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Tommy Wiseau recommended Sonny (2002) in Movies (curated)
Awix (3310 KP) rated The Astronaut's Wife (1999) in Movies
Feb 26, 2018
Turgid obstetric-horror SF movie from the days before Johnny Depp rode his Keith Richards impersonation to global superstardom. Depp goes off into space, comes back (maybe) possessed by aliens; on his return Theron is unsettled by his odd behaviour, especially when it turns out she has been impregnated by this guy.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
Emma @ The Movies (1786 KP) rated Johnny English Strikes Again (2018) in Movies
Jul 3, 2019 (Updated Sep 25, 2019)
Our favourite budget Bond is back in the third installment of Johnny English, and it basically "does what it says on the tin." It's amusing and it's exactly what you expect it to be. Nothing groundbreaking.
They've thankfully updated some of the aspects where needed. We've got a tech genius, cyber threats, VR, and we've got health and safety regulations like you wouldn't believe!
Boff is back too and he's the brains behind the outfit managing to make English's buffonary work, as always. To be fair, English does have some pretty good ideas but they seem to either be accidental or poorly executed!
All of the characters are entertaining and their reactions to Johnny's behaviour are entirely inkeeping with what you'd expect. Ophelia getting exacerbated by his evading/dance technique is quite amusing.
My general feeling about this type of humour though is that you can have too much, or to be more accurate, it can go on too long. Some of the skits feel like they tip just slightly over the line between "that's funny" to "is this still going on?"
The audience in Bristol did appreciate one of the particular cyber attacks... "all the trains are trying to stop at Bristol Temple Meads"... yep, that seems about right to us!
What should you do?
You could probably hold out and watch this when it streams, it's quite a short film so it's probably not going to feel like you're getting your monies worth from a cinema ticket.
Movie thing you wish you could take home
Oh so many options, but I think I'll pass on the spy gadgets and go straight for some of Johnny English's dumb luck!
They've thankfully updated some of the aspects where needed. We've got a tech genius, cyber threats, VR, and we've got health and safety regulations like you wouldn't believe!
Boff is back too and he's the brains behind the outfit managing to make English's buffonary work, as always. To be fair, English does have some pretty good ideas but they seem to either be accidental or poorly executed!
All of the characters are entertaining and their reactions to Johnny's behaviour are entirely inkeeping with what you'd expect. Ophelia getting exacerbated by his evading/dance technique is quite amusing.
My general feeling about this type of humour though is that you can have too much, or to be more accurate, it can go on too long. Some of the skits feel like they tip just slightly over the line between "that's funny" to "is this still going on?"
The audience in Bristol did appreciate one of the particular cyber attacks... "all the trains are trying to stop at Bristol Temple Meads"... yep, that seems about right to us!
What should you do?
You could probably hold out and watch this when it streams, it's quite a short film so it's probably not going to feel like you're getting your monies worth from a cinema ticket.
Movie thing you wish you could take home
Oh so many options, but I think I'll pass on the spy gadgets and go straight for some of Johnny English's dumb luck!
Gareth von Kallenbach (971 KP) rated Fantastic Four (2015) in Movies
Jun 19, 2019
If you hold the film rights to an iconic and beloved comic book series, one would think you would do everything possible to see that it flourishes under you watch. For 29th Century Fox, The Fantastic Four is an asset that should be a gem of their studio as the long-running Marvel comic series has had legions of fans for generations.
The previous two films did well enough but still had their detractors amongst the fans. So, Fox opted for a hiatus and then a radical reboot of the series complete with casting choices that were considered very questionable.
The new version features Miles Teller as Reed Richards, a young man obsessed with teleportation to the point that his teachers and other students laugh at him for his odd and obsessive ways.
His only friend is Ben Grimm (Jamie Bell), who despite a lack of scientific knowledge supports Reed in his efforts which eventually allow him to be recruited by Dr. Franklin Storm (Reg E. Cathey), who discloses that he is working on a large scale teleportation device and seeing how Reed pulled it off with a device he made in his garage, is eager to see what he can do at a fully-funded facility.
Reed meets Franklins adopted daughter Sue (Kate Mara), as well as his son Johnny (Michael B. Jordan), while they work with the mercurial Victor Von Doom (Toby Kebbell), to complete the device.
When the team finds success, they are horrified to learn that the government plans to take over control of the project so Ben, Victor, Johnny, and Reed opt to use it themselves to visit the other dimension in order to leave their mark in history.
