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Milleen (47 KP) rated Paris for One and Other Stories in Books
Nov 14, 2018 (Updated Nov 14, 2018)
Top up on hapless heroines and romance in this year's collection of eleven beautifully crafted short stories. Jojo Moyes is a skilful spinner of characters and fantasy male/female relationships and this short collection is just as satisfying as her novels. The protagonists are warm and slightly quirky which makes them endearing and memorable. If you haven't read a book for a while, short stories are just what you need to warm up your reading habits this winter. Several stories in this collection will get you hooked on Moyes light hearted take on the world
Stephanie Patterson (15 KP) rated Still Me in Books
Aug 15, 2019
Stunning romance (1 more)
Beautifully crafted
An amazing adaptation
This book is by far one of my favourite books by Jojo Moyes. It is such a stunning story and I was amazed at the character development made to Louisa from the first book. After the death of Will in book one it was a struggle for Luisa, and her romance progression in book two. It was lovely to see her revolve a 360 to her back to working with a wealthy family. Overall, amazing!
Cumberland (1142 KP) created a poll about in The Smashbomb Book Club
Jul 28, 2019 (Updated Aug 2, 2019)
LeftSideCut (3778 KP) rated Jojo Rabbit (2019) in Movies
Jun 21, 2020
I was not expecting to love Jojo Rabbit as much as I did. I would argue that it's one of the best films of 2019!
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
Milleen (47 KP) rated Eleanor Oliphant Is Completely Fine in Books
Nov 14, 2018
Winner of the Costa First Novel Award, this story will appeal to any fans of Jojo Moyes or Liane Moriarty. Our eponymous central character leads a very solitary, structured life, same clothes, same food, same two bottles of vodka each weekend. Eleanor exists but has not fully grasped how to live. This tale follows her as she tackles life and gradually reveals the deeply buried reasons behind her behaviour. This book is funny yet poignant and heart breaking. Honeyman has tackled the topic of loneliness, isolation and how our social interactions help form our understanding of others. This book will be the well-thumbed fodder of many a book group in years to come.
Ashley Valencia (5 KP) rated Me Before You (2016) in Movies
Apr 13, 2019
Emilia Clarke (1 more)
Emilia Clarke's eyebrows
You will cry (1 more)
No seriously you will cry A LOT
In this faithful adaption of the novel by Jojo Moyes, we have your pretty standard love story. Two people (Lou and Will) from very different walks of life (one poor, one disgustingly rich) meet, find common ground, and ultimately fall in love. The problem is that Will, who was recently in an accident that made him a quadriplegic, suffers from depression and has made plans to end his life. Overall I think the story is told well, it definitely made me cry like a baby, and is definitely worth the watch for any romance fan. Emilia Clarke is adorable in her role and her eyebrows are their own character.
Micky Barnard (542 KP) rated The Giver of Stars in Books
Nov 3, 2019
A quietly emotional story
I should know…know that when I read a Jojo Moyes book that it’s going to pack an emotional punch but with this blurb, I just didn’t see it coming. THE GIVER OF STARS had me invested quickly and feeling like a family member to the librarian sisterhood, so that when things happened, I felt devastated and scared to read on. The themes of misogyny, racism and feminism made this both emotional and empowering.
The context of reading, teaching poor and downtrodden women, children and men to read through the distrubution of books was in the background but it also powerful to observe. These women on their riding rounds also comforted the sick, grieving and took on the role of friends, confidantes and substitute mother figures.
I didn’t expect this book to be unputdownable, but it was as Moyes made the mundane work of Alice, Margery, Izzy and Beth’s lives totally readable and absorbing. Alice was the main protagonist, an English newly-wed, a little prissy but a genuinely sweet woman. The life she found in Kentucky was not at all what she expected and I tore my hair out over her and Bennett’s relationship. There were some revolting men in this book but then there were also some fantastic characters in Fred and Sven, they were the light in my reading and this book.
There was a second supporting protagonist in Margery and she really captured my heart. I loved her rebelliousness, her unconventional ways and willingness to be different. Her later storyline had me distraught, sad and prone to weeping. I just did not know where this book was going to end, there were so many possibilities.
I have come away from this read inspired. Jojo Moyes took me on a journey with this story and I am all the richer for it. This is historical women’s fiction at it’s best and I will remember this book for years, I am sure.
The context of reading, teaching poor and downtrodden women, children and men to read through the distrubution of books was in the background but it also powerful to observe. These women on their riding rounds also comforted the sick, grieving and took on the role of friends, confidantes and substitute mother figures.
I didn’t expect this book to be unputdownable, but it was as Moyes made the mundane work of Alice, Margery, Izzy and Beth’s lives totally readable and absorbing. Alice was the main protagonist, an English newly-wed, a little prissy but a genuinely sweet woman. The life she found in Kentucky was not at all what she expected and I tore my hair out over her and Bennett’s relationship. There were some revolting men in this book but then there were also some fantastic characters in Fred and Sven, they were the light in my reading and this book.
There was a second supporting protagonist in Margery and she really captured my heart. I loved her rebelliousness, her unconventional ways and willingness to be different. Her later storyline had me distraught, sad and prone to weeping. I just did not know where this book was going to end, there were so many possibilities.
I have come away from this read inspired. Jojo Moyes took me on a journey with this story and I am all the richer for it. This is historical women’s fiction at it’s best and I will remember this book for years, I am sure.
Suswatibasu (1701 KP) rated Sing, Unburied, Sing in Books
Oct 3, 2017
A Toni Morrison novel updated for modern times
This is no doubt a modern day version of reading a Toni Morrison novel. From the magical realism aspect to social issues affecting African Americans, this novel is both haunting and almost poetic.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.
Bob Mann (459 KP) rated Jojo Rabbit (2019) in Movies
Jan 16, 2020 (Updated Jan 16, 2020)
Cutting satire (1 more)
Great ensemble cast
Don't be stupid, be a smarty
Taika Waititi's much discussed movie is an odd beast. Set in a small German town towards the end of the war, Jojo (Roman Griffith Davis), is a young boy indoctrinated with Nazi fervour as a member of the Hitler youth. Together with his rotund and bespectacled friend Yorki (Archie Yates), they are not likely to spread fear into the approaching Allied forces: they are a pair that would be likely to get picked last for 'sides' in a school football match.
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
