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RəX Regent (349 KP) rated Deepwater Horizon (2016) in Movies
Feb 18, 2019
Based on the true and tragic events on April 2010, Director Peter Berg takes the helm of this re-enactment of the explosive ‘blow-out’ which destroyed the eponymous exploration rig off the coast of Louisiana. We follow Mike Williams (Mark Walberg) and the rig’s Manager Jimmy Harrell (Kurt Russell) as they butt heads with the profit hungry BP executives who are more concerned with the fact that the operation is 43 days behind schedule than safety and have began to cut corners.
Berg builds and maintains the tension expertly, as this procedural disaster movie takes shape, but this is no Titanic (1997) or Poseidon Adventure (1976). The disaster itself only takes up about 30 minutes of the 107 minute run time as we are taken through the technicalities of America’s worst ever oil disaster, one which claimed 11 lives and spilled 210 million gallons of oil into the Gulf of Mexico.
The tension is palpable, the disaster is terrifying yet exiting and whilst wearing its roughneck Vs. company man heart on its sleeve, you are left feeling that we are given a much greater understanding of the subject as well as the newsworthy disaster.
This is helped along by the great visuals and sound design, as well as art direction and visual effects, which along with the great performances, not least BP man, Vidrine (John Malkovich), makes this a must see.
Berg builds and maintains the tension expertly, as this procedural disaster movie takes shape, but this is no Titanic (1997) or Poseidon Adventure (1976). The disaster itself only takes up about 30 minutes of the 107 minute run time as we are taken through the technicalities of America’s worst ever oil disaster, one which claimed 11 lives and spilled 210 million gallons of oil into the Gulf of Mexico.
The tension is palpable, the disaster is terrifying yet exiting and whilst wearing its roughneck Vs. company man heart on its sleeve, you are left feeling that we are given a much greater understanding of the subject as well as the newsworthy disaster.
This is helped along by the great visuals and sound design, as well as art direction and visual effects, which along with the great performances, not least BP man, Vidrine (John Malkovich), makes this a must see.
Sarah (7798 KP) rated Bird Box (2018) in Movies
Dec 28, 2018
Good but falls short
I’d heard mixed things about this, and Netflix made films are hit and miss at best, but this is actually quite good.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
Movie Metropolis (309 KP) rated Deepwater Horizon (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Disaster with feeling
“Based on true events”. I can’t think of anything more disconcerting when I sit down to watch a film. When it comes to blockbusters inspired by real-life situations, the outcome can be a poignant movie that captures the heart and emotion of the episode – a la American Sniper.
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Movie Metropolis (309 KP) rated Unlocked (2017) in Movies
Jun 10, 2019
London Has Fallen, but good
Every year it happens, a big blockbuster comes along and absolutely obliterates the competition at the box office. This year, that award has gone to the much-hyped and slightly disappointing Guardians of the Galaxy: Vol 2.
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
Daniel Boyd (1066 KP) rated Bird Box (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Fantastic direction and cinematography, full of great shots (3 more)
Great ensemble cast
Vague enough to keep you guessing while still giving you enough to care about the players involved
Fantastic use of tension
The Movie That A Quiet Place Wishes It Was
For me, A Quiet Place was one of the biggest let downs of the year. I was so hyped based on the trailers beforehand and I was ultimately left extremely underwhelmed.
This movie hit the mark that A Quiet Place missed in my opinion and is an example of a stellar horror/thriller that does it's job of keeping it's audience on the edge of their seat throughout.
Sandra Bullock puts in one of the greatest performances of her career here and proves that her remarkably consistent career hasn't just happened by accident, she is an actress at the top of her game and has stood the test of time for a reason. The rest of the cast are also great, with Sarah Paulson, Trevante Rhodes, Tom Hollander and John Malkovich standing out as highlights.
I loved the way that the filmmakers built legitimate tension and dread without resorting to bog standard lazy modern horror techniques such as throwing in an abundance of jumpscares and hoping that at least a couple of them work. The movie does a fantastic job at keeping you the edge of your seat throughout and throwing in a few twists to keep the momentum going until the end.
I don't want to say too much more as you are best going into this movie as blind as possible (pun intended,) but it is a brilliant thriller that is definitely worth your time.
This movie hit the mark that A Quiet Place missed in my opinion and is an example of a stellar horror/thriller that does it's job of keeping it's audience on the edge of their seat throughout.
