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Andy K (10821 KP) rated Kingsman: The Secret Service (2015) in Movies
Jul 4, 2018
Avengers meets John Wick
Having been completely unfamiliar with the source comic book material, I was unsure the tone or visuals I viewed in this film are consistent with that or not, so I just have to judge on their own merits.
Anyone who follows my reviews knows I am not the hugest fan of nonsense or robust excessive CGI in place of good acting story and screenplay, so I have to say this film suffered from a little bit of that. Some of the kill scenes bordered on a little silly, having been done much better and more realistic in John Wick.
Having said that, I was never bored while watching and thought the acting, especially that of Samuel L. Jackson, was pretty good for the most part.
It definitely feels like more style than substance in some parts, but maybe that was the point. I will always side with realism over hyper-realism unless done very well, and I feel this film falls a bit short.
Anyone who follows my reviews knows I am not the hugest fan of nonsense or robust excessive CGI in place of good acting story and screenplay, so I have to say this film suffered from a little bit of that. Some of the kill scenes bordered on a little silly, having been done much better and more realistic in John Wick.
Having said that, I was never bored while watching and thought the acting, especially that of Samuel L. Jackson, was pretty good for the most part.
It definitely feels like more style than substance in some parts, but maybe that was the point. I will always side with realism over hyper-realism unless done very well, and I feel this film falls a bit short.
Daniel Boyd (1066 KP) rated A Quiet Place: Part II (2021) in Movies
Jun 16, 2021
Shh!
Initially, when I saw A Quiet Place 2 for review, I wasn't expecting to enjoy it anywhere near as much as I did because of how disappointing I found the first movie. However, sometimes I am very glad to be proven wrong and this is one of those times.
A Quiet Place 2 does what all good sequels should do, in that it builds upon the foundation laid down by the first movie, whilst upping the stakes and increasing the intensity felt by the audience when watching the film. A parallel that I can't help but draw a comparison to is the change in tone between Alien and its more action-based sequel Aliens.
If the first Quiet Place movie strives to capture the suspense and slow burn slasher-inspired horror of Ridley Scott's Alien, then A Quiet Place 2 nails the faster, more ferocious tone of James Cameron's Alien's. Whether this was intentional or not, I do not know, but the difference in tone is evident from very early on in John Krasinski's sequel.
While the film does star John Krasinski and Emily Blunt as their characters from the first film, Cillian Murphy's Emmett and Millicent Simmonds' Regan are arguably the main characters of the sequel. Whilst Krasinski appears as Lee via flashback, (SPOILER, because he died pretty unceremoniously in the first movie,) and Blunt features as Evelyn in what is pretty much a glorified side-quest, they definitely aren't the main characters in part 2.
The choice to focus on two different characters in the sequel is a welcome one as it help the film feel more fresh and when you have stellar performances from Murphy and Simmonds to wrap your movie around, that also helps. I really felt that Millicent Simmonds upped her game greatly from the first movie and although CIllian Murphy's character was added for the sequel, he is a good enough actor to fit naturally into the plot without feeling shoehorned in.
You can read the rest of my review right here:
https://www.bigglasgowcomicpage.com/review-a-quiet-place-2/
A Quiet Place 2 does what all good sequels should do, in that it builds upon the foundation laid down by the first movie, whilst upping the stakes and increasing the intensity felt by the audience when watching the film. A parallel that I can't help but draw a comparison to is the change in tone between Alien and its more action-based sequel Aliens.
If the first Quiet Place movie strives to capture the suspense and slow burn slasher-inspired horror of Ridley Scott's Alien, then A Quiet Place 2 nails the faster, more ferocious tone of James Cameron's Alien's. Whether this was intentional or not, I do not know, but the difference in tone is evident from very early on in John Krasinski's sequel.
While the film does star John Krasinski and Emily Blunt as their characters from the first film, Cillian Murphy's Emmett and Millicent Simmonds' Regan are arguably the main characters of the sequel. Whilst Krasinski appears as Lee via flashback, (SPOILER, because he died pretty unceremoniously in the first movie,) and Blunt features as Evelyn in what is pretty much a glorified side-quest, they definitely aren't the main characters in part 2.
The choice to focus on two different characters in the sequel is a welcome one as it help the film feel more fresh and when you have stellar performances from Murphy and Simmonds to wrap your movie around, that also helps. I really felt that Millicent Simmonds upped her game greatly from the first movie and although CIllian Murphy's character was added for the sequel, he is a good enough actor to fit naturally into the plot without feeling shoehorned in.
