"This annoyed me at the time - like Animal House - because it was not historical. It was smearing late seventies ideas of street credibility over sixties mod. I thought it very doubtful that a top face would be working at a scrap yard, for instance. But who cares? I've seen it many times since and it's an excellent teen movie: a great soundtrack, strong cast - a new generation of actors like Ray Winstone, Phil Davies, Mark Wingett and Phil Daniels, who would go on to have lustrous careers - and an archetypal loner-vs-the-gang storyline. It's noticeable that as Jimmy gets weirder, he gets more androgynous. As the film goes on, the activities of the gang get so tiresome you don't blame him for breaking away."

"I don’t know that these are chronological, particularly, and they may have occurred at different times in my life and had a meaning. But as I remember, I think there was quite an impact from someone who was able to move in his life to a very significant opportunity, and I was thinking of Mr. Smith Goes to Washington, with Jimmy Stewart. That was, to me, rather inspiring, that someone with maybe a newspaper background or whatever, given that task, went into the Puzzle Palace — we would call it today “the swamp” — to put some order into it. As he saw, things needed to be sort of straightened out. And I think that that is certainly a good bit proved in my profession."

"It’s corny but dark, dark, dark in spots. It was really dark when Jimmy Stewart is having his existential breakdown, wandering the town, having been given a chance to see what the world would be like had he not been there. We all kind of wonder that on some level — if not consciously, it’s probably part of what’s inside us. Something that is interesting about that film, there’s a character actor named H.B. Warner — he’s in all Capra films, playing a wide variety of roles. In this one, he plays the drunken druggist Mr. Gower. There’s a scene early on where Jimmy Stewart’s not even in the film yet. Young George has injured his ear in a sledding accident and Mr. Gower, drunk and depressed, accidentally sends George out with a prescription of poison to give a patient. When he figures it out and goes back, Mr. Gower is incensed, and beats him savagely. He hits him in the ear, and then when Mr. Gower realizes that the kid has saved this woman’s life and come back and he’s made a horrible mistake, he tries to embrace the boy. The boy’s fighting and the druggist is trying to comfort him, and himself at the same time. It’s a scene that if I think too hard about it, I’ll weep. It’s such a beautiful moment between two human beings. The kid was a great kid actor, but H.B. Warner is such a master, and I relate to character actors in a lot of ways. He was this guy who just bounced around from project to project, making everything he does, every story, richer for his presence. I have a lot of respect for that."