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Jesters_folly (230 KP) rated #Alive (2020) in Movies
Oct 17, 2020
Contains spoilers, click to show
#Alive is a Korean zombie movie that focuses on the survival of Oh Joon-woo, a young man who is stranded in his family's apartment at the outbreak of the zombie virus and follows him as he tries to work out what is happening, how he can survive and how he can cope with the fact that his family is probably dead.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
Lee (2222 KP) rated #Alive (2020) in Movies
Sep 11, 2020
The bar for South Korean zombie movies, or for any kind of zombie movie for that matter, was set exceptionally high when Train to Busan was released back in 2016. #Alive, which arrived on Netflix earlier this week, having premiered in its home country of South Korea back in June, had a lot to live up to. But by focusing primarily on just a single character, #Alive manages to deliver a quarantine story that we can all relate to after the chaos and uncertainty of 2020 and brings a touch of originality to a very familiar genre.
#Alive certainly doesn’t waste much time in dropping us straight into the zombie apocalypse. Young gamer Oh Joon-woo wakes up at 10 am, alone in the high-rise apartment that he shares with his parents. A note left by them tells us that they’ve gone away for a few days, leaving Oh Joon-woo to fend for himself. “Make sure you pick up some groceries”, his mum tells him, but instead he heads back to his room and begins playing an online game with some friends. But shortly into their game, his friends are distracted by some disturbing news reports on the TV, so Oh Joon-woo goes to check for himself.
He doesn’t need to watch much of the news on TV before realising that he can look outside of his apartment window and see for himself what the panic is all about. Down on the streets, people are running and screaming in all directions while others are in a frenzied state, attacking and biting everyone around them. Family members turn on each other, a fire truck crashes into a row of cars, and a nearby explosion quickly sends a dazed and confused Oh Joon-woo back inside his apartment.
The news reports talk of people quickly turning violent and attacking others, immediately passing on whatever it is that has turned them into crazed zombies. It describes how you can tell a person is turning because they will be bleeding from the eyes. “Citizens must stay home and avoid going out.” is the advice given. Sound familiar?
Oh Joon-woo does what a lot of us probably did during lockdown - he plays video games, drinks his dad’s alcohol, and tries to just ride it all out the best he can. He quickly regrets ignoring his mum’s request to go and buy groceries though, as he lays out the very small amount of mostly unhealthy food items that are in the apartment out onto the table, and separates them into meals for each day over the coming week or so.
Days pass, but without any sign of the outside chaos subsiding. There are still zombies down on the streets, taking out any unfortunate survivor unlucky enough to be outside, and any investigative trips outside the apartment front door are fraught with danger. We’ve now passed day 20, and Oh Joon-woo is struggling.
At his lowest point, Oh Joon-woo notices a laser pointer shining into his apartment from the high-rise opposite. When he goes to investigate, he sees that there is another survivor looking back at him. Kim Yoo-bin is also at a fairly low point in her life, but with food, weapons and homemade zombie traps, she appears to be a bit of a badass, clearly better equipped at dealing with the crisis than Oh Joon-woo. She initially thinks Oh Joon-woo is an idiot, sending food across a wire that they manage to set up between their buildings so that he doesn’t starve. But they soon form a close bond, sending messages to each other before eventually employing the use of walkie-talkies so that they can discuss a way out of their predicament.
#Alive taps into the feelings that so many of us will have felt during lockdown this year - feeling isolated, lonely, scared. It’s the quiet human moments that work so well here, especially with the introduction of a friend and an ally in the form of Kim Yoo-bin. Finding each other does literally save both of their lives.
But it’s never too long before we’re jolted right back into some zombie action, and thankfully that aspect doesn’t disappoint. The news reports had already informed us that the zombies appeared to be able to remember certain human actions from before they turned, such as opening doors. They even appear to retain aspects of behaviour from their human occupations. This makes for some entertaining and unpredictable zombie fun, most notably a firefighter zombie who scales the outside of the high-rise in an attempt to try and reach Kim Yoo-bin.
There’s a late plot twist and a deus ex machina which may seem like a bit of a cop-out for some, but overall #Alive is certainly a worthwhile watch for fans of zombie action with a focus on the human characters.
#Alive certainly doesn’t waste much time in dropping us straight into the zombie apocalypse. Young gamer Oh Joon-woo wakes up at 10 am, alone in the high-rise apartment that he shares with his parents. A note left by them tells us that they’ve gone away for a few days, leaving Oh Joon-woo to fend for himself. “Make sure you pick up some groceries”, his mum tells him, but instead he heads back to his room and begins playing an online game with some friends. But shortly into their game, his friends are distracted by some disturbing news reports on the TV, so Oh Joon-woo goes to check for himself.
He doesn’t need to watch much of the news on TV before realising that he can look outside of his apartment window and see for himself what the panic is all about. Down on the streets, people are running and screaming in all directions while others are in a frenzied state, attacking and biting everyone around them. Family members turn on each other, a fire truck crashes into a row of cars, and a nearby explosion quickly sends a dazed and confused Oh Joon-woo back inside his apartment.
The news reports talk of people quickly turning violent and attacking others, immediately passing on whatever it is that has turned them into crazed zombies. It describes how you can tell a person is turning because they will be bleeding from the eyes. “Citizens must stay home and avoid going out.” is the advice given. Sound familiar?
Oh Joon-woo does what a lot of us probably did during lockdown - he plays video games, drinks his dad’s alcohol, and tries to just ride it all out the best he can. He quickly regrets ignoring his mum’s request to go and buy groceries though, as he lays out the very small amount of mostly unhealthy food items that are in the apartment out onto the table, and separates them into meals for each day over the coming week or so.