You can read the rest of my review right here:
https://www.bigglasgowcomicpage.com/review-a-quiet-place-2/
Kurt Vile recommended On the Corner by Miles Davis in Music (curated)
Gareth von Kallenbach (971 KP) rated Constantine (2005) in Movies
Aug 14, 2019
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
Mark @ Carstairs Considers (2084 KP) rated No Virgin Island: A Sabrina Salter Mystery in Books
Mar 9, 2018
Sabrina Salter has escaped a past in Boston, hoping to enjoy her new life in St. John. However, trouble finds her in the US Virgin Islands when she arrives to clean one of the villas she maintains only to find the tenant dead in the outside hammock. Will the police see her as the prime suspect? Can she live through something like this again?
While the setting may be a paradise, the tone is more somber given Sabrina’s past. I enjoyed the juxtaposition and getting to know the strong characters. The plot unfolds differently than I am used to in a mystery, but everything we need to solve the crime is there, and we get two very dramatic and satisfying climaxes.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-no-virgin-island-by-c.html">Carstairs Considers</a>.
While the setting may be a paradise, the tone is more somber given Sabrina’s past. I enjoyed the juxtaposition and getting to know the strong characters. The plot unfolds differently than I am used to in a mystery, but everything we need to solve the crime is there, and we get two very dramatic and satisfying climaxes.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-no-virgin-island-by-c.html">Carstairs Considers</a>.
Awix (3310 KP) rated The Black Hole (1979) in Movies
Feb 13, 2018
Big-budget attempt by Disney to cash in on the success of Star Wars; this sort of thing doesn't happen any more, obviously. Science vessel from Earth discovers fabled lost vessel from a generation before, mysteriously hanging over a black hole; they choose to investigate, eventually there are ray gun battles.
Distinctly odd movie which can't seem to decide whether it's a cheery George Lucas-style family-friendly adventure extravaganza with cute robots and zap guns aplenty, or a post-Stanley Kubrick tale of existential contemplation and all-pervading gloom. In the end the dark tone is mostly triumphant - bemusing final sequence reveals black hole is actually a gateway to hell, which may explain why this has been acclaimed as the most scientifically inaccurate movie in history. Decent cast try hard; very good score from John Barry helps keep things moving along.
Distinctly odd movie which can't seem to decide whether it's a cheery George Lucas-style family-friendly adventure extravaganza with cute robots and zap guns aplenty, or a post-Stanley Kubrick tale of existential contemplation and all-pervading gloom. In the end the dark tone is mostly triumphant - bemusing final sequence reveals black hole is actually a gateway to hell, which may explain why this has been acclaimed as the most scientifically inaccurate movie in history. Decent cast try hard; very good score from John Barry helps keep things moving along.
Awix (3310 KP) rated Earthquake (1974) in Movies
Mar 21, 2021 (Updated Mar 21, 2021)
Archetypal piece of mid-70s schlock hits all the usual disaster movie beats: slowish first half introduces various characters, attempts to drum up a sense of foreboding, then everything goes shaky and there are various subplots of people struggling amongst the rubble. A tone of rugged stoicism is usually predominant.
You can almost sense the modern blockbuster struggling to be born here - high concept, low credibility, lots of special effects, John Williams score - but the film is let down by some wobbly production values and questionable casting choices. (The subtext is surprisingly reactionary and morally inflexible, too.) All the bits which make it most entertaining nowadays - Marjoe Gortner as an unhinged national guardsman, Richard Rowntree's motorcycle daredevil, Walter Matthau's dancing drunk - are the parts which are the most camp and ridiculous. Sort of entertaining if you enjoy this kind of bombastic studio silliness.
You can almost sense the modern blockbuster struggling to be born here - high concept, low credibility, lots of special effects, John Williams score - but the film is let down by some wobbly production values and questionable casting choices. (The subtext is surprisingly reactionary and morally inflexible, too.) All the bits which make it most entertaining nowadays - Marjoe Gortner as an unhinged national guardsman, Richard Rowntree's motorcycle daredevil, Walter Matthau's dancing drunk - are the parts which are the most camp and ridiculous. Sort of entertaining if you enjoy this kind of bombastic studio silliness.
tommylank (31 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
May 23, 2019
Choreography (1 more)
Action
Relentless Action
Contains spoilers, click to show
So John Wick 3 is a straight follow on from John Wick 2 and boy do we know it. The action starts exactly where it left off and is relentless for the first 30 minutes of the movie. The first fight scene in the Library is epic and sets the tone for the rest of the movie.