Things at first go well but when a mysterious force envelops them, odd things start to happen when they return home. Reed is capable of stretching himself, Johnny is a living fire, Ben is covered in rocks, and Sue is phasing in and out.
Flashing forward the group is under the watch of the government and Reed has fled not wanting to be a part of whatever is going on. Ben is used for special operations and blames Reed for abandoning them as Sue and Johnny are prepped for the field.
Now one would think a setup like this has some potential at the very least for some action and great FX. Sadly the film lurches ahead fairly light on action. The threat to the film appears, and within 10 minutes has moved to a fairly underwhelming final conflict that is so obviously done in front of a Green Screen that it loses much of the intended impact.
The best I can say for the film is that it is a forgettable and flawed film that tries to launch a new franchise in a new way. But the casting choices in the film are so wrong, that it undermines it at every step. Setting aside the debate over an African American Johnny Storm, Miles Teller is so bland; he just does not scream leading man or driving force behind the team.
The same can be said for pretty much the entire cast. The backstories hint at various things but their actions conflict several aspects of the film which to be honest are fairly forgettable.
The entire movie is like watching a Jr. College Fan Film where the cast has a Green Screen and studio funding, but not a clue on how to carry out a story, modern action sequences of character development.
Fox needs to take a serious page from Sony and work with Marvel if they are going to continue this franchise, or return the rights to Marvel so fans can finally get a film that does justice to the source material.
I am glad that Director Josh Trank is no longer associated with the pending Star Wars film as this movie is a train wreck that spits all over the history and legacy of the source material.
http://sknr.net/2015/08/07/the-fantastic-four/
The previous two films did well enough but still had their detractors amongst the fans. So, Fox opted for a hiatus and then a radical reboot of the series complete with casting choices that were considered very questionable.
The new version features Miles Teller as Reed Richards, a young man obsessed with teleportation to the point that his teachers and other students laugh at him for his odd and obsessive ways.
His only friend is Ben Grimm (Jamie Bell), who despite a lack of scientific knowledge supports Reed in his efforts which eventually allow him to be recruited by Dr. Franklin Storm (Reg E. Cathey), who discloses that he is working on a large scale teleportation device and seeing how Reed pulled it off with a device he made in his garage, is eager to see what he can do at a fully-funded facility.
Reed meets Franklins adopted daughter Sue (Kate Mara), as well as his son Johnny (Michael B. Jordan), while they work with the mercurial Victor Von Doom (Toby Kebbell), to complete the device.
When the team finds success, they are horrified to learn that the government plans to take over control of the project so Ben, Victor, Johnny, and Reed opt to use it themselves to visit the other dimension in order to leave their mark in history.
Things at first go well but when a mysterious force envelops them, odd things start to happen when they return home. Reed is capable of stretching himself, Johnny is a living fire, Ben is covered in rocks, and Sue is phasing in and out.
Flashing forward the group is under the watch of the government and Reed has fled not wanting to be a part of whatever is going on. Ben is used for special operations and blames Reed for abandoning them as Sue and Johnny are prepped for the field.
Now one would think a setup like this has some potential at the very least for some action and great FX. Sadly the film lurches ahead fairly light on action. The threat to the film appears, and within 10 minutes has moved to a fairly underwhelming final conflict that is so obviously done in front of a Green Screen that it loses much of the intended impact.
The best I can say for the film is that it is a forgettable and flawed film that tries to launch a new franchise in a new way. But the casting choices in the film are so wrong, that it undermines it at every step. Setting aside the debate over an African American Johnny Storm, Miles Teller is so bland; he just does not scream leading man or driving force behind the team.
The same can be said for pretty much the entire cast. The backstories hint at various things but their actions conflict several aspects of the film which to be honest are fairly forgettable.
The entire movie is like watching a Jr. College Fan Film where the cast has a Green Screen and studio funding, but not a clue on how to carry out a story, modern action sequences of character development.
Fox needs to take a serious page from Sony and work with Marvel if they are going to continue this franchise, or return the rights to Marvel so fans can finally get a film that does justice to the source material.