Sandra Bullock puts in one of the greatest performances of her career here and proves that her remarkably consistent career hasn't just happened by accident, she is an actress at the top of her game and has stood the test of time for a reason. The rest of the cast are also great, with Sarah Paulson, Trevante Rhodes, Tom Hollander and John Malkovich standing out as highlights.
I loved the way that the filmmakers built legitimate tension and dread without resorting to bog standard lazy modern horror techniques such as throwing in an abundance of jumpscares and hoping that at least a couple of them work. The movie does a fantastic job at keeping you the edge of your seat throughout and throwing in a few twists to keep the momentum going until the end.
I don't want to say too much more as you are best going into this movie as blind as possible (pun intended,) but it is a brilliant thriller that is definitely worth your time.
Gareth von Kallenbach (965 KP) rated Penguins Of Madagascar (2014) in Movies
Aug 6, 2019
Those cute little feathery spy guys are back in an all new action packed adventure. If you are unfamiliar with the Penguins of Madagascar animated series on Nick there is no need to worry. Here is a quick rundown; Skipper is the leader, Kowalski is the brains, Rico is the loose cannon, and Private is the rookie. This film takes off right after Madagascar 3: Europe’s Most Wanted when the Penguins are trying to escape from the Afro Circus song that seems to be driving everybody insane but also shows how they became a group and got their start.
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
Gareth von Kallenbach (965 KP) rated Deepwater Horizon (2016) in Movies
Jul 15, 2019
On April 20th 2010, approximately 40 miles off of the Louisiana coast, the Deepwater Horizon drilling rig exploded and sank spilling over 3 million barrels of oil into the Gulf of Mexico. The Deepwater Horizon oil spill, also known as the Gulf oil spill and BP oil spill, is the worst oil spill in U.S. history, and cost 11 crew members their lives. It’s also one of the largest environmental disasters in history, who’s total cost to the marine life, fishing community, and entire Gulf coast is still unknown. The film Deepwater Horizon is based on the true story of the men and women who were working on the rig the day of the disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
Daniel Boyd (1066 KP) rated Mile 22 (2018) in Movies
Sep 20, 2018 (Updated Sep 20, 2018)
The Movie Equivelant of a Shrug
I saw Mile 22 last night and when I got in my dad asked me how it was. I replied with a simple shrug and that is honestly the best way to sum up this movie. It's not bad and it's not great. The worst thing about that is that Peter Berg and Mark Wahlberg have worked together 3 times prior to this movie and all 3 times have resulted in fantastic movies, not mediocre ones like this. I was looking forward to this going in knowing that it was Berg and Wahlberg working together again and I have really liked everything else they have made together, (especially Patriot's Day,) but this is unfortunately the worst film that they have made together so far, but it's still not awful.
The best thing about this film is definitely Iko Uwais. Whenever we get to see him doing his thing on screen, it is electrifying. The issue here though is the way that Jacques Jouffret decided to shoot these sequences is choppy and incoherent at times. Why would you cast one of the best fight choreographers in the world in your movie and then every time he get to fight onscreen, you decided to shake the camera about and make 10+ jump-cuts in the space of a few minutes?
Rhonda Rousey is in the movie too and surprisingly I didn't cringe every time she spoke and instead felt that she did a pretty decent job with what she was given. Lauren Cohen was fine too, we all know that she can do a pretty solid American accent at this point because of her work on The Walking Dead. Wahlberg is perfectly serviceable here too, he has been better in other things, but he also been far worse. It is hard to waste an actor like John Malkovich in a film and yet they manage it here, literally any actor could have played his role.
The end is also pretty rubbish. There is a flimsy twist followed by a sequel tease and then the credits abruptly appear. They are clearly aiming for a sequel, but it would have been nice if they could have tied this movie up a bit better first.
Overall, this is an okay action flick with some cool stunts that doesn't live up to what it could have been and ends too abruptly. There are some cool stunts and satisfying kills in the film, but they could have been shot a lot better.
The best thing about this film is definitely Iko Uwais. Whenever we get to see him doing his thing on screen, it is electrifying. The issue here though is the way that Jacques Jouffret decided to shoot these sequences is choppy and incoherent at times. Why would you cast one of the best fight choreographers in the world in your movie and then every time he get to fight onscreen, you decided to shake the camera about and make 10+ jump-cuts in the space of a few minutes?
