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The release of Star Wars in 1977 marked the start of what would become a colossal global franchise....
Peter Strickland recommended Midsommar (2019) in Movies (curated)
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The first book in a page-turning historical mystery series! Perfect for fans of Agatha Christie,...
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Merissa (12889 KP) rated Dark Phoenix (Phoenix #2) in Books
May 8, 2023
OMG, I never expected this story to go this way! I will say now that I think I spent far too long actually wanting to whop a character upside his head!
Dark Phoenix pretty much starts where Phoenix Rising left off. Cody and Daughtry are still trying to learn what it's like to be bonded mates, but things aren't going too well given outside circumstances. For example, there is a big shocker that happens about who it was that actually kidnapped Daughtry. This results in Cody being a complete donk and pushing Daughtry away. She is feeling overwhelmed and her feelings of inadequacy are rampant. She also feels very lonely as her friendships with John and Suz take a beating too. Daughtry is so strong in some ways, as Morgan very eloquently said. She has faced so much, been betrayed by so many, and yet still carries on with a pure heart.
Just like with book one, this book has it all - an action-packed climax, enough feels to leave you feeling wrung out, and a big enough dollop of humour that you feel like you just have to carry on. The secrets and mysteries that are revealed in this book are stunning and I personally hope for some more from this series, as I don't feel that I am ready to leave Daughtry and Cody yet. I am hopeful from the way it ended that there will be more to come. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2015
Dark Phoenix pretty much starts where Phoenix Rising left off. Cody and Daughtry are still trying to learn what it's like to be bonded mates, but things aren't going too well given outside circumstances. For example, there is a big shocker that happens about who it was that actually kidnapped Daughtry. This results in Cody being a complete donk and pushing Daughtry away. She is feeling overwhelmed and her feelings of inadequacy are rampant. She also feels very lonely as her friendships with John and Suz take a beating too. Daughtry is so strong in some ways, as Morgan very eloquently said. She has faced so much, been betrayed by so many, and yet still carries on with a pure heart.
Just like with book one, this book has it all - an action-packed climax, enough feels to leave you feeling wrung out, and a big enough dollop of humour that you feel like you just have to carry on. The secrets and mysteries that are revealed in this book are stunning and I personally hope for some more from this series, as I don't feel that I am ready to leave Daughtry and Cody yet. I am hopeful from the way it ended that there will be more to come. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2015
Bob Mann (459 KP) rated Colossal (2016) in Movies
Sep 29, 2021
A Marvel-ous Indie Movie
Well!! I’ve been really surprised (in a good way) by two films this year, and both have involved monsters (the first being “A Monster Calls” back in January).
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
Gareth von Kallenbach (980 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 15, 2019
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
Hadley (567 KP) rated Stumbling Stoned (The Patchwork Prince #1) in Books
Oct 22, 2020
Dark humor (1 more)
Fast paced
When I realized that Wyck's Stumbling Stoned was like Memento meets a season of Fargo, I was all in. A book about a mental patient with amnesia that has supernatural powers? Yes, please!
I was completely blown away by the twists and turns in this story, and even more so by how well it all fit together. But if you find dark humor distasteful, you won't like this book very much. I found myself giggling at things I probably shouldn't have, but these things made it all the better.
Our main character is an amnesiac mental patient known as John Doe, and the entire story is told from his point-of-view. He escapes from the hospital soon after the start of the story with one of the psychiatrists in-tow. We find that Doe has tied up the former in a bathtub while an older man is tied up to a toilet. The man is unknown to the two, and apparently has jet black eyes that make him seem inhuman. And Doe seems to have eaten a fellow patient's finger and upchucked it in the sink- - - something that surprisingly disgusts him - - - and leads him to a drawing on the mirror above, something Doe drew before blacking out.
