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Entertainment Editor (1988 KP) created a video about track In the Mood by Joanne Shaw Taylor in Reckless Heart by Joanne Shaw Taylor in Music
Feb 8, 2019
BankofMarquis (1832 KP) rated Ava (2020) in Movies
Oct 8, 2020
Great mother/daughter scene in the middle of a generic assassin flick
To give you everything you need to know about the Jessica Chastain assassin flick AVA is to read the IMDB description of the film:
"Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival."
Pretty generic, right? There are only about a dozen films that I can think of off the top of my head that would fit this description. So...what separates this one to make it worth watching?
Not much.
Chastain stars as Ava, a deadly assassin who...oh, you get it. When the "job goes dangerously wrong", she heads back to Boston and into the arms of her loving family - who want nothing to do with her.
Chastain is good, but nothing special as Ava...she seems to be able to pull off the physicality of this role quite well (like Jennifer Lawrence in RED SPARROW or Charlize Theron in ATOMIC BLONDE). The head of the shadowy organization that Ava works, played by Collin Farrell, is generically shadowy and Farrell plays it professionally with a touch of "over the top" acting (but not too much). The great John Malkovich is a spark of energy in this film as Ava's mentor. Mr. Malkovich, as is his want to do, eats the scenery in every scene that he is in. Under normal circumstances, this would annoying, but in this film, it is welcome. Ioan Gruffudd and Joan Chen show up (briefly) as adversaries of Ava and all of these components makes the "assassin side" of this film work well enough.
The "family side' of this film just doesn't work - except for one scene.
Common is just plain bad in the underwritten role of Ava's former lover who is now married to her sister. Jess Wexler is forgettable as Ava's sister (I even had to look her up on IMDB to remind me of who played this role) and Geena Davis - as Ava's estranged mother - looks like she is just there because she owed someone a favor.
Except for one scene.
And that's the interesting thing about this film. Right in the middle of this very generic, very ordinary film is a "come to Jesus" meeting between Ava (Chastain) and her mother (Davis). This scene was "Oscar worthy" with 2 very good actresses going back and forth with each other (with Davis dominating the scene). I gotta think that this scene was the only one Davis read when she agreed to do this film and was pouting during her other, generic scenes.
Director Tate Taylor (who took over when the original Director was bounced when past sexual indiscretions were unearthed) and writer Matthew Newton bring nothing new to the genre. It is all very...generic. The action scenes are professionally done, but generic. The situations are contrived and...generic. The acting is...scenery chewing generic. The ending is predictably generic.
All-in-all an "entertaining enough" generic action flick - except for that one scene (and maybe Malkovich's performance), they make it worthwhile.
Letter Grade: B
7 stars (out of 10 - it really is a "5", but will add a point for Malkovich and another point for the mother daughter scene). - and you can take that to the Bank (ofMarquis)
"Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival."
Pretty generic, right? There are only about a dozen films that I can think of off the top of my head that would fit this description. So...what separates this one to make it worth watching?
Not much.
Chastain stars as Ava, a deadly assassin who...oh, you get it. When the "job goes dangerously wrong", she heads back to Boston and into the arms of her loving family - who want nothing to do with her.
Chastain is good, but nothing special as Ava...she seems to be able to pull off the physicality of this role quite well (like Jennifer Lawrence in RED SPARROW or Charlize Theron in ATOMIC BLONDE). The head of the shadowy organization that Ava works, played by Collin Farrell, is generically shadowy and Farrell plays it professionally with a touch of "over the top" acting (but not too much). The great John Malkovich is a spark of energy in this film as Ava's mentor. Mr. Malkovich, as is his want to do, eats the scenery in every scene that he is in. Under normal circumstances, this would annoying, but in this film, it is welcome. Ioan Gruffudd and Joan Chen show up (briefly) as adversaries of Ava and all of these components makes the "assassin side" of this film work well enough.
The "family side' of this film just doesn't work - except for one scene.
Common is just plain bad in the underwritten role of Ava's former lover who is now married to her sister. Jess Wexler is forgettable as Ava's sister (I even had to look her up on IMDB to remind me of who played this role) and Geena Davis - as Ava's estranged mother - looks like she is just there because she owed someone a favor.
Except for one scene.
And that's the interesting thing about this film. Right in the middle of this very generic, very ordinary film is a "come to Jesus" meeting between Ava (Chastain) and her mother (Davis). This scene was "Oscar worthy" with 2 very good actresses going back and forth with each other (with Davis dominating the scene). I gotta think that this scene was the only one Davis read when she agreed to do this film and was pouting during her other, generic scenes.
Director Tate Taylor (who took over when the original Director was bounced when past sexual indiscretions were unearthed) and writer Matthew Newton bring nothing new to the genre. It is all very...generic. The action scenes are professionally done, but generic. The situations are contrived and...generic. The acting is...scenery chewing generic. The ending is predictably generic.
All-in-all an "entertaining enough" generic action flick - except for that one scene (and maybe Malkovich's performance), they make it worthwhile.
Letter Grade: B
7 stars (out of 10 - it really is a "5", but will add a point for Malkovich and another point for the mother daughter scene). - and you can take that to the Bank (ofMarquis)