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Rudy (1993)
8.8
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All his life, people have told Rudy he's not good enough, not smart enough, not big enough. But...
Movie Metropolis (309 KP) rated The Jungle Book (2016) in Movies
Jun 10, 2019
A New Classic
There’s an old saying; “if it ain’t broke, don’t fix it”, and that was the kind of reaction many people had towards Disney’s live-action remake of The Jungle Book.
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Charlie Cobra Reviews (1840 KP) rated The Lion King (2019) in Movies
Jul 7, 2020
Return of The King
The Lion King is a 2019 computer-animated musical movie directed and produced by Jon Favreau. It was written by Jeff Nathanson, and produced by Fairview Entertainment and Walt Disney Pictures and distributed by Walt Disney Studios Motion Pictures. The film stars Donald Glover, Seth Rogen, Chiwetel Ejiofor, Beyonce and James Earl Jones.
King Mufasa (James Earl Jones) and Queen Sarabi rule over the animal kingdom with their pride of lions from Pride Rock, in the African Pride Lands. Things change with the birth of their son, Simba, the new Prince. Mufasa's younger brother, and former heir to the throne, Scar, covets the throne and plots to eliminate Mufasa and Simba, so he may become king. The battle for Pride Rock is filled with betrayal, tragedy and drama and circumstances are forever changed after the events of the stampede.
This movie was really good, but of course it was. The original Lion King was one of Disney's best animated films to date. There was a lot of build up to the release of this movie, with fans every anticipating when they could finally see this story on the big screen again. Jon Favreau did not disappoint, but there was a lot of negativity and bad review scores when it first released. I think the big problem was that in all the previews/trailers leading up to the movie coming out showed how realistic the animals looked and how they were able to recreate iconic scenes in stunning state of the art CGI, but they never showed the animals talking or singing. This for me made it difficult to get fully immersed in the film when the very realistic animals began talking and singing, but eventually it went away or I got used to it a couple minutes into the movie. Also they changed very little in this remake and it was almost literally a shot for shot or scene for scene recreation of the original Lion King, which I think bothered the critics. I personally liked little changes they made that I felt made the movie just a little bit better, like the dialogue between Mufasa's and Scar implying Mufasa's gave him the scar, Zimbabwe catching up with Nala for the journey back to Pride Rock, and Nala leading the female lions in the fight against the hyenas. I also thought it was cool how they made it more clear that one of the hyenas was the leader and it was the female and the scene where Scar makes the deal with them. Overall though I feel like they could have shown more emotion in the animals if they had chosen a style that was so detailed to look so realistic. I give this movie a 7/10. It is worth watching for nostalgia and to see it in theaters is a treat, especially when getting children or younger family members to see it for the first time, but the original is still the better film.
King Mufasa (James Earl Jones) and Queen Sarabi rule over the animal kingdom with their pride of lions from Pride Rock, in the African Pride Lands. Things change with the birth of their son, Simba, the new Prince. Mufasa's younger brother, and former heir to the throne, Scar, covets the throne and plots to eliminate Mufasa and Simba, so he may become king. The battle for Pride Rock is filled with betrayal, tragedy and drama and circumstances are forever changed after the events of the stampede.
This movie was really good, but of course it was. The original Lion King was one of Disney's best animated films to date. There was a lot of build up to the release of this movie, with fans every anticipating when they could finally see this story on the big screen again. Jon Favreau did not disappoint, but there was a lot of negativity and bad review scores when it first released. I think the big problem was that in all the previews/trailers leading up to the movie coming out showed how realistic the animals looked and how they were able to recreate iconic scenes in stunning state of the art CGI, but they never showed the animals talking or singing. This for me made it difficult to get fully immersed in the film when the very realistic animals began talking and singing, but eventually it went away or I got used to it a couple minutes into the movie. Also they changed very little in this remake and it was almost literally a shot for shot or scene for scene recreation of the original Lion King, which I think bothered the critics. I personally liked little changes they made that I felt made the movie just a little bit better, like the dialogue between Mufasa's and Scar implying Mufasa's gave him the scar, Zimbabwe catching up with Nala for the journey back to Pride Rock, and Nala leading the female lions in the fight against the hyenas. I also thought it was cool how they made it more clear that one of the hyenas was the leader and it was the female and the scene where Scar makes the deal with them. Overall though I feel like they could have shown more emotion in the animals if they had chosen a style that was so detailed to look so realistic. I give this movie a 7/10. It is worth watching for nostalgia and to see it in theaters is a treat, especially when getting children or younger family members to see it for the first time, but the original is still the better film.
Avengers: Endgame (2019)
8.9
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Avengers: Endgame is an upcoming American superhero film based on the Marvel Comics superhero team...
