady Rose (Carmel Laniado), daughter of the Queen of England. (We'll quietly ignore the coincidence that, after what looks like several years of mourning, these two independently pitch up at Chez Doolittle within ten minutes of each other!).
For the Queen (the omnipresent Jessie Buckley) is dying, and noone (other than us viewers, let in on the deal) suspect foul play might be at work in the form of Lord Thomas Badgley (the ever-reliable Jim Broadbent) and the Queen's old leech-loving doctor Blair Müdfly (a moustache-twiddling Michael Sheen).
Doolittle must engage in a perilous journey to find the only cure that will save both the Queen and his animal sanctuary - the fruit of the tree on a missing island that his long lost love was searching for.
Let's start with the most obvious point first up. Robert Downey Jnr's Welsh accent is quite the most terrible, most preposterous, most unintelligible, most offensive (to the Welsh) attempt at an accent in a mainstream film in movie history. And that's really saying something when you have Laurence Olivier's Jewish father from "The Jazz Singer" and Russell Crowe's English cum Irish cum Scottish cum Yugoslavian "Robin Hood" in the list. Why? Just why? Was it to distance this version from Rex Harrison's? (Since most younger movie goers will be going "Rex who?" at this point, this seems unlikely). It's a wholly curious decision.
It turns RDj's presence in the movie from being an asset to a liability.
The movie has had a tortuous history. Filmed in 2018 at enormous expense, the film completely bombed at test screenings so they brought in more script writers to make it funnier and did extensive additional filming.
I actually disagree with the general view that the film is unfunny. For there are a few points in the movie where I laughed out loud. A fly's miraculous, if temporary, escape was one such moment. The duck laying an egg in fright, another.
However, these seem to stand out starkly in isolation as 'the funny bits they inserted'. Much of the rest of the movie's comedy falls painfully flat.
In terms of the acting, there are the obvious visual talents on show of Michael Sheen (doing a great English accent for a Welshman.... #irony), Jim Broadbent, Jessie Buckley, Joanna Page (blink and you'll miss her) and Antonio Banderas, as the swashbuckling pirate king cum father-in-law.
But the end titles are an amazing array of "Ah!" moments as the vocal performances are revealed: Emma Thompson as the parrot; Rami Malek as the gorilla; John Cena as the polar bear; Kumail Nanjiani at the ostrich; Octavia Spencer at the duck; Tom Holland as the dog; Selena Gomez as the giraffe; Marion Cotillade as the fox, Frances de la Tour as a flatulent dragon and Ralph Fiennes as an evil tiger with mummy issues. It's a gift for future contestants on "Pointless"!
There are a lot of poe-faced critics throwing brick-bats at this movie, and to a degree it's deserved. They lavished $175 million on it, and it looked like it was going to be a thumping loss. (However, against all the odds, at the time of writing it has grossed north of $184 million. And it only opened yesterday in China. So although not stellar in the world of blockbuster movies it's not going to be a studio-killer like "Heaven's Gate").
And I suspect there's a good reason for that latent salvation. I think kids are loving this movie, driving repeat viewings and unexpected word of mouth. It is certainly a family friendly experience. There are no truly terrifying scenes that will haunt young children. A dragon-induced death, not seen on screen, is - notwithstanding the intro Frozen-esque cartoon sequence - the only obvious one in the movie and is (as above) played for laughs. There are fantastical sets and landscapes. Performing whales. A happy-ending (albeit not the one I was cynically expecting). And an extended dragon-farting scene, and what kids are not going to love that!!
Directed by Stephen Gaghan ("Syriana", but better known as a writer than a director) it's a jumbled messy bear of a movie but is in no way an unpleasant watch. I would take a grandkid along to watch this again. It even has some nuggets of gold hidden within its matted coat.
As this is primarily one for the kids, I'm giving the movie two ratings: 4/10 for adults and 8/10 for kids... the Smashbomb rating is the mean of these.
(For the full graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/02/22/doolittle-2019/ . Thanks).
Doctor Doolittle (Robert Downey Jnr) - famed animal doctor, with the unique ability to communicate with any animal - is now holed up in his animal sanctuary, a recluse. His beloved wife - adventurer Lily - was lost at sea (in a cartoon sequence that could have just used the same clip from "Frozen"). He's lost the will to practice; and almost lost the will to live.
