Search
Search results
Holly Johnson recommended Transformer by Lou Reed in Music (curated)
Kristy H (1252 KP) rated The Visitors in Books
Jan 10, 2018
Creepy character study into very disturbed siblings
Marion Zetland and her brother John live in a decrepit old home near a seaside resort town. They inherited the house from their now deceased parents and neither sibling works, having to worry little about money thanks to their inheritance. Marion--in her 50s--still sleeps with stuffed animals and relies on her mercurial older brother for everything. As for John, he spends a great deal of his days down in the house's cellar--a place Marion never sets foot--tending to his "visitors," who arrive at their home, but then never come out of the cellar again. Marion spends her time puttering about the house and studiously ignoring John's visitors, even while she sees him preparing them meals and when she does their laundry on Mondays. But one day, John winds up in the hospital, and Marion is forced to confront everything she has been avoiding for years.
I was really excited when this book showed up as "read now" on Netgalley, as I'd heard so much about it. It was a really quick read--yet a slow burner, if that makes any sense. The description touts about Marion going into the cellar after John's heart attack, but that doesn't happen until over 75% way in... I kept waiting, waiting, and waiting for that major plot to occur. It seemed like a lot of build up for that event and then a rush of events after. I guess I had expected more creepiness and not as much messed up characters - this novel is far more of a character study than I had expected.
That's not to say it's not good, because it is; it's just not what I was expecting, and it's definitely a slow read that focuses far more on its character development than action. The novel is basically told entirely from Marion's point of view (with just a few snippets of emails from John's visitors). As such, we get an in-depth look at how Marion's childhood formed the person she is--and how it influenced John, as well. We learn about their terrible and neglectful parents. We see how John vacillates between kindness and torture toward his sister. We see how Marion is stuck in some sort of childlike, helpless state thanks to all of this. But, you also can't help but wonder, how truthful is Marion being with us?
All of this information about Marion and John's life and information about the neighbors was great and definitely gave us excellent insight into their character and actions. I still couldn't help but want to know more about the visitors actually living in the basement of this horrible, creepy house and I kept hoping and waiting for more to actually happen. There's a few great "aha" moments, but still.
Overall, as a creepy character study into a very disturbed brother and sister, this book exceeds admirably. I would have hoped for a slightly quicker pace, but oh well. I'd be curious to see what comes next from Catherine Burns. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I was really excited when this book showed up as "read now" on Netgalley, as I'd heard so much about it. It was a really quick read--yet a slow burner, if that makes any sense. The description touts about Marion going into the cellar after John's heart attack, but that doesn't happen until over 75% way in... I kept waiting, waiting, and waiting for that major plot to occur. It seemed like a lot of build up for that event and then a rush of events after. I guess I had expected more creepiness and not as much messed up characters - this novel is far more of a character study than I had expected.
That's not to say it's not good, because it is; it's just not what I was expecting, and it's definitely a slow read that focuses far more on its character development than action. The novel is basically told entirely from Marion's point of view (with just a few snippets of emails from John's visitors). As such, we get an in-depth look at how Marion's childhood formed the person she is--and how it influenced John, as well. We learn about their terrible and neglectful parents. We see how John vacillates between kindness and torture toward his sister. We see how Marion is stuck in some sort of childlike, helpless state thanks to all of this. But, you also can't help but wonder, how truthful is Marion being with us?
All of this information about Marion and John's life and information about the neighbors was great and definitely gave us excellent insight into their character and actions. I still couldn't help but want to know more about the visitors actually living in the basement of this horrible, creepy house and I kept hoping and waiting for more to actually happen. There's a few great "aha" moments, but still.
Overall, as a creepy character study into a very disturbed brother and sister, this book exceeds admirably. I would have hoped for a slightly quicker pace, but oh well. I'd be curious to see what comes next from Catherine Burns. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Scott Tostik (389 KP) rated 31 (2016) in Movies
Feb 3, 2018 (Updated Feb 3, 2018)
Richard Brake (2 more)
Some interesting dialogue
Cliffhanger ending
Blood, guts and profanity... my 3 favorite things
I am and always will be a horror movie fan. And a Rob Zombie fan as well. While most in the horror community dispose the man, and do their best to ignore his reimagining of John Carpenter's beloved Halloween. I get his vision. I understand his process.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
Darren (1599 KP) rated The Adjustment Bureau (2011) in Movies
Jun 20, 2019
Story David Norris (Matt Damon) is running for congress when a story gets released cause his ratings to slide. It is now upon Harry (Anthony Mackie) to fix this to make sure David wins and follows his destine path. David goes on to win and thanks to a chance meeting with Elise (Emily Blunt) gives one of the best speeches people have heard boosting his chances of running for senate.
