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Amy Fine Collins recommended The Thief of Bagdad (1940) in Movies (curated)
LeftSideCut (3778 KP) rated FIRESTARTER (2022) in Movies
May 25, 2022
I have a soft spot for the original Firestarter. It's not perfect by any means but it possesses a certain brand of charm. This new version from Blumhouse sucks all of that charm out and then some. The annoying thing is, it's not the worst thing I've ever sat through, but I genuinely don't think I've ever been so fucking bored watching a movie in my life. Every fibre of the finished product is just bland and forgettable, to the point that I had mostly purged it from my mind with minimal effort by the time I got home from the cinema. Kudos to Ryan Kiera Armstrong for doing the best she can with what she was given, and the soundtrack from John and Cody Carpenter, and Daniel A. Davies goes pretty hard, but it's not enough to save this flaming pile of miserable wank.
Christine A. (965 KP) rated Hark! the Herald Angels Scream: An Anthology in Books
Jan 22, 2019
Anthology of Christmas or winter themed horror stories
I was provided with a complimentary copy of this book so I could give an honest review.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
I waited until closer to the holiday to read this book and, with all of the rushing involved with the season, forgot to post my review. The Christmas season may be over, but it is still winter, so grab a cup of hot chocolate and be prepared to be entertained.
Hark! The Herald Angels Scream by Edited by Christopher Golden is an "anthology of all-new short fiction from some of the most talented and original writers of horror today." Included are eighteen stories of Christmas or winter themed horror from authors: Kelley Armstrong, Christopher Golden, Elizabeth Hand, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Sarah Lotz, Jonathan Maberry, Josh Malerman, Seanan McGuire, John M. McIlveen, James A. Moore, Sarah Pinborough, Angela Slatter, Scott Smith,Thomas E. Sniegoski, and Jeff Strand.
The cover quickly bring to mind "Tales from the Crypt", a campy, horror anthology television series with a memorable narrator, Crypt Keeper. The stories written could have been been portrayed in any of the episodes. As with "Tales from the Crypt", the stories in "Hark! The Herald Angels Scream" were creepy, funny, chilling, gruesome, dark, and definitely worth your time.
The stories are well written and stand alone.
Emma @ The Movies (1786 KP) rated Murder on the Orient Express (2017) in Movies
Sep 25, 2019
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Cyn Armistead (14 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Rachel King (13 KP) rated A Short History of Myth in Books
Feb 11, 2019
For such a short book, I developed quite a strong opinion about the text while reading it. I have been curious about Armstrong's writings for a long time, but this is the first attempt I have made at actually reading anything by her. I have always been a fan of ancient mythology, such as Greek and Egyptian, so this seemed like an easy choice.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.