"Some say Jay McInerney partied too much and it hurt his output, but the fact that the party produced this brilliant, hysterically funny description of the party makes the partying worth it in my book. That the novel’s narrator is based on a young woman who, I’ve heard lately, grew up to become John Edwards’ mistress of course only makes it better."

"I took this title for one of my songs on my third album and dedicated it to my sister; she loves this one too. The last John Cassavetes film . . . I heard he was ill throughout a lot of the making of this and, in the final scene, he waves good-bye. It’s really touching. His real-life wife, Gena Rowlands, is one of my all-time favorite actresses."

"I was a John Peel listener like anyone who had any taste, any lonely soul - there were a lot of us and it was great when we all got together. He played this. I'd never heard anything like it. It was around that period after the Mexico Olympics and the Black Power protest and to this day, surely, this must be the first hip-hop record, not in terms of its music composition but in terms of the content. Everything is there. It is supreme. I wanted to know more about it, so I went out and bought some books - Soul On Ice, Seize The Time, all those things. That's really powerful. John was never quite as bumbling as he liked people to think."

"I'm an enormous Terry Riley fan. For me, Steve Reich and Terry Riley are the twin pillars of minimalism. Simplicity, harmony and repetition: they're very important things in what I do and what I really like. And I chose this album as opposed to A Rainbow In Curved Air because I heard that both John Cale and Terry Riley hated it, and I think it's a record that deserves love. 'The Mirrors In The Great Hall of Versailles' is a fantastic track and one which I just listen to over and over again. It's a really beautiful record. For years I hated the song. There's a song called 'The Soul of Patrick Lee' on it. But then I heard it somewhere and I thought it was quite good. But it's a strange hybrid record, and you can see how Terry could be dissatisfied with hearing something that has repetitive riffs and drums playing underneath it, and how John would feel like it didn't really accord with anything he was doing. Someone had obviously decided that they would make a good pairing because of their history. But they never made another record together which kind of tells you quite a lot. There hasn't been a Church Of Anthrax Revisited. Also it's a fantastic title. It's very dystopian."