Rhonda Rousey is in the movie too and surprisingly I didn't cringe every time she spoke and instead felt that she did a pretty decent job with what she was given. Lauren Cohen was fine too, we all know that she can do a pretty solid American accent at this point because of her work on The Walking Dead. Wahlberg is perfectly serviceable here too, he has been better in other things, but he also been far worse. It is hard to waste an actor like John Malkovich in a film and yet they manage it here, literally any actor could have played his role.
The end is also pretty rubbish. There is a flimsy twist followed by a sequel tease and then the credits abruptly appear. They are clearly aiming for a sequel, but it would have been nice if they could have tied this movie up a bit better first.
Overall, this is an okay action flick with some cool stunts that doesn't live up to what it could have been and ends too abruptly. There are some cool stunts and satisfying kills in the film, but they could have been shot a lot better.
Gareth von Kallenbach (965 KP) rated Transformers: Dark of the Moon (2011) in Movies
Aug 7, 2019
Delivering a much-needed shot of adrenaline to the summer movie season, “Transformers: Dark of the Moon”, arrives awash in stunning visuals and cutting-edge 3-D.
The movie picks up a few years after the events of the last film, as Sam (Shia LaBeouff), is struggling to adjust to his post college life. Despite the fact that he has been honored by the president for his heroic actions in the two previous films, Sam finds himself like many graduates, unable to find a job in today’s economy.
Sam bemoans the fact that he wants to do its work that matters again to his new girlfriend Carly (Rose Huntington-Whiteley), and is become increasingly frustrated with not being able to contribute to their finances. The fact that Carly works for suave and rich boss named Dylan, (Patrick Dempsey), only heightens Sam’s insecurity.
Meanwhile Sam’s Autobot friends are working closely with the government to root out any threats to national security as well as staying on alert for Decepticon attacks.
It is learned that an object great importance is on the moon in a crashed ship, and that the United States and Russia created their space race during the Cold War in an effort to obtain the secrets of the crash.
When alerted to the existence of the crash site, the Autobots investigate and discover their long-lost leader Sentinel Prime (Leonard Nimoy) is still alive and guarding precious cargo.
Despite meeting interference from a politician overseeing the top-secret program (Francis McDormand), Sam discovers a shocking secret with the help of Simmons (John Turturro), which soon has the entire planet caught in a battle between the two alien forces.
As loyalty, love, and friendships are put to the test, Sam and the Autobots must once again face their mortal enemies to save all life on earth.
The film is much darker than the previous films in the series as watching cities and civilian’s cut down during various enemy attacks may be hard for some fans of the series to watch.
That being said, the film is a visual masterpiece as the wizards at Industrial Light and Magic have crafted an amazing experience that at times is hard to believe are comprised of digital imagery rather than actual creatures.
Director Michael Bay who made a name for himself with summer action films that are big on explosions while short on plot has created arguably the best film of the series and perhaps of his career.
While the film runs at two hours and 40 minutes and does at times lag, Bay keeps things moving along at a steady clip and injects a little bit of humor into the film in between the chaos and mayhem.
While the acting and plot are not going to win any awards, they are better than usual for a summer action film.
It was reported that Paramount pressured Bay into filming in 3-D by threatening post convert the film if he had filmed in 2D. Bay responded with lavish 3-D effects that show off the true beauty and potential of the new 3-D technology and drastically underscores why Hollywood needs to stop doing the vastly inferior post conversion 3-D which has been done to the majority of 3D films that are being released. While it does not have the immersive quality of “Avatar”, the film nonetheless provides quality visual experience without resorting to the in-your-face gimmicks which are so common with 3-D films.
There are several fine supporting performances in the film including John Malkovich, Alan Tudyk, and John Tuturro who lift up the scenes they are in. Rose Huntington-Whiteley taking over for Megan Fox provides a fresh new romantic interest for Sam even though she’s given little more to do than play the damsel in distress for large parts the film. When she is given the chance, she throws herself deep into the action with a gusto worthy of any of her cast mates.
The film does have more than a few plot holes and without giving away any spoilers, suffice it to say that I had to question the events the last two films after seeing this one.
When a long-term objective is revealed, I had to ask why the events of the previous films took place now rather than in the past when certain parties had all of the required information available to them for decades.