Days pass, but without any sign of the outside chaos subsiding. There are still zombies down on the streets, taking out any unfortunate survivor unlucky enough to be outside, and any investigative trips outside the apartment front door are fraught with danger. We’ve now passed day 20, and Oh Joon-woo is struggling.
At his lowest point, Oh Joon-woo notices a laser pointer shining into his apartment from the high-rise opposite. When he goes to investigate, he sees that there is another survivor looking back at him. Kim Yoo-bin is also at a fairly low point in her life, but with food, weapons and homemade zombie traps, she appears to be a bit of a badass, clearly better equipped at dealing with the crisis than Oh Joon-woo. She initially thinks Oh Joon-woo is an idiot, sending food across a wire that they manage to set up between their buildings so that he doesn’t starve. But they soon form a close bond, sending messages to each other before eventually employing the use of walkie-talkies so that they can discuss a way out of their predicament.
#Alive taps into the feelings that so many of us will have felt during lockdown this year - feeling isolated, lonely, scared. It’s the quiet human moments that work so well here, especially with the introduction of a friend and an ally in the form of Kim Yoo-bin. Finding each other does literally save both of their lives.
But it’s never too long before we’re jolted right back into some zombie action, and thankfully that aspect doesn’t disappoint. The news reports had already informed us that the zombies appeared to be able to remember certain human actions from before they turned, such as opening doors. They even appear to retain aspects of behaviour from their human occupations. This makes for some entertaining and unpredictable zombie fun, most notably a firefighter zombie who scales the outside of the high-rise in an attempt to try and reach Kim Yoo-bin.
There’s a late plot twist and a deus ex machina which may seem like a bit of a cop-out for some, but overall #Alive is certainly a worthwhile watch for fans of zombie action with a focus on the human characters.
LeftSideCut (3776 KP) rated Parasite (2019) in Movies
Aug 24, 2020
There's not a huge amount I can say about Parasite that hasn't been said already - it's pretty damn good.
Bong Joon Ho's tragicomedy is sometimes sad, sometimes hilarious, and bursting with tension when it needs to be.
The cast are excellent, especially Woo-sik Choi and So-dam Park.
The plot beats about class discrimination are the heart of Parasite, and provides the bulk of the film's entertainment, whilst still being hard hitting and grounded in unfortunate reality.
This is aided by some truly inspired cinematography, full of nice touches. An example that springs to mind is the wealthy Park family residence, sitting up high. The Kim family resides practically underground. In one scene, the Kim family descend through the city level by level during a violent storm to get back home, a motif for how the poor constantly live in the shadows of those better off. It's a shot that has stuck with me since viewing.
The screenplay is full of wit and strong character development leading to a genuinely thrilling climax that had me on the edge of my seat.
Parasite is absolutely worth your time, easily one of my top films of 2019.
Bong Joon Ho's tragicomedy is sometimes sad, sometimes hilarious, and bursting with tension when it needs to be.
The cast are excellent, especially Woo-sik Choi and So-dam Park.
The plot beats about class discrimination are the heart of Parasite, and provides the bulk of the film's entertainment, whilst still being hard hitting and grounded in unfortunate reality.
This is aided by some truly inspired cinematography, full of nice touches. An example that springs to mind is the wealthy Park family residence, sitting up high. The Kim family resides practically underground. In one scene, the Kim family descend through the city level by level during a violent storm to get back home, a motif for how the poor constantly live in the shadows of those better off. It's a shot that has stuck with me since viewing.
The screenplay is full of wit and strong character development leading to a genuinely thrilling climax that had me on the edge of my seat.
Parasite is absolutely worth your time, easily one of my top films of 2019.
Matthew Krueger (10051 KP) rated Parasite (2019) in Movies
Aug 21, 2020
the depiction of the rich and poor. (2 more)
The depiction of class conflict.
The depiction of social inequality.
overhyped (1 more)
strange and weird.
Just Strange Overall
Parasite- i heard excellent things about it, people rating it 9's and 10's. Calling it "one of the best movies of 2019", calling it "one of the best movies all of time". All of the hype, all of the rewards, all of the critcism, was it deserved well yes and no. Here is the thing the movie was okay. Bong Joon-Ho does a excellent depicking the rich and the poor. Other than that, the movie was hard to follow. Im not the biggest fan of foreign language films cause their are hard to follow. But i do like some foreign language films. One of my favorites is "Pans Labyrinith". "Cronos", "Let The Right One In", "The Orphanage", Juila's Eyes", "The Devil's Backbone" and "Thelma". Are all excellent Foreign langauge films. Its just this one i couldnt get into.
The plot: Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan.
Should it got all of these awards, well yes and no. Like i said it does a excellent job depicking the rich from the poor, class conflict, social inequality and wealth disparity. Bong Joon-Ho did a excellent job wih the subject matter. Just for me it was kinda of boring, hard to follow and just strange. I dont if i should of gotten all of those rewards, i mean it was well desvered but their were better movies.
I know other loved this film, just me i didnt. Again this is my opinion. I just want people to know that. Watch it if you want to. Just the hype was overhyped for me.
The plot: Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan.
Should it got all of these awards, well yes and no. Like i said it does a excellent job depicking the rich from the poor, class conflict, social inequality and wealth disparity. Bong Joon-Ho did a excellent job wih the subject matter. Just for me it was kinda of boring, hard to follow and just strange. I dont if i should of gotten all of those rewards, i mean it was well desvered but their were better movies.
I know other loved this film, just me i didnt. Again this is my opinion. I just want people to know that. Watch it if you want to. Just the hype was overhyped for me.
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
