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Adventure and Redemption
I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
<i>I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Lyndsey Gollogly (2893 KP) rated Dragon Prince (Dragon Prince, #1) in Books
Aug 27, 2020
149 of 200
Book
Dragon Prince ( Dragon prince book 1)
By Melanie Rawn
Nominated for the 1989 John W. Campbell Award, this book tells the story of Rohan, who has become the new prince of the desert. Rohan seeks to bring peace to his world of divided nations.
This was loaned to me from a friend and I’m so glad she did! The world and character building was just fantastic. Despite it having a very intricate story it was done so well and flowed nicely. Reminds me of those fantasy stories that were so popular in the 80s so it was nice to read a book full of fantasy and adventure. Looking forward to reading more by this author!
Book
Dragon Prince ( Dragon prince book 1)
By Melanie Rawn
Nominated for the 1989 John W. Campbell Award, this book tells the story of Rohan, who has become the new prince of the desert. Rohan seeks to bring peace to his world of divided nations.
This was loaned to me from a friend and I’m so glad she did! The world and character building was just fantastic. Despite it having a very intricate story it was done so well and flowed nicely. Reminds me of those fantasy stories that were so popular in the 80s so it was nice to read a book full of fantasy and adventure. Looking forward to reading more by this author!
David McK (3236 KP) rated Imperfect Sword (The Lost Stars #3) in Books
Jan 30, 2019
The third book in [a:Jack Campbell|55547|Jack Campbell|https://d.gr-assets.com/authors/1302415236p2/55547.jpg]'s (aka John Hemry) 'The Lost Stars', this continues the story of Gwen Iceni and Arrur Drakon from the star system Midway in the wake of their revolution against their former Syndicate rulers.
This also takes place mostly alongside the events of [b:Steadfast|576565|The Steadfast Tin Soldier|Hans Christian Andersen|https://d.gr-assets.com/books/1348002883s/576565.jpg|2146970], with 'Balck Jack' Geary making a brief cameo about two-thirds of the way through, for reason explained in that other book.
The bulk of this novel concerns a preemptive attack on a neighbouring star system in which a former Syndic CEO has set up his own little Empire: an Empire that will, in time, threaten the security of Midway itself. As is usual, however, things are not as they seem ...
If you've read any of the other novels in this series, you will know pretty much what to expect: internal politicking, massive space battles (following Newtonian laws rather than the Space Opera of, say, Star Wars), and - especially in this book - ground battles,with Iceni and Drakon still just as unable as ever to admit their feelings to each other!
This also takes place mostly alongside the events of [b:Steadfast|576565|The Steadfast Tin Soldier|Hans Christian Andersen|https://d.gr-assets.com/books/1348002883s/576565.jpg|2146970], with 'Balck Jack' Geary making a brief cameo about two-thirds of the way through, for reason explained in that other book.
The bulk of this novel concerns a preemptive attack on a neighbouring star system in which a former Syndic CEO has set up his own little Empire: an Empire that will, in time, threaten the security of Midway itself. As is usual, however, things are not as they seem ...
If you've read any of the other novels in this series, you will know pretty much what to expect: internal politicking, massive space battles (following Newtonian laws rather than the Space Opera of, say, Star Wars), and - especially in this book - ground battles,with Iceni and Drakon still just as unable as ever to admit their feelings to each other!
David McK (3236 KP) rated Shattered Spear (The Lost Stars, #4) in Books
Jan 30, 2019
Fourth entry in Jack Campbell/John Hemrys spin-off series from 'The Lost Fleet' series (and I've lost count of what entry number this is in total), this is set back in what-used-to-be Syndicate Space, with The Syndicate themselves (as always) coming across as Stalin-era Soviets.
While they do put in an appearance, they're not actually the maion threat in this entry - rather, that is provided in the form of the alien Enigmas who, previous novels have shown, are to blame for the centuries-long war between The Alliance and The Syndicate and who, in this, are pushing into/trying to gain a toe-hold on a planet that falls with Human space.
All of which is a long way of saying: more of the same; more political machinations, space battles (in 'real-time' (as it were), and more ground battles.
A bit of a guilty pleasure, in short.
While they do put in an appearance, they're not actually the maion threat in this entry - rather, that is provided in the form of the alien Enigmas who, previous novels have shown, are to blame for the centuries-long war between The Alliance and The Syndicate and who, in this, are pushing into/trying to gain a toe-hold on a planet that falls with Human space.
All of which is a long way of saying: more of the same; more political machinations, space battles (in 'real-time' (as it were), and more ground battles.
A bit of a guilty pleasure, in short.
David McK (3236 KP) rated Victorious (The Lost Fleet, #6) in Books
Jan 30, 2019
The final book in Jack Campbell (the pen name of John Hemry)'s <i>The Lost Fleet</i> series, <i>Victorious</i> sees 'Black Jack' Geary returning to where the series started: back to the Syndic's Home System. While the last 5 books in the series ahve all dealt with the long retreat home (even if the Alliance Fleet never believed it was, or called it as such, and which ended in the finale of <i>The Lost Fleet: Relentless</i>), this sees that fleet go on the offensive in a bid to end the century-old war.