The story is what is lacking in this movie. John has been left excommunicado (all services removed) and is trying to find a way back and the reason for this is so he can remember his late wife. As you would expect with someone in his line of work he has things in place for this type of scenario but they are things we have already seen in the last 2 movies and it leaves you wanting more from it, the lack of depth is quite frustrating. It almost felt like they set all the action scenes and then tried to decide what story they could put in to link them all together nicely.
The fight scene with Halle Berry and her dogs should have been amazing and was to a degree but I felt like she was almost made the star of the movie for that period, just to show that women can do this too. Feels like everyone is having to show that this isn't just a man thing anymore for fear of being sexist.
Mark Dacascos was a piece of light entertainment to all the action and violence when he meets John and some of their scenes were entertaining if a little out of place.
The movie felt like they are struggling to think of what story they can use to move this forward now and are relying on the action to do that. Due to the choreography and action being so amazing you can get away with it, to a degree.
John Wick 4 feels like it will head in the same vain as this one as we still didn't get to see much about the High Table and I think John will decide that the table needs to be thrown out!!!
Non stop action and amazing fight scenes makes this movie amazing and what you want to see. Just make sure you remember thats what you came to see when watching.
The story is what is lacking in this movie. John has been left excommunicado (all services removed) and is trying to find a way back and the reason for this is so he can remember his late wife. As you would expect with someone in his line of work he has things in place for this type of scenario but they are things we have already seen in the last 2 movies and it leaves you wanting more from it, the lack of depth is quite frustrating. It almost felt like they set all the action scenes and then tried to decide what story they could put in to link them all together nicely.
The fight scene with Halle Berry and her dogs should have been amazing and was to a degree but I felt like she was almost made the star of the movie for that period, just to show that women can do this too. Feels like everyone is having to show that this isn't just a man thing anymore for fear of being sexist.
Mark Dacascos was a piece of light entertainment to all the action and violence when he meets John and some of their scenes were entertaining if a little out of place.
The movie felt like they are struggling to think of what story they can use to move this forward now and are relying on the action to do that. Due to the choreography and action being so amazing you can get away with it, to a degree.
John Wick 4 feels like it will head in the same vain as this one as we still didn't get to see much about the High Table and I think John will decide that the table needs to be thrown out!!!
Non stop action and amazing fight scenes makes this movie amazing and what you want to see. Just make sure you remember thats what you came to see when watching.
Daniel Boyd (1066 KP) rated The Sisters Brothers (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Cast all give brilliant performances (1 more)
Quirky filming techniques
He Ain't Heavy, He's My Brother
I was dying to see this movie as soon as I saw the first trailer for it, but even though it dropped in the states months ago, it's not coming to UK cinemas until April 2019! However, if you mess around with the location settings on your on-demand website of choice, it is possible to legally watch this movie in Britain without having to wait another 4 months for it to release.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
Awix (3310 KP) rated Kong: Skull Island (2017) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
The Vietnam Movie That Time Forgot
Surprisingly effective and entertaining attempt to combine classic monster movie structure with a Vietnam War movie vibe. The secret monster-hunting agency of the US government organises an expedition to the mysterious Skull Island; everyone gets more than they bargained for. Is it a spoiler to reveal there's quite a big gorilla called Kong in residence?
Leading players Tom Hiddleston and Brie Larson seem a bit all at sea but there is some good work from the supporting cast, who know just how much of the scenery to chew - Samuel L Jackson, John Goodman, and John C Reilly all raise a smile. The monster mashes are good fun, too. You could probably argue that doing a King Kong movie where Kong never gets off the island kind of misses the point entirely, but this is still arguably the most faithful take on the general tone of the original movie since the 1930s.
Altogether much lighter on its feet and less portentous than the most recent American Godzilla, with which it is in continuity - they don't make a big deal out of this, thankfully, but all-in-all you do rather hope the forthcoming Godzilla: King of the Monsters and Godzilla Vs Kong are closer in style to this than the 2014 movie. Toho fans should stick around for the post-credits bit.
Leading players Tom Hiddleston and Brie Larson seem a bit all at sea but there is some good work from the supporting cast, who know just how much of the scenery to chew - Samuel L Jackson, John Goodman, and John C Reilly all raise a smile. The monster mashes are good fun, too. You could probably argue that doing a King Kong movie where Kong never gets off the island kind of misses the point entirely, but this is still arguably the most faithful take on the general tone of the original movie since the 1930s.
Altogether much lighter on its feet and less portentous than the most recent American Godzilla, with which it is in continuity - they don't make a big deal out of this, thankfully, but all-in-all you do rather hope the forthcoming Godzilla: King of the Monsters and Godzilla Vs Kong are closer in style to this than the 2014 movie. Toho fans should stick around for the post-credits bit.