Search
Search results
BankofMarquis (1832 KP) rated Free Birds (2013) in Movies
Nov 26, 2020
A Fun Thanksgiving Flick
When asked to list films worth watching that have a Thanksgiving theme, the BankofMarquis likes to pull out a little animated gem that came and went pretty quickly in 2013 - FREE BIRDS - starring the voices of Owen Wilson and Woody Harrelson as 2 turkeys that go back in time in an egg-shaped time machine named STEVE (voiced by George Takei - more on that later) to stop the first Thanksgiving. This film succeeds more than it doesn't.
The first full length animated feature film from REEL FX (one of only 2 they have put out thus far) FREE BIRDS suffers from that kiss of death - multiple writers revising the script over time. Directed by JImmy Hayward (HORTON HEARS A WHO), who is also credited with writing this film alongside long time Kevin Smith collaborator Scott Mosier,FREE BIRDS is actually a pretty fun film, despite the disjointedness of the plot.
Credit should go to the stellar voice cast, led by Owen Wilson and Woody Harrelson. They have tremendous chemistry together and are a fun pair to watch. Joining them is the always dependable Amy Poehler (who would shine as the voice of Joy years later in Pixar's INSIDE OUT). It was fun spending an hour and a half with these 3 - and the others in this cast: Colm Meaney, David Keith and Dan Fogler.
But, for me, the star of this film is Star Trek's George Takei as the voice of S.T.E.V.E (the egg-shaped time machine device). He understands what type of film he is in and delivers just the right blend of comedy and seriousness that helps elevate the proceedings. And that is good for, as I stated above, the plot is a bit disjointed, so I would recommend you just sit back, relax and enjoy the ride.
The critics panned this film, but it made over $110 million at the box office (more than doubling it's production cost), so many, many moviegoers had the same, fun experience that I did.
And...you will, too...if you give FREE BIRDS a try.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first full length animated feature film from REEL FX (one of only 2 they have put out thus far) FREE BIRDS suffers from that kiss of death - multiple writers revising the script over time. Directed by JImmy Hayward (HORTON HEARS A WHO), who is also credited with writing this film alongside long time Kevin Smith collaborator Scott Mosier,FREE BIRDS is actually a pretty fun film, despite the disjointedness of the plot.
Credit should go to the stellar voice cast, led by Owen Wilson and Woody Harrelson. They have tremendous chemistry together and are a fun pair to watch. Joining them is the always dependable Amy Poehler (who would shine as the voice of Joy years later in Pixar's INSIDE OUT). It was fun spending an hour and a half with these 3 - and the others in this cast: Colm Meaney, David Keith and Dan Fogler.
But, for me, the star of this film is Star Trek's George Takei as the voice of S.T.E.V.E (the egg-shaped time machine device). He understands what type of film he is in and delivers just the right blend of comedy and seriousness that helps elevate the proceedings. And that is good for, as I stated above, the plot is a bit disjointed, so I would recommend you just sit back, relax and enjoy the ride.
The critics panned this film, but it made over $110 million at the box office (more than doubling it's production cost), so many, many moviegoers had the same, fun experience that I did.
And...you will, too...if you give FREE BIRDS a try.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Irishman (2019) in Movies
Jan 20, 2020
An endurance test but a great endurance test
Martin Scorsese made a lot of enemies recently with his rant against the superficiality of the Marvel movies. But you can hardly argue that his latest film is superficial. We see the mobster Frank Sheeran (Robert De Niro) in his old people's home wistfully recalling his past life. Through flashback we go back to times as early as his service in World War II, where he learned to kill other men without a second thought.
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
Kristy H (1252 KP) rated Live and Love Again in Books
Feb 13, 2018
Three years ago, Sarah lost her partner, Cheryl, in a terrible accident. A former Colonel in the military, Sarah remains shattered by Cheryl's death and closed off to those around her. She focuses on her furniture business and her dog, Benny. But on a flight to Chicago, she meets Jessica Whitney, a beautiful, successful, businesswoman. The two hit it off immediately and feel an instant connection. The sudden sparks force Sarah to re-think everything - is she ready to move one? Can she really imagine herself with a wealthy and strong woman?
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Lesley (60 KP) rated A Steep Price in Books
Aug 10, 2018
Tracy Crosswhite never disappoints!
I LOVE Tracy Crosswhite and this newest entry into the series was no exception. I laughed, I cried, I gasped. This is the review that I posted on my blog.
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Gareth von Kallenbach (971 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Keith and The Girl comedy talk show
Podcast
If you're easily offended, this podcast is not for you. Keith and The Girl (KATG) is a fast-paced...
Ghost Hunter M2
Entertainment
App
*The #1 Paranormal Investigation Toolkit* *Featured on "The Tonight Show" with Selena Gomez and...