It certainly would’ve been just as easy for characters to have initiated the actions of this film in an earlier film or timeline and would have wasted less resources.
That being said, when you’re dealing with shape changing aliens, one does have to allow a good degree of leeway in the storytelling process.
While it may not be the end to the series, certain cast members (Shia LaBeouff), have indicated that this is their last performance in the series. If that is the case, the film goes out on a strong note is arguably the best film in the series and a highly enjoyable summer movie experience.
The movie picks up a few years after the events of the last film, as Sam (Shia LaBeouff), is struggling to adjust to his post college life. Despite the fact that he has been honored by the president for his heroic actions in the two previous films, Sam finds himself like many graduates, unable to find a job in today’s economy.
Sam bemoans the fact that he wants to do its work that matters again to his new girlfriend Carly (Rose Huntington-Whiteley), and is become increasingly frustrated with not being able to contribute to their finances. The fact that Carly works for suave and rich boss named Dylan, (Patrick Dempsey), only heightens Sam’s insecurity.
Meanwhile Sam’s Autobot friends are working closely with the government to root out any threats to national security as well as staying on alert for Decepticon attacks.
It is learned that an object great importance is on the moon in a crashed ship, and that the United States and Russia created their space race during the Cold War in an effort to obtain the secrets of the crash.
When alerted to the existence of the crash site, the Autobots investigate and discover their long-lost leader Sentinel Prime (Leonard Nimoy) is still alive and guarding precious cargo.
Despite meeting interference from a politician overseeing the top-secret program (Francis McDormand), Sam discovers a shocking secret with the help of Simmons (John Turturro), which soon has the entire planet caught in a battle between the two alien forces.
As loyalty, love, and friendships are put to the test, Sam and the Autobots must once again face their mortal enemies to save all life on earth.
The film is much darker than the previous films in the series as watching cities and civilian’s cut down during various enemy attacks may be hard for some fans of the series to watch.
That being said, the film is a visual masterpiece as the wizards at Industrial Light and Magic have crafted an amazing experience that at times is hard to believe are comprised of digital imagery rather than actual creatures.
Director Michael Bay who made a name for himself with summer action films that are big on explosions while short on plot has created arguably the best film of the series and perhaps of his career.
While the film runs at two hours and 40 minutes and does at times lag, Bay keeps things moving along at a steady clip and injects a little bit of humor into the film in between the chaos and mayhem.
While the acting and plot are not going to win any awards, they are better than usual for a summer action film.
It was reported that Paramount pressured Bay into filming in 3-D by threatening post convert the film if he had filmed in 2D. Bay responded with lavish 3-D effects that show off the true beauty and potential of the new 3-D technology and drastically underscores why Hollywood needs to stop doing the vastly inferior post conversion 3-D which has been done to the majority of 3D films that are being released. While it does not have the immersive quality of “Avatar”, the film nonetheless provides quality visual experience without resorting to the in-your-face gimmicks which are so common with 3-D films.
There are several fine supporting performances in the film including John Malkovich, Alan Tudyk, and John Tuturro who lift up the scenes they are in. Rose Huntington-Whiteley taking over for Megan Fox provides a fresh new romantic interest for Sam even though she’s given little more to do than play the damsel in distress for large parts the film. When she is given the chance, she throws herself deep into the action with a gusto worthy of any of her cast mates.
The film does have more than a few plot holes and without giving away any spoilers, suffice it to say that I had to question the events the last two films after seeing this one.
When a long-term objective is revealed, I had to ask why the events of the previous films took place now rather than in the past when certain parties had all of the required information available to them for decades.
It certainly would’ve been just as easy for characters to have initiated the actions of this film in an earlier film or timeline and would have wasted less resources.
That being said, when you’re dealing with shape changing aliens, one does have to allow a good degree of leeway in the storytelling process.
While it may not be the end to the series, certain cast members (Shia LaBeouff), have indicated that this is their last performance in the series. If that is the case, the film goes out on a strong note is arguably the best film in the series and a highly enjoyable summer movie experience.
Gareth von Kallenbach (965 KP) rated Beowulf (2007) in Movies
Aug 14, 2019
The classic Epic poem Beowulf has come to the big screen in a stunning CGI extravaganza under the direction of Director Robert Zemeckis.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.