Charlie Cobra Reviews (1840 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 7, 2020
Spider-Man Knocks It Out Of The Park In This Summer Vacation Superhero Hybrid
Spider-Man Far From Home is a 2019 superhero movie directed by Jon Watts and written by Chris Mckenna and Erik Sommers. It was co-produced by Columbia Pictures and Marvel Studios and distributed by Sony Pictures Releasing. The movie stars Tom Holland, Zendaya, Samuel Jackson, Cobie Smulders, Jon Favreau, and Jake Gyllenhaal.
The Midtown School of Science and Technology in New York City organizes a two-week summer field trip to Europe to accommodate the students who were resurrected by "the blip". Peter plans to avoid heroics and confess his feelings to "MJ" on this trip but is warned by Happy that Nick Fury is trying to get in contact with him. Distraught about the events in Endgame and the questions overwhelming him about Tony Stark, Peter decides to not answer when Fury calls him causing Fury to seek him out on his vacation.
This movie was phenomenal. It was really awesome and a perfect summer action blockbuster. Marvel did not drop the ball with this one and I'm so glad I saw it before anybody spoiled it for me because it had plenty of surprises. Especially the after credits scenes, the one after the movie finishes and the one at the very end after the credits. Jake Gyllenhaal was perfect as Mysterio and his acting was on point and Ned (Jacob Battalon) was awesome as Pete's best friend and wing-man in this movie too. The action was great and the effects were spectacular especially for Mysterio and his powers, they really did a amazing job. I really couldn't find much that I didn't like in this movie other than a couple ways the plot or story didn't unfold in a way that I liked; but that's probably me just being picky and a super fan from the comics and watching the cartoons. Also a part having to do with Peter taking a major injury and kind of just shrugging it off when he should have been hurt worse. Zendaya did a good job of portraying "MJ" and showing her come out of her shell a little more too which I though was also cool. I give this movie a 8/10 and I also give it my "Must See Seal of Approval" If you haven't seen this movie yet, what are you waiting for?
The Midtown School of Science and Technology in New York City organizes a two-week summer field trip to Europe to accommodate the students who were resurrected by "the blip". Peter plans to avoid heroics and confess his feelings to "MJ" on this trip but is warned by Happy that Nick Fury is trying to get in contact with him. Distraught about the events in Endgame and the questions overwhelming him about Tony Stark, Peter decides to not answer when Fury calls him causing Fury to seek him out on his vacation.
This movie was phenomenal. It was really awesome and a perfect summer action blockbuster. Marvel did not drop the ball with this one and I'm so glad I saw it before anybody spoiled it for me because it had plenty of surprises. Especially the after credits scenes, the one after the movie finishes and the one at the very end after the credits. Jake Gyllenhaal was perfect as Mysterio and his acting was on point and Ned (Jacob Battalon) was awesome as Pete's best friend and wing-man in this movie too. The action was great and the effects were spectacular especially for Mysterio and his powers, they really did a amazing job. I really couldn't find much that I didn't like in this movie other than a couple ways the plot or story didn't unfold in a way that I liked; but that's probably me just being picky and a super fan from the comics and watching the cartoons. Also a part having to do with Peter taking a major injury and kind of just shrugging it off when he should have been hurt worse. Zendaya did a good job of portraying "MJ" and showing her come out of her shell a little more too which I though was also cool. I give this movie a 8/10 and I also give it my "Must See Seal of Approval" If you haven't seen this movie yet, what are you waiting for?
Sarah (7798 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 9, 2019
The best Spider-Man so far?
Let's face it, Spider-Man has been through it over the years in his various incarnations, and Marvel had a tough job ahead of them to bring him into the Marvel universe. Whilst they managed this pretty well in Captain America and Homecoming, it's only in Far From Home that Spidey truly shines in his own right.
For starters, this is a very fun and entertaining film and makes for a refreshing antidote to the rather heavy and sad Endgame. It of course has references to the events of Endgame, but fortunately doesn't go too heavy on the weepy bits. I wouldn't have been able to cope if they had! Instead this has a lot of fun humour and a fairly adorable romantic plot with two very awkward teenagers, which is still entertaining even if we do all know how it'll turn out. Tom Holland is by far the best Spider-Man we've ever had and he suits this role perfectly. Finally a Spider-Man that looks and sounds like a teenager (even if Tom Holland technically isn't...)! Jake Gyllenhaal isnt someone you'd expect to see in a superhero film, but I actually think he was marvellous as Mysterio, especially towards the second half of the film- no spoilers! I'm also so glad that Happy is back, I know Jon Favreau has been off directing etc but I do wish Happy was around more in some of the Marvel films as he's great for the comedy and I loved him in this.
