Search

Search only in certain items:

40x40

Matthew Krueger (10051 KP) rated Saw (2004) in Movies

Dec 17, 2019 (Updated Jan 8, 2020)  
Saw (2004)
Saw (2004)
2004 | Horror
The Start
Saw- this one started it all, this one started the franchise. This one is the best one out of all of them. This one has the best story, the best plot and the best twist ending to all of them. This one is more detective film than a tourture film, it still had tourture in it, but its more about the two main charcters trying to survivor and figure out where their are and the detective trying to find them. With introduction Jigsaw/John Kramer, doctor Gordon and Amanda Young.

The Plot: Photographer Adam Stanheight (Leigh Whannell) and oncologist Lawrence Gordon (Cary Elwes) regain consciousness while chained to pipes at either end of a filthy bathroom. As the two men realize they've been trapped by a sadistic serial killer nicknamed "Jigsaw" and must complete his perverse puzzle to live, flashbacks relate the fates of his previous victims. Meanwhile, Dr. Gordon's wife (Monica Potter) and young daughter (Makenzie Vega) are forced to watch his torture via closed-circuit video.

After this one, the franchise became more of a tourture porn franchise, well it did become tourture porn in the sequels, with focus more on tourture and the traps rather than a story. The story is just sprinkled within inside the tourture porn and traps, you just have to find the story.

Like i said before this one is the best one out of all of them, the best story, the best plot and the best twist ending.

Want to play a game, do you punk? Well do you?
  
Brief Encounter (1974)
Brief Encounter (1974)
1974 | Drama, Romance
(0 Ratings)
Movie Favorite

"I knew and liked David Lean, a director of genius, who was very kind to me when he was making The Sound Barrier for my Uncle Alex, and Brief Encounter has always seemed to me the very best of classic British filmmaking, with its fiercely restrained emotions and good manners trumping passion, typical of its era. It is the best of the “small” British pictures, which my Uncle Alex tried to replace with “big” British pictures in an attempt to outdo Hollywood, rather than coexist with it, after he left it for Britain in 1932. Lean, who in Brief Encounter made this most English of English films (a distinction perhaps shared by This Happy Breed and The Fallen Idol, see below), moved onward and upward to ever bigger pictures, by way of The Sound Barrier, Summertime, and eventually the biggest and best of all epic films, Lawrence of Arabia, escaping from the confines of England to “international” films that challenged and beat those of the Hollywood studios. But Brief Encounter was a perfect, close-up view of a shabby, threadbare England, the England of “books from Boot’s, good drains, and class distinction,” in John Betjeman’s words, and of a muted, sad, doomed, and very English love affair. It has always been a film that puzzles the French, who find it hard to believe in a love story with almost no eroticism, and in which the lovers are usually dressed in raincoats. It is also Trevor Howard, a wonderful actor, at his best."

Source
  
Do the Right Thing (1989)
Do the Right Thing (1989)
1989 | Comedy, Drama

"First one on my list is Do the Right Thing. Spike Lee, man. I actually saw that twenty times in the theaters. That’s before VCRs; I mean, that was like right when the VCRs were kind of happening, and you had to wait a year for something to come out on VHS. It wasn’t the quick turnaround like we have right now. But Do the Right Thing changed my life in so many ways, because I had never seen… it was a movie that was comedic, yet so powerful. I didn’t really have a definition, because I’d never seen black people on screen like that, and it was just one of those things. It was my era; it was my generation. There was a lot of blaxploitation before that, you know, and you could see people on TV, and all this stuff. But I remember I was in college, and it was kind of like this empowerment. Spike had made She’s Gotta Have It, but then Do the Right Thing really broke it down. It changed my life. It made me want to get into the business like never before. Totally. I was like, I am a Spike Lee nut; I want to do this. I thought it should have won Best Picture that year; it just meant so much. It just meant a lot to everybody. There was a lot of race relations stuff, and just think of the stars that came out of that: Sam Jackson, Martin Lawrence, and Spike himself, and Rosie Perez, and John Turturro. I mean, it’s just… Whew! It just changed the game, changed the game."

Source
  
House of Dracula (1945)
House of Dracula (1945)
1945 | Horror, Sci-Fi
8
6.8 (4 Ratings)
Movie Rating
Get The Gang All Together: The Crossover II
House of Dracula- was a direct sequel to House of Frankenstein, and continued the theme of combining Universal's three most popular monsters: Frankenstein's monster (Glenn Strange), Count Dracula (John Carradine), and the Wolf Man (Lon Chaney Jr.).

The plot: This monster movie focuses on the iconic vampire, Count Dracula (John Carradine), and Lawrence Talbot (Lon Chaney), better known as the Wolf Man. Both beings of the night are tired of their supernatural afflictions, so they seek out Dr. Franz Edelmann (Onslow Stevens) for cures for their respective curses. While trying to aid the imposing creatures, Edelmann himself develops a transformative condition, adding to the many ghouls lurking around the foreboding landscape.

The working titles for the film were Dracula vs. the Wolf Man or The Wolf Man vs. Dracula.

Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.

Strange recounts that a scene with the Monster stuck in quicksand was particularly arduous for him. On top of three hours of getting into makeup, Strange spent the rest of the day buried in cold sand, including during the lunch break, and was so cold by midafternoon that he could barely feel his legs. Lon Chaney Jr. attempted to help Strange keep warm by passing him a bottle of scotch, with the result that Strange was so drunk that after getting out of costume and makeup, he had difficulty dressing himself in his street clothes. Chaney's drinking contributed to his reputation as being difficult to work with, and probably was the reason Universal let him go after the film was completed.

The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.

Its a fun entertaing horror film starring the universal monsters.