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James Dean Bradfield recommended Alice In Chains by Alice In Chains in Music (curated)
Beth Orton recommended Solid Air by John Martyn in Music (curated)
BankofMarquis (1832 KP) rated Rocketman (2019) in Movies
Jun 11, 2019
Strong Lead Performance
I have to admit, I thought the Freddy Mercury bio-pic BOHEMIAN RHAPSODY was just "meh" and that Rami Malek was "just o'k" as the Queen frontman (personally, I would have given the Oscar to Christian Bale for his portrayal of Dick Cheney in VICE) so I was not rushing to the multi-plex to check out the Elton John musical film ROCKETMAN. And the fact that the release of this film was "buried" in the summer and not right before "Oscar Season" gave me room to pause.
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bong Mines Entertainment (15 KP) rated Lost & Found by Polar Youth in Music
Jun 25, 2019
Polar Youth is a 24-year-old producer from Ghent, Belgium. Not too long ago, she released a lovely electro-R&B duet, entitled, “Call Out”, featuring WAYI & Lani Rose.
“In a way, you told me lies, in a way you let me go. In a way, you said goodbye, my heart jumped on the floor. Felt it all the way outside the door when you said you didn’t need me anymore. Felt the pain in my heart when you said, ‘let me go’.” – lyrics
‘Call Out’ tells a bittersweet tale of a once budding couple who experience an emotional breakup.
Apparently, the guy is the one who broke off the problematic relationship, and now the woman feels like falling.
The likable tune contains a relatable storyline, ear-welcoming vocals, and mellow instrumentation flavored with atmospheric pop synths and ethereal electronic sounds.
“The main inspiration behind ‘Call Out’ is something everyone has felt at some point in their life. Loving someone so hard but being pushed away, leaving you desperate and heartbroken.” – Polar Youth
Polar Youth prides herself in adding heart & pop melodies in electronic music.
Her recipe has earned her Red Bull Elektropedia’s Most Promising Artist Award, a remix released under Majestic Casual, and a collaboration with DJ Fresh.
For this release, she put the spotlight on WAYI, who is endorsed by BBC 1Xtra and Elton John, and 21-year-old St. Louis-based singer Lani Rose.
‘Call Out’ is featured on her debut EP, entitled, “Lost & Found”. The 6-track project also features Fortress, Trent the HOOLiGAN, Sangstaa, and ËMIA.
“In a way, you told me lies, in a way you let me go. In a way, you said goodbye, my heart jumped on the floor. Felt it all the way outside the door when you said you didn’t need me anymore. Felt the pain in my heart when you said, ‘let me go’.” – lyrics
‘Call Out’ tells a bittersweet tale of a once budding couple who experience an emotional breakup.
Apparently, the guy is the one who broke off the problematic relationship, and now the woman feels like falling.
The likable tune contains a relatable storyline, ear-welcoming vocals, and mellow instrumentation flavored with atmospheric pop synths and ethereal electronic sounds.
“The main inspiration behind ‘Call Out’ is something everyone has felt at some point in their life. Loving someone so hard but being pushed away, leaving you desperate and heartbroken.” – Polar Youth
Polar Youth prides herself in adding heart & pop melodies in electronic music.
Her recipe has earned her Red Bull Elektropedia’s Most Promising Artist Award, a remix released under Majestic Casual, and a collaboration with DJ Fresh.
For this release, she put the spotlight on WAYI, who is endorsed by BBC 1Xtra and Elton John, and 21-year-old St. Louis-based singer Lani Rose.
‘Call Out’ is featured on her debut EP, entitled, “Lost & Found”. The 6-track project also features Fortress, Trent the HOOLiGAN, Sangstaa, and ËMIA.
Bong Mines Entertainment (15 KP) rated Size of Relief by Young & Sick in Music
Jun 25, 2019
Polar Youth is a 24-year-old producer from Ghent, Belgium. Not too long ago, she released a lovely electro-R&B duet, entitled, “Call Out”, featuring WAYI & Lani Rose.
“In a way, you told me lies, in a way you let me go. In a way, you said goodbye, my heart jumped on the floor. Felt it all the way outside the door when you said you didn’t need me anymore. Felt the pain in my heart when you said, ‘let me go’.” – lyrics
‘Call Out’ tells a bittersweet tale of a once budding couple who experience an emotional breakup.
Apparently, the guy is the one who broke off the problematic relationship, and now the woman feels like falling.
The likable tune contains a relatable storyline, ear-welcoming vocals, and mellow instrumentation flavored with atmospheric pop synths and ethereal electronic sounds.
“The main inspiration behind ‘Call Out’ is something everyone has felt at some point in their life. Loving someone so hard but being pushed away, leaving you desperate and heartbroken.” – Polar Youth
Polar Youth prides herself in adding heart & pop melodies in electronic music.
Her recipe has earned her Red Bull Elektropedia’s Most Promising Artist Award, a remix released under Majestic Casual, and a collaboration with DJ Fresh.
For this release, she put the spotlight on WAYI, who is endorsed by BBC 1Xtra and Elton John, and 21-year-old St. Louis-based singer Lani Rose.
‘Call Out’ is featured on her debut EP, entitled, “Lost & Found”. The 6-track project also features Fortress, Trent the HOOLiGAN, Sangstaa, and ËMIA.
“In a way, you told me lies, in a way you let me go. In a way, you said goodbye, my heart jumped on the floor. Felt it all the way outside the door when you said you didn’t need me anymore. Felt the pain in my heart when you said, ‘let me go’.” – lyrics
‘Call Out’ tells a bittersweet tale of a once budding couple who experience an emotional breakup.
Apparently, the guy is the one who broke off the problematic relationship, and now the woman feels like falling.
The likable tune contains a relatable storyline, ear-welcoming vocals, and mellow instrumentation flavored with atmospheric pop synths and ethereal electronic sounds.
“The main inspiration behind ‘Call Out’ is something everyone has felt at some point in their life. Loving someone so hard but being pushed away, leaving you desperate and heartbroken.” – Polar Youth
Polar Youth prides herself in adding heart & pop melodies in electronic music.
Her recipe has earned her Red Bull Elektropedia’s Most Promising Artist Award, a remix released under Majestic Casual, and a collaboration with DJ Fresh.
For this release, she put the spotlight on WAYI, who is endorsed by BBC 1Xtra and Elton John, and 21-year-old St. Louis-based singer Lani Rose.
‘Call Out’ is featured on her debut EP, entitled, “Lost & Found”. The 6-track project also features Fortress, Trent the HOOLiGAN, Sangstaa, and ËMIA.
BankofMarquis (1832 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 6, 2019
Check Into the El Royale, You'll Be Glad You Did
BAD TIMES AT THE EL ROYALE is a bloody movie about bloody people doing bloody things at a bloody hotel.
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Butch Vig recommended track My Generation by The Who in Who Sings My Generation by The Who in Music (curated)
Guy Garvey recommended Sky At Night by I Am Kloot in Music (curated)
Steve Fearon (84 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 19, 2018
The Cast (1 more)
Especially Jeff Bridges
Overlong (1 more)
Marketing a little misleading
Not Bad (times at the El Royale)
This was a film suggested by my better half, on the basis of the trailer, excellent cast, and her love for Chris Hemsworth, which to be fair is justified, the guy's a looker.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
Bong Mines Entertainment (15 KP) rated Something New - Single by Ollie Gabriel in Music
Jul 10, 2019
Ollie Gabriel is a talented soul singer and songwriter based in Los Angeles, California. Not too long ago, he released an adorable music video for his “Something New (From “Songland”)” single.
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”