Search
Search results
David McK (3676 KP) rated Batman: Revolution in Books
Nov 30, 2025
The second of John Jackson Miller's two (at least, so far!) Batman '89 books and after Batman: Resurrection, set between the events of the original 1989 movie and the 1992 sequel Batman Returns.
I also had to keep reminding myself that 1995's Batman Forever (and even the later - and woeful - Batman & Robin) are not considered part of the same universe, despite both still featuring Michael Gough as Alfred Pennyworth, Bruce Wayne's faithful butler who is in on the secret.
In particular, 95's Batman Forever (which was Val; Kilmer's sole outing on the cape) features Jim Carrey as The Riddler, one of the two main villains of that film.
And also the main villain of this (albeit not Jim Carrey's manic version!).
This also brings back the reporter Alexander Knox - who has a larger role here than in the previous novel - and has a pre-Catwoman Selina Kyle having a larger(ish) role in the proceedings, alongside Max Schreck and his son Chip.
I *think* that may be why I didn't gel as much with this entry as the previous - namely, that I couldn;t get Jim Carrey's version of The Riddler out of my head the whole time I was reading this, despite knowing he's a very different take on the character than here.
That's not to say that this is a bad read, per se, - it's not, by any stretch of the imagination - just that I feel it may be better read 'cold', that is, without any pre-existing baggage. A hard sell in this day and age, I know!
I also had to keep reminding myself that 1995's Batman Forever (and even the later - and woeful - Batman & Robin) are not considered part of the same universe, despite both still featuring Michael Gough as Alfred Pennyworth, Bruce Wayne's faithful butler who is in on the secret.
In particular, 95's Batman Forever (which was Val; Kilmer's sole outing on the cape) features Jim Carrey as The Riddler, one of the two main villains of that film.
And also the main villain of this (albeit not Jim Carrey's manic version!).
This also brings back the reporter Alexander Knox - who has a larger role here than in the previous novel - and has a pre-Catwoman Selina Kyle having a larger(ish) role in the proceedings, alongside Max Schreck and his son Chip.
I *think* that may be why I didn't gel as much with this entry as the previous - namely, that I couldn;t get Jim Carrey's version of The Riddler out of my head the whole time I was reading this, despite knowing he's a very different take on the character than here.
That's not to say that this is a bad read, per se, - it's not, by any stretch of the imagination - just that I feel it may be better read 'cold', that is, without any pre-existing baggage. A hard sell in this day and age, I know!
Suswatibasu (1703 KP) rated Mudbound (2017) in Movies
Jan 3, 2018 (Updated Jan 3, 2018)
Remarkable, excellent, harrowing film
Dee Rees has created a historical epic about two Americas - people living side by side but utterly separated by experiences - that resonates in modern times. Set in the rural American South during World War II, Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