Doe, after realizing he kidnapped the psychiatrist, quickly lets her go, and goes off on his own with no idea who he is or where he's going. Just when the reader suspects that Doe might find out who he is, he is suddenly swept up into a human trafficking business and mafia dealings he had no idea existed. And because of this, after being drugged by a mafioso, Doe realizes that he has supernatural powers whenever he is hopped-up on drugs.
When Doe makes an escape from the dirty warehouse where young girls are held as sex slaves, he helps these girls by breaking their chains with his bare hands. Not only does he co-lead their escape, but he also ends up saving the daughter of a well-known Mafia boss. However, this leads to Doe being stuck in the middle of a family feud, and he is almost killed by this very same family for knowing just a little too much. And this isn't even half of the story!
Later on, Doe ends up in the hands of a witch, but he realizes quite quickly that she's not the one to fear, but rather who she is working for - - - a man named Zabat- - - who she is delivering our character to. Somehow, Zabat knows exactly who Doe is and why he has supernatural powers, but he refuses to tell him unless Doe helps him first. Doe refuses and, instead, throws himself out of a high rise window. From here, Doe begins to piece some of his life together, but Zabat causes a couple of problems that ends up revealing to the reader that Doe is not human and that the supernatural powers are not a figment of his imagination.
Now, the story is so fast-paced and borders on ridiculous at some points, yet it all fits together quite well; I personally can't think of another way this story could have been told, but that didn't make the book flawless. Stumbling Stoned had some bad writing techniques in it, but not enough that I think readers would put it down.
I can only recommend this book to people who like dark humor, but as far as horror - - - this isn't that type of book. Stumbling Stoned takes readers on a thrill ride through the seedier side of life. I personally believe this is a good book to read to get away from the daily stressors of life. I truly hope that Wyck decides to write a sequel!
I was completely blown away by the twists and turns in this story, and even more so by how well it all fit together. But if you find dark humor distasteful, you won't like this book very much. I found myself giggling at things I probably shouldn't have, but these things made it all the better.
Our main character is an amnesiac mental patient known as John Doe, and the entire story is told from his point-of-view. He escapes from the hospital soon after the start of the story with one of the psychiatrists in-tow. We find that Doe has tied up the former in a bathtub while an older man is tied up to a toilet. The man is unknown to the two, and apparently has jet black eyes that make him seem inhuman. And Doe seems to have eaten a fellow patient's finger and upchucked it in the sink- - - something that surprisingly disgusts him - - - and leads him to a drawing on the mirror above, something Doe drew before blacking out.
Doe, after realizing he kidnapped the psychiatrist, quickly lets her go, and goes off on his own with no idea who he is or where he's going. Just when the reader suspects that Doe might find out who he is, he is suddenly swept up into a human trafficking business and mafia dealings he had no idea existed. And because of this, after being drugged by a mafioso, Doe realizes that he has supernatural powers whenever he is hopped-up on drugs.
When Doe makes an escape from the dirty warehouse where young girls are held as sex slaves, he helps these girls by breaking their chains with his bare hands. Not only does he co-lead their escape, but he also ends up saving the daughter of a well-known Mafia boss. However, this leads to Doe being stuck in the middle of a family feud, and he is almost killed by this very same family for knowing just a little too much. And this isn't even half of the story!
Later on, Doe ends up in the hands of a witch, but he realizes quite quickly that she's not the one to fear, but rather who she is working for - - - a man named Zabat- - - who she is delivering our character to. Somehow, Zabat knows exactly who Doe is and why he has supernatural powers, but he refuses to tell him unless Doe helps him first. Doe refuses and, instead, throws himself out of a high rise window. From here, Doe begins to piece some of his life together, but Zabat causes a couple of problems that ends up revealing to the reader that Doe is not human and that the supernatural powers are not a figment of his imagination.
Now, the story is so fast-paced and borders on ridiculous at some points, yet it all fits together quite well; I personally can't think of another way this story could have been told, but that didn't make the book flawless. Stumbling Stoned had some bad writing techniques in it, but not enough that I think readers would put it down.
