"I’ve really genuinely loved every one of Spike [Jonze’s] movies from [Being John] Malkovich to Adaptation to Where the Wild Things Are, also. But I thought Her still had, like, the fun humorous stuff but was, for me, such a great movie to encapsulate what it’s like to have the hangover of a breakup that just won’t go away. And also I think it’s probably the most realistic version of where we’re heading with technology and our relationship with technology, as we delve further into ourselves and out of public interaction. How we still need and want human interaction. And I just think he handles both of them so beautifully. And I love the way he shoots his movies, I love the colors he uses. I just love Joaquin Phoenix’s shirt in that movie. I was less concerned with the pants."

"Charlie Kaufman wrote it. All of his movies I Love. I have not seen a Charlie Kaufman film I didn’t love. And in the hands of the right director, you know – Spike Jonze, Michel Gondry — when you let them [work on] a Charlie Kaufman script, it’s cinematic magic. Being John Malkovich was at a certain point in time in my life and it stood out against all the other noise that was happening in my life. It left an indelible impression on me and I still can revisit that movie anytime and watch it and enjoy it."

"This reminds me of the time I went through a big Miles Davis phase. Talk about going into different worlds with an artist – he did that every time, from Kind Of Blue and Porgy and Bess onwards, anyway. This album's still the one I return to, from 1969, and the band is phenomenal. You've got Herbie Hancock and Chick Corea on electric piano, Wayne Shorter on soprano saxophone, John McLaughlin on guitar. This is truly cosmic music for me, or even music that feels like it's emerging from the cosmos. As it plays, you feel like you're coming up with the sunshine."

"Well, I grew up in the sixties. In 1962, I bought the first Rolling Stones single, and I still have it. I still have every single they released, in order, right up until Brian Jones was murdered. I saw Pink Floyd god knows how many times, and even did a couple of light shows for them... We started listening to pirate radio and John Peel’s Perfumed Garden, and had a friend at school called Spidey who was very good at spotting interesting new music. John Peel was the first person to play The Velvet Underground, and Spidey said, “Listen to this, you’re gonna love this!”. That’s when we got the first violin. We used to go to Birmingham, to this tiny little record shop that had nothing of interest except some Albert Ayler and free jazz. There was a record in there, and we recognised the artwork from Oz magazine so we knew it was by Hapshash and The Coloured Coat, because they used to do psychedelic posters and Oz. So we bought it just because of that. It was on Magnet Records. When we pulled out [the disc], we were shocked to see that it was on red vinyl, which we’d never seen before. We later discovered that all these people on the scene in London wanted to raise money for the legals fees of John “Hoppy” Hopkins, the first person who’d been busted for drugs and who co-founded the International Times. He was a real mover and shaker of the times. It’s like twenty to a hundred people high on acid jamming! We fell in love with it and still listen to it all the time. When we DJ, people come up to us and ask, “What was that with that great riff?” Guess what one of them ended up doing? Writing “We Are The Wombles”! That really got me in the head, that was worse than a bad acid trip!"