I am glad that Director Josh Trank is no longer associated with the pending Star Wars film as this movie is a train wreck that spits all over the history and legacy of the source material.
http://sknr.net/2015/08/07/the-fantastic-four/
Nicky Wire recommended Hatful of Hollow by The Smiths in Music (curated)
Darren (1599 KP) rated From Dusk Till Dawn 3: The Hangman's Daughter (2000) in Movies
Sep 2, 2019
Thoughts on From Dusk till Dawn 3: The Hangman’s Daughter
Characters – Johnny Madrid is one of the most feared outlaws in the west, about to be executed, he is rescued and returns to his gang to continue his life of crime, he will kill some people, while protecting others, making him a morally confusing figure. Ambrose Bierce has come from America where he has survived a shooting, he wants peaceful life only to find himself in the middle of the battle. The Hangman is trying to eliminate the threats in the gang world including Johnny, mostly to protect his daughter, only it isn’t for him to choose. Esmeralda is his daughter that has been getting controlled for too long and is in love with Johnny, she goes on the run with him only to be left questioning his choices.
Performances – The performances here are poor once again, Marco Leonardi overplays is role in the film, while Michael Parks does the best he can with his role. We do end up meeting too many random characters that just seems to make everything struggle to get going in the performance side of the film.
Story – The story does return to the original format only in the western era, we have the outlaws, the victims and the authorities all ending up in the bar which is crawling with vampires and must put their difference aside to survive. This style did work first time, it doesn’t fail this time, but it is hard to become invested in the characters. the build up before the bar is a lot of filler because we do have a lot of people to learn their place and mentality which makes it hard to figure out who is the good and bad guys for the piece. We try to have a connection to the original movie with the creation of one of the vampires which better than the last time out too.
Horror/Western – The horror involved in the film is returning to the vampire outlet which again doesn’t feel scary as it could have been. The western side of the film just uses the criminal side of the last one only making it a prequel to the original.
Settings – The film is set in the western area, we do eventually hit the saloon made famous from the first film and this time we get to dive into the larger scale of the building.
Special Effects – The effects in the film are not at the best, we do get a couple of good moments only nothing that reaches the levels of the first film.
Scene of the Movie – Escape.
That Moment That Annoyed Me – To many characters.
Final Thoughts – This is a solid enough prequel, at least it does feel connected to the previous film which helps build on the legacy of the bar.
Overall: Simple prequel.
Characters – Johnny Madrid is one of the most feared outlaws in the west, about to be executed, he is rescued and returns to his gang to continue his life of crime, he will kill some people, while protecting others, making him a morally confusing figure. Ambrose Bierce has come from America where he has survived a shooting, he wants peaceful life only to find himself in the middle of the battle. The Hangman is trying to eliminate the threats in the gang world including Johnny, mostly to protect his daughter, only it isn’t for him to choose. Esmeralda is his daughter that has been getting controlled for too long and is in love with Johnny, she goes on the run with him only to be left questioning his choices.
Performances – The performances here are poor once again, Marco Leonardi overplays is role in the film, while Michael Parks does the best he can with his role. We do end up meeting too many random characters that just seems to make everything struggle to get going in the performance side of the film.
Story – The story does return to the original format only in the western era, we have the outlaws, the victims and the authorities all ending up in the bar which is crawling with vampires and must put their difference aside to survive. This style did work first time, it doesn’t fail this time, but it is hard to become invested in the characters. the build up before the bar is a lot of filler because we do have a lot of people to learn their place and mentality which makes it hard to figure out who is the good and bad guys for the piece. We try to have a connection to the original movie with the creation of one of the vampires which better than the last time out too.
Horror/Western – The horror involved in the film is returning to the vampire outlet which again doesn’t feel scary as it could have been. The western side of the film just uses the criminal side of the last one only making it a prequel to the original.
Settings – The film is set in the western area, we do eventually hit the saloon made famous from the first film and this time we get to dive into the larger scale of the building.
Special Effects – The effects in the film are not at the best, we do get a couple of good moments only nothing that reaches the levels of the first film.
Scene of the Movie – Escape.
That Moment That Annoyed Me – To many characters.
Final Thoughts – This is a solid enough prequel, at least it does feel connected to the previous film which helps build on the legacy of the bar.
Overall: Simple prequel.
Scott Tostik (389 KP) rated Yoga Hosers (2016) in Movies
Jan 31, 2018
Not too much to laugh aboot
When I sit down to watch a comedy/horror film, i usually laugh a little at some of the jokes. But being Canadian... I found this movie offensive as hell......
Not really. I found it subpar and slightly stupid.