My only criticism is it felt like it dragged a little in parts. That's actually the only bad thing I have to say about it. Even the end credit scenes were a bit more exciting than some have been in the past, especially the mid credits which has a very welcome cameo.
This is by far the best Spider-Man film we've seen, and I can't wait to see what they do next.
For starters, this is a very fun and entertaining film and makes for a refreshing antidote to the rather heavy and sad Endgame. It of course has references to the events of Endgame, but fortunately doesn't go too heavy on the weepy bits. I wouldn't have been able to cope if they had! Instead this has a lot of fun humour and a fairly adorable romantic plot with two very awkward teenagers, which is still entertaining even if we do all know how it'll turn out. Tom Holland is by far the best Spider-Man we've ever had and he suits this role perfectly. Finally a Spider-Man that looks and sounds like a teenager (even if Tom Holland technically isn't...)! Jake Gyllenhaal isnt someone you'd expect to see in a superhero film, but I actually think he was marvellous as Mysterio, especially towards the second half of the film- no spoilers! I'm also so glad that Happy is back, I know Jon Favreau has been off directing etc but I do wish Happy was around more in some of the Marvel films as he's great for the comedy and I loved him in this.
My only criticism is it felt like it dragged a little in parts. That's actually the only bad thing I have to say about it. Even the end credit scenes were a bit more exciting than some have been in the past, especially the mid credits which has a very welcome cameo.
This is by far the best Spider-Man film we've seen, and I can't wait to see what they do next.
Veronica Pena (690 KP) rated The Lion King (2019) in Movies
Mar 1, 2020
Listen. This might be controversial, but I LOVED this film. I remember when it first came out and I was unsure about whether or not I wanted to see it in theaters because critics were all over it and so upset - it seemed like a letdown.
So it finally came out on Disney+ and I have kind of been putting it off - along with the live-action Aladdin. I am so happy that I waited, but I really did love this film. The main comment I saw from critics was the lack of emotion or animation in the faces of the animals and truthfully I didn't mind it, nor was it something I was actively searching for. I thought that the lines were so powerfully delivered that the emotion was there, regardless.
The one downside of this film were some of the lines. I felt like they were unnecessary or just bad. Like when Simba confronts the hyenas and Scar attacks him and Nala says, "Lions, attack!" I just felt like that was bad. I feel like a roar would've done it or no line at all and just the action. That's the example that is most prominent in my head after finishing the film but I know I felt it in other spots too. The other downside, I felt, was this disconnect in chemistry between Donald Glover and Beyonce. It felt obvious - to me at least - that they recorded separately. I didn't feel like that love I know it's supposed to be.
I promise as much as I'm talking about things I didn't like, I really did love this film. Seth Rogan and Billy Eichner were the best throughout the whole film. They always made me laugh and when they started singing Be Our Guest? I died. I thought that was great.
I loved this cast. I love Jon Favreau as a creator. I love this story. I love Disney. I love this film. I don't think anyone will ever change my mind.
So it finally came out on Disney+ and I have kind of been putting it off - along with the live-action Aladdin. I am so happy that I waited, but I really did love this film. The main comment I saw from critics was the lack of emotion or animation in the faces of the animals and truthfully I didn't mind it, nor was it something I was actively searching for. I thought that the lines were so powerfully delivered that the emotion was there, regardless.
The one downside of this film were some of the lines. I felt like they were unnecessary or just bad. Like when Simba confronts the hyenas and Scar attacks him and Nala says, "Lions, attack!" I just felt like that was bad. I feel like a roar would've done it or no line at all and just the action. That's the example that is most prominent in my head after finishing the film but I know I felt it in other spots too. The other downside, I felt, was this disconnect in chemistry between Donald Glover and Beyonce. It felt obvious - to me at least - that they recorded separately. I didn't feel like that love I know it's supposed to be.
I promise as much as I'm talking about things I didn't like, I really did love this film. Seth Rogan and Billy Eichner were the best throughout the whole film. They always made me laugh and when they started singing Be Our Guest? I died. I thought that was great.
I loved this cast. I love Jon Favreau as a creator. I love this story. I love Disney. I love this film. I don't think anyone will ever change my mind.
The Jungle Book (Illustrated with Interactive Elements): (Illustrated with Interactive Elements)
Rudyard Kipling and Minalima Ltd.
Book
For fans of all ages, legendary British writer Rudyard Kipling's complete collection of enchanting...
LeftSideCut (3778 KP) rated Spider-Man: Homecoming (2017) in Movies
Feb 18, 2021
Spider-Man's first solo outing within the MCU is a frequently charming and grounded affair.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/