Search
Sketchup for Site Design: A Guide to Modeling Site Plans, Terrain and Architecture
Book
The site designer's guide to SketchUp's powerful modeling capabilities SketchUp for Site Design is...
Renminbi Rising: A New Global Monetary System Emerges
William H. Overholt, Guonan Ma and Cheung Kwok Law
Book
Critical analysis of RMB internationalization and the coming global currency shift Renminbi Rising...
Risk Management and Financial Institutions
Book
The most complete, up to date guide to risk management in finance Risk Management and Financial...
Wine Trails: Plan 52 Perfect Weekends in Wine Country
Book
From Lonely Planet, the world's leading travel guide publisher, Wine Trails, the first book in...
Arab Orthodox Christians Under the Ottomans 1516-1831
Samuel Noble, Constantin Alexandrovich Panchenko and Brittany Pheiffer Noble
Book
Following the so called "Arab Spring" the world's attention has been drawn to the presence of...
LeftSideCut (3778 KP) rated The Hateful Eight (2015) in Movies
Aug 30, 2019 (Updated Sep 11, 2019)
A modern masterpiece
Honestly, there is nothing I dislike about the 8th film from Quentin Tarantino. Absolutely nothing.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
The Expanding Universe by Laurie Spiegel
Album
Triple vinyl LP pressing. Digitally remastered edition. The Expanding Universe is the 1980 debut...
Rachel King (13 KP) rated Abandon (Abandon, #1) in Books
Feb 11, 2019
Though I have been familiar with the name of Meg Cabot for awhile, this is the first book by her that I have actually read. I am a sucker for Greek mythology, and a retelling of Hades and Persephone has great potential. With a great cover and an even better premise to the book, I had pretty high hopes for the plot itself.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
Gareth von Kallenbach (977 KP) rated Hot Tub Time Machine 2 (2015) in Movies
Jun 19, 2019
When “Hot Tub Time Machine” came out almost five years ago, it took a whacky concept of four friends whisked back in time during a getaway to the 80s giving them a chance to fix aspects of their lives they wished they had done differently.
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
Gareth von Kallenbach (977 KP) rated Robin Hood (2010) in Movies
Aug 8, 2019
If you think you know the tale of Robin Hood in its entirety, think again. A prequel to the traditional story, “Robin Hood” provides the long awaited history of the most classic of well-intentioned thieves and his band of men…who are merry.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.