The next morning Harry misses the chance he has to stop David getting on a bus to work, on this bus he meet Elise again cause his destiny to be changed. After getting her phone number he arrives at work only to discover that Charlie (Michael Kelly) his campaign manager and his office had been frozen by Richardson (John Slattery) and his team for adjustments. After seeing behind the curtain Richardson burns the number putting David back on his path, warning David not to find Elise and not tell anyone about the people making peoples lives happen.
David is left trying to keep his destine line while always trying to find Elise can he beat the adjustment team watch and you will see.
Verdict The headline review was ‘Bourne meets Inception’ and in a way it is having a way of controlling someones life by make chances things happen. the action chases are well constructed without even having to use guns. David love for Elise is strong with all the obstacles and sacrifices he makes for the idea of a better futures. This is a strong action thriller that everyone should enjoy but you would have to watch from start to finish and will struggle if picked up half way through.
Best quote Elise ‘ I’m not some hopeless romantic, I would never allow myself to be that way, but once I’ve fell, even for a moment, what I felt with you’
Favourite character Harry David personal watcher who explains the rules and breaks some too
Stand out performance Matt Damon he gives his normal strong performance as an important figure who takes risks
Best moment The door chase
Worst Moment Maybe being picky but maybe more explanation of the year gaps
https://moviesreview101.com/2011/07/09/the-adjustment-bureau-2011/
The next morning Harry misses the chance he has to stop David getting on a bus to work, on this bus he meet Elise again cause his destiny to be changed. After getting her phone number he arrives at work only to discover that Charlie (Michael Kelly) his campaign manager and his office had been frozen by Richardson (John Slattery) and his team for adjustments. After seeing behind the curtain Richardson burns the number putting David back on his path, warning David not to find Elise and not tell anyone about the people making peoples lives happen.
David is left trying to keep his destine line while always trying to find Elise can he beat the adjustment team watch and you will see.
Verdict The headline review was ‘Bourne meets Inception’ and in a way it is having a way of controlling someones life by make chances things happen. the action chases are well constructed without even having to use guns. David love for Elise is strong with all the obstacles and sacrifices he makes for the idea of a better futures. This is a strong action thriller that everyone should enjoy but you would have to watch from start to finish and will struggle if picked up half way through.
Best quote Elise ‘ I’m not some hopeless romantic, I would never allow myself to be that way, but once I’ve fell, even for a moment, what I felt with you’
Favourite character Harry David personal watcher who explains the rules and breaks some too
Stand out performance Matt Damon he gives his normal strong performance as an important figure who takes risks
Best moment The door chase
Worst Moment Maybe being picky but maybe more explanation of the year gaps
https://moviesreview101.com/2011/07/09/the-adjustment-bureau-2011/
Sarah (7799 KP) rated Saving Private Ryan (1998) in Movies
Feb 9, 2021
A classic
Film #14 on the 100 Movies Bucket List: Saving Private Ryan
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
Gareth von Kallenbach (980 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Aug 7, 2019
A Very Harold and Kumar 3D Christmas is the third movie in the Harold and Kumar series. This movie takes place six years after the events of Escape from Guantanamo Bay. Harold Lee (John Cho) and Kumar Patel (Kal Penn) have fallen out of touch since Harold got married, got a job on Wall Street and moved to the suburbs. Kumar is still smoking tons of weed. Harold on the other hand has stopped smoking weed and is desperately trying to find a way to impress his father in-law, Mr. Perez, played by Danny Trejo. Mr. Perez is obsessed with Christmas. Every year his family uses a Christmas tree that he has grown. This year he brought his home grown tree to Harold’s house for Christmas. In an attempt to win Mr. Perez over, Harold encourages Mr. Perez to take the family to midnight mass while Harold decorates the tree while they are gone.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.
Chris Sawin (602 KP) rated Antikörper (Antibodies) (2007) in Movies
Jun 18, 2019
A serial killer named Gabriel Engel (André Hennicke, Pandorum) that the police have been after for months has finally been captured. This is where most stories would end happily ever after, but instead this is how Antibodies begins. Michael Martens (Wotan Wilke Möhring, Valkyrie), a cop from a small, rural town had an unsolved case from a year ago concerning a 12-year-old girl named Lucia Flieder and Michael intends to interrogate Gabriel in hopes of a confession for her murder.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