I can only recommend this book to people who like dark humor, but as far as horror - - - this isn't that type of book. Stumbling Stoned takes readers on a thrill ride through the seedier side of life. I personally believe this is a good book to read to get away from the daily stressors of life. I truly hope that Wyck decides to write a sequel!
Louise (64 KP) rated Our Chemical Hearts in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
So this is another book that was on my #Beatthebacklist TBR for 2017 and I don’t really know how I feel about this book!
Henry Page has always seen his friends fall in out of relationships so many times but that has never appealed to him before, he is more interested in his studies and becoming editor for the school newspaper. This all changes when Grace Town starts at Henry’s school and is offered co-editor. Grace is not like normal girls, she wears boys clothes, walks with a limp and her eyes constantly look pained. Whilst Henry gets to know Grace, he discovers the dark truths and how broken Grace Town really is.
My feelings on this book can be summed up in one word….MEH! I wasn’t blown away but I didn’t hate it either. I liked that this was told from a male perspective although written by a female author. I loved that there were references to fandom in the book.
At times this book was frustrating to read just because Henry knew that Grace was a broken soul and she had been telling him that and he just kept going back for more and get hurt over and over again. The problem is he see’s a picture of Grace on Facebook before all her troubles began and he wanted her to be like she was and he felt like he saw glimpses of that person break through when he was with her sometimes,however she was never going to be the same again and Henry just didn’t seem to realise this.
The characters were a bit hit and miss with this book, I really didn’t like his best friends. One was just portrayed as a stereotypical Australian with bad jokes and Lola just didn’t seem realistic. Henry was frustrating and a bit stalkerish. Grace was actually the only character that I thought felt genuine, she had flaws, she was grieving and very secretive about her past and she was a really fleshed out, three-dimensional character.
This is a short review as I don’t really know what to say. This book deals with grief, self harm and first loves. This has been compared as a hybrid between John Green and Rainbow Rowell. I can tell you now that the characters in this book are not as pretentious as the ones in TFIOS(sorry fans of John Green), but the book doesn’t have the same emotion and connection as Rainbow Rowell’s books.
I rated this book 2 out of 5 stars
So this is another book that was on my #Beatthebacklist TBR for 2017 and I don’t really know how I feel about this book!
Henry Page has always seen his friends fall in out of relationships so many times but that has never appealed to him before, he is more interested in his studies and becoming editor for the school newspaper. This all changes when Grace Town starts at Henry’s school and is offered co-editor. Grace is not like normal girls, she wears boys clothes, walks with a limp and her eyes constantly look pained. Whilst Henry gets to know Grace, he discovers the dark truths and how broken Grace Town really is.
My feelings on this book can be summed up in one word….MEH! I wasn’t blown away but I didn’t hate it either. I liked that this was told from a male perspective although written by a female author. I loved that there were references to fandom in the book.
At times this book was frustrating to read just because Henry knew that Grace was a broken soul and she had been telling him that and he just kept going back for more and get hurt over and over again. The problem is he see’s a picture of Grace on Facebook before all her troubles began and he wanted her to be like she was and he felt like he saw glimpses of that person break through when he was with her sometimes,however she was never going to be the same again and Henry just didn’t seem to realise this.
The characters were a bit hit and miss with this book, I really didn’t like his best friends. One was just portrayed as a stereotypical Australian with bad jokes and Lola just didn’t seem realistic. Henry was frustrating and a bit stalkerish. Grace was actually the only character that I thought felt genuine, she had flaws, she was grieving and very secretive about her past and she was a really fleshed out, three-dimensional character.
This is a short review as I don’t really know what to say. This book deals with grief, self harm and first loves. This has been compared as a hybrid between John Green and Rainbow Rowell. I can tell you now that the characters in this book are not as pretentious as the ones in TFIOS(sorry fans of John Green), but the book doesn’t have the same emotion and connection as Rainbow Rowell’s books.
I rated this book 2 out of 5 stars