Kevin Smith is and always will be one of my favorite writer/directors. His earlier films, Clerks, Mallrats and Chasing Amy are right up there with some of my favorite flicks. Amd his attempt at horror, Red State, was a really good try at entering a genre that he doesn't have much business being in.
Don't even get me started on Tusk... What the fuck?!?!
This is kind of a sequel to the aforementioned walrus horror flick. A few characters from Tusk are in it. Including the Colleens, the pair of Zed Convenience store employees, who are now thrust into the main character roles.
The only light in this dark tunnel is Justin Long who plays Yoga Guru, Yogi Bayer... His portrayalof him is pretty awesome... right down to arguing on the phone with a lawyer from Warner Brothers about violating copyright infringement for his name... it's pretty sweet.
Johnny Depp returns to the sequel as Guy Lapointe French Canadian manhunter... and he is horrid...
Didn't think it was possible for that to happen.
So watch at your own risk.
Not really. I found it subpar and slightly stupid.
Kevin Smith is and always will be one of my favorite writer/directors. His earlier films, Clerks, Mallrats and Chasing Amy are right up there with some of my favorite flicks. Amd his attempt at horror, Red State, was a really good try at entering a genre that he doesn't have much business being in.
Don't even get me started on Tusk... What the fuck?!?!
This is kind of a sequel to the aforementioned walrus horror flick. A few characters from Tusk are in it. Including the Colleens, the pair of Zed Convenience store employees, who are now thrust into the main character roles.
The only light in this dark tunnel is Justin Long who plays Yoga Guru, Yogi Bayer... His portrayalof him is pretty awesome... right down to arguing on the phone with a lawyer from Warner Brothers about violating copyright infringement for his name... it's pretty sweet.
Johnny Depp returns to the sequel as Guy Lapointe French Canadian manhunter... and he is horrid...
Didn't think it was possible for that to happen.
So watch at your own risk.
Awix (3310 KP) rated Johnny English Strikes Again (2018) in Movies
Oct 10, 2018
Unwanted and underwhelming third outing for Rowan Atkinson's credit-card-advert-character from long ago. When a cyber-attack on the British government exposes the identity of every active agent, retired spy/moron Johnny English is brought back to find those responsible. Much obvious slapstick and many painfully telegraphed punchlines ensue; I did laugh a bit, but possibly out of sympathy.
This time around it seems obvious that the film is being pitched towards a very young audience, which explains its general silliness and reluctance to engage in anything resembling actual satire - as it is, the film's capacity to get real-world issues utterly wrong is almost uncanny (Britain and the Russians team up to stop cyber-terrorists). On the other hand, some of it feels aimed at older viewers who are generally suspicious and resentful of the modern world (the internet is bad, smartphones are bad, the Health and Safety Act is silly, etc). Maybe it's meant to be a film for right-wing grandparents to take their kids' kids to.
On the other hand, it's Rowan Atkinson, who is a superbly gifted clown, and there are inevitably a few amusing bits along the way - but not nearly enough, given his talent. Hopefully this is as close to actually not being funny as he will ever get.
This time around it seems obvious that the film is being pitched towards a very young audience, which explains its general silliness and reluctance to engage in anything resembling actual satire - as it is, the film's capacity to get real-world issues utterly wrong is almost uncanny (Britain and the Russians team up to stop cyber-terrorists). On the other hand, some of it feels aimed at older viewers who are generally suspicious and resentful of the modern world (the internet is bad, smartphones are bad, the Health and Safety Act is silly, etc). Maybe it's meant to be a film for right-wing grandparents to take their kids' kids to.
On the other hand, it's Rowan Atkinson, who is a superbly gifted clown, and there are inevitably a few amusing bits along the way - but not nearly enough, given his talent. Hopefully this is as close to actually not being funny as he will ever get.
Suggs recommended Framed/Next by The Sensational Alex Harvey Band Rock in Music (curated)
Gareth von Kallenbach (971 KP) rated Dark Shadows (2012) in Movies
Aug 7, 2019
Tim Burton has always been one of my all time favorite directors because of his strange-yet-humorous nature and the frequent use of my favorite actor, Johnny Depp. For the last decade or so we have been plagued with remakes of stories that we are all familiar with and the only thing that makes them different is the addition of the iconic Tim Burton style. Once again Tim Burton brings us yet another remake, only this time of the 70’s cult classic soap opera Dark Shadows.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.