Without giving anything away (or, at least, any more than the blurb on my edition does!), the previously hinted-at alien forces on the far side of the Syndic space also have a role to play in this novel, leading plenty of space for that to be developed in the planned next series of books: <i>The Lost Fleet: Beyond the Frontier</i>. I may just be convinced to pick those up ...
Without giving anything away (or, at least, any more than the blurb on my edition does!), the previously hinted-at alien forces on the far side of the Syndic space also have a role to play in this novel, leading plenty of space for that to be developed in the planned next series of books: <i>The Lost Fleet: Beyond the Frontier</i>. I may just be convinced to pick those up ...
Phil Leader (619 KP) rated Iron Angel (Deepgate Codex #2) in Books
Nov 15, 2019
The first novel in the Deepgate Codex trilogy, Scar Night, explored the immediate surroundings of the suspended city of Deepgate. This second entry follows the fallout from the battle of Deepgate as the balance between the powers of the world realign themselves.
As with Scar Night, Campbell's imagination creates some stunning characters and imagery; the Soft Men, John Anchor, a nightmarish journey through hell. The descriptions are extremely evocative, the whole having a sort of Gothic Steampunk feel to it.
This is, however, weaker than Scar Night, partly because there is just so much Campbell is keen to show us that the detail gets lost, and at times the story grinds to a halt for some lingering descriptions of something that although interesting has no real bearing on the story and just means momentum is lost. The result is unfortunately a bit of a mess.
Not a bad book by any means, but a case of an author's enthusiasm for their own creations reducing the focus on developing an interesting and coherent story
As with Scar Night, Campbell's imagination creates some stunning characters and imagery; the Soft Men, John Anchor, a nightmarish journey through hell. The descriptions are extremely evocative, the whole having a sort of Gothic Steampunk feel to it.
This is, however, weaker than Scar Night, partly because there is just so much Campbell is keen to show us that the detail gets lost, and at times the story grinds to a halt for some lingering descriptions of something that although interesting has no real bearing on the story and just means momentum is lost. The result is unfortunately a bit of a mess.
Not a bad book by any means, but a case of an author's enthusiasm for their own creations reducing the focus on developing an interesting and coherent story
Hazel (1853 KP) rated The Thing: Zero Day in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
David McK (3236 KP) rated The Genesis Fleet - Ascendant (Book 2) in Books
Jan 30, 2019
Second entry in John Hemry's (Jack Campbell is his pen-name) 'Genesis Fleet' series, which acts as a precursor to his 'Lost Fleet' series or its sequels in 'Lost Fleet: Beyond the Frontier' and in the 'Shattered Stars' series.
As a precursor, this takes place centuries before the 'Lost Fleet' series, when humanity has really only just taken to the stars, centuries before The Alliance and The Syndicate struggle for control of the stars and before 'Black Jack' Geary is born (however, his ancestor Rob Geary has a central role in these novels).
The bulk of this book - the vast majority, even - actually deals with an attack on the colony world of Kosatka, with the action taking place (and described) in both space and on the ground. Although Rob Geary is tasked with protecting his own colony world of Glenlyon, his investigations into an attack on a ship passing into that system leads him to an allied system, where he learns that another allied system (the afore-mentioned Kosatka) is in imminent danger of invasion. Reasoning that those attackers would move on to attack Glenlyon after Kostaka falls, Geary makes the decision to aid in the defence, somewhat stretching his own orders …
In short (like any other work in any of the 'Lost Fleet', 'Beyond the Frontier' or 'Shattered Stars' series) a relatively straight-forward plot that only really exists to provide an excuse for the (admittedly, well-told) action!
As a precursor, this takes place centuries before the 'Lost Fleet' series, when humanity has really only just taken to the stars, centuries before The Alliance and The Syndicate struggle for control of the stars and before 'Black Jack' Geary is born (however, his ancestor Rob Geary has a central role in these novels).
The bulk of this book - the vast majority, even - actually deals with an attack on the colony world of Kosatka, with the action taking place (and described) in both space and on the ground. Although Rob Geary is tasked with protecting his own colony world of Glenlyon, his investigations into an attack on a ship passing into that system leads him to an allied system, where he learns that another allied system (the afore-mentioned Kosatka) is in imminent danger of invasion. Reasoning that those attackers would move on to attack Glenlyon after Kostaka falls, Geary makes the decision to aid in the defence, somewhat stretching his own orders …
In short (like any other work in any of the 'Lost Fleet', 'Beyond the Frontier' or 'Shattered Stars' series) a relatively straight-forward plot that only really exists to provide an excuse for the (admittedly, well-told) action!
JT (287 KP) rated Escape From L.A. (1996) in Movies
Mar 10, 2020
John Carpenter’s offering into the world of sequels couldn’t have been worse. Kurt Russell said he had a desire to play Snake Plissken once again and to be honest I wished he hadn’t bothered.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!