Impinging on his morose life come two humans: Tommy Stubbings (Harry Collett), a reluctant hunter with a wounded squirrel, and Lady Rose (Carmel Laniado), daughter of the Queen of England. (We'll quietly ignore the coincidence that, after what looks like several years of mourning, these two independently pitch up at Chez Doolittle within ten minutes of each other!).
For the Queen (the omnipresent Jessie Buckley) is dying, and noone (other than us viewers, let in on the deal) suspect foul play might be at work in the form of Lord Thomas Badgley (the ever-reliable Jim Broadbent) and the Queen's old leech-loving doctor Blair Müdfly (a moustache-twiddling Michael Sheen).
Doolittle must engage in a perilous journey to find the only cure that will save both the Queen and his animal sanctuary - the fruit of the tree on a missing island that his long lost love was searching for.
Let's start with the most obvious point first up. Robert Downey Jnr's Welsh accent is quite the most terrible, most preposterous, most unintelligible, most offensive (to the Welsh) attempt at an accent in a mainstream film in movie history. And that's really saying something when you have Laurence Olivier's Jewish father from "The Jazz Singer" and Russell Crowe's English cum Irish cum Scottish cum Yugoslavian "Robin Hood" in the list. Why? Just why? Was it to distance this version from Rex Harrison's? (Since most younger movie goers will be going "Rex who?" at this point, this seems unlikely). It's a wholly curious decision.
It turns RDj's presence in the movie from being an asset to a liability.
The movie has had a tortuous history. Filmed in 2018 at enormous expense, the film completely bombed at test screenings so they brought in more script writers to make it funnier and did extensive additional filming.
I actually disagree with the general view that the film is unfunny. For there are a few points in the movie where I laughed out loud. A fly's miraculous, if temporary, escape was one such moment. The duck laying an egg in fright, another.
However, these seem to stand out starkly in isolation as 'the funny bits they inserted'. Much of the rest of the movie's comedy falls painfully flat.
In terms of the acting, there are the obvious visual talents on show of Michael Sheen (doing a great English accent for a Welshman.... #irony), Jim Broadbent, Jessie Buckley, Joanna Page (blink and you'll miss her) and Antonio Banderas, as the swashbuckling pirate king cum father-in-law.
But the end titles are an amazing array of "Ah!" moments as the vocal performances are revealed: Emma Thompson as the parrot; Rami Malek as the gorilla; John Cena as the polar bear; Kumail Nanjiani at the ostrich; Octavia Spencer at the duck; Tom Holland as the dog; Selena Gomez as the giraffe; Marion Cotillade as the fox, Frances de la Tour as a flatulent dragon and Ralph Fiennes as an evil tiger with mummy issues. It's a gift for future contestants on "Pointless"!
There are a lot of poe-faced critics throwing brick-bats at this movie, and to a degree it's deserved. They lavished $175 million on it, and it looked like it was going to be a thumping loss. (However, against all the odds, at the time of writing it has grossed north of $184 million. And it only opened yesterday in China. So although not stellar in the world of blockbuster movies it's not going to be a studio-killer like "Heaven's Gate").
And I suspect there's a good reason for that latent salvation. I think kids are loving this movie, driving repeat viewings and unexpected word of mouth. It is certainly a family friendly experience. There are no truly terrifying scenes that will haunt young children. A dragon-induced death, not seen on screen, is - notwithstanding the intro Frozen-esque cartoon sequence - the only obvious one in the movie and is (as above) played for laughs. There are fantastical sets and landscapes. Performing whales. A happy-ending (albeit not the one I was cynically expecting). And an extended dragon-farting scene, and what kids are not going to love that!!
Directed by Stephen Gaghan ("Syriana", but better known as a writer than a director) it's a jumbled messy bear of a movie but is in no way an unpleasant watch. I would take a grandkid along to watch this again. It even has some nuggets of gold hidden within its matted coat.
As this is primarily one for the kids, I'm giving the movie two ratings: 4/10 for adults and 8/10 for kids... the Smashbomb rating is the mean of these.
(For the full graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/02/22/doolittle-2019/ . Thanks).
