Eileen
Book
This book was shortlisted for the Man Booker Prize 2016. It was shortlisted for the Gordon Burn...
The Ballad of John Latouche: An American Lyricist's Life and Work
Book
Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a...
Suswatibasu (1701 KP) rated Mindhunter - Season 1 in TV
Oct 15, 2017 (Updated Oct 15, 2017)
The series is produced by David Fincher and Charlize Theron, so you would hope for something rather spectacular. Alas, it just completely falls short, each episode seems to just waste away into nothingness and the only thread there is, is the irritating behaviour of the main character who seems to be an arrogant narcissist himself and seems to completely unravel by the end of the series.
There's also a mysterious character throughout the series that doesn't come to fruition so you're left literally scratching your head wondering why the hell he was used in the first place. The acting is the only part where I can say, without a doubt, is extraordinary but that's it.
The Meaning of Liff: The Original Dictionary of Things There Should be Words for
Book
The Meaning of Liff has sold hundreds of thousands of copies since it was first published in 1983,...
How to Measure Anything: Finding the Value of Intangibles in Business
Book
Now updated with new measurement methods and new examples, How to Measure Anything shows managers...
Isle of Man Transport: A Colour Journey in Time: Steam Railways, Ships, and Road Services Buses
Martin Jenkins and Charles Roberts
Book
This stunning selection of colour views, dating from the period 1953-1980, includes most of the...
A Tale of Three Cities: The Life and Times of Lord Daer, 1763-1794
Book
Basil William Douglas, Lord Daer, was a remarkable man who left an indelible impression on those who...
Gareth von Kallenbach (971 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
Movie Metropolis (309 KP) rated Unlocked (2017) in Movies
Jun 10, 2019
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/