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Lee KM Pallatina (951 KP) rated Deadpool 2 (2018) in Movies
Jun 14, 2019
When Wade met Cable aka deadpool 2: Judgment day
Ryan Reynolds returns as the foul mouthed, gun toting, wise cracking, fourth wall breaking merc with a mouth known as deadpool, this time around wade finds himself lumped with a kid, an angry muntant kid named Russell aka firefist. After failing to calm Russell and killing a bunch of dodgey looking "medical professionals" (deadpool? Kill? Never.....) they are both arrested and locked up in the ice box, mutant prison.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
Jake Gyllenhaal recommended The Goonies (1985) in Movies (curated)
Lee (2222 KP) rated Deadpool 2 (2018) in Movies
May 18, 2018
Huge improvement over the original
After a relatively slow and average start featuring a depressed Deadpool, some standard taking out of bad guys, moaning at Colossus about the X-Men etc, Deadpool 2 eventually slips into gear and doesn't let up from then on. A number of additional characters are soon introduced, and those that stick around for more than just a couple of scenes are definitely worth it. Josh Brolin brings just the right level of bad-ass threat to the movie as Cable, arriving from the future with a Terminator style mission to take care of. Zazie Beetz’s as Domino, whose superpower is simply 'luck' is just a joy to watch, and the formation of the new 'X-Force' team just takes things to a whole new level of enjoyment.
The one-liners are still there, and there are many scenes which just seem to feature one big laugh out loud moment after another. Everything about Deadpool 2 is just a huge improvement on the original - the action, the humour, the characters, the cameos and the story itself. I loved it.
The one-liners are still there, and there are many scenes which just seem to feature one big laugh out loud moment after another. Everything about Deadpool 2 is just a huge improvement on the original - the action, the humour, the characters, the cameos and the story itself. I loved it.
Sarah (7798 KP) rated Sicario: Day of the Soldado (2018) in Movies
Apr 7, 2019
Better than the first
I’m one of the few people that really didn’t rate the first Sicario film. It wasn’t bad, but neither was it the brilliant film everyone rated it to be, so I went into the sequel with a certain amount of trepidation, but for the most part I was pleasantly surprised.
I’m afraid to say that Emily Blunt really isn’t missed. Instead we get much more of Josh Brolin and Benicio Del Toro, and you can’t complain about this as they’re both fantastic actors and put on brilliant performances in this. The film itself is very gritty, dark and brutal, right from the opening scenes with the suicide bombers to the gun battles and cartels scenes later on in the film. It’s very tense, and this is definitely not a feel good film at all but it’s still a gripping film to watch. The only thing that really let this down for me was the ending. Without spoilers, it’s partly ridiculous, partly a letdown as characters were going completely against the character they’d been portraying for 2 hours and also a blatant setup for a sequel. I’d have been a lot more satisfied with this film if it had been wrapped up better, but as sequels go, it’s impressive when one surpasses the original.
I’m afraid to say that Emily Blunt really isn’t missed. Instead we get much more of Josh Brolin and Benicio Del Toro, and you can’t complain about this as they’re both fantastic actors and put on brilliant performances in this. The film itself is very gritty, dark and brutal, right from the opening scenes with the suicide bombers to the gun battles and cartels scenes later on in the film. It’s very tense, and this is definitely not a feel good film at all but it’s still a gripping film to watch. The only thing that really let this down for me was the ending. Without spoilers, it’s partly ridiculous, partly a letdown as characters were going completely against the character they’d been portraying for 2 hours and also a blatant setup for a sequel. I’d have been a lot more satisfied with this film if it had been wrapped up better, but as sequels go, it’s impressive when one surpasses the original.
Movie Metropolis (309 KP) rated Labor Day (2014) in Movies
Jun 11, 2019
Director Jason Reitman is no stranger to obtaining a few awards from his varied career, with films like Juno and Up in the Air under his belt, you would be forgiven for thinking that he could put himself on autopilot – however his latest offering Labor Day stays well clear of such drama.
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Awix (3310 KP) rated Deadpool 2 (2018) in Movies
May 17, 2018 (Updated May 17, 2018)
More of the same as the first one, really, as Ryan Reynolds' violent sociopath engages in various graphically destructive and deeply ironic escapades, while Josh Brolin looks stoically bemused in the background. The plot, such as it is, basically revolves around a soldier from the future targeting a young mutant whom Deadpool has kind of taken under his wing. But this is to imply that the plot is of any real significance in a Deadpool movie, and it is not.
What the film is really about is a succession of jokes, many self-reflexive and self-referential, others simply crass and puerile, mixed in with the kind of FX-driven fights and chase sequences you would expect to find in a conventional superhero movie. I should point out that many of the jokes are either repeated from the first film or fairly predictable. All good fun, and there are many very funny bits, but one really wonders why they bothered to include scenes about the characters' emotions which are seemingly played wholly straight and are apparently intended to be taken seriously, because the whole point of the film is that it's not meant to be taken seriously.
Probably just about scrapes a 7 on the strength of the closing credit sequence gags, but a very uneven film that doesn't have the novelty value of the first one and struggles to find anything to replace it.
What the film is really about is a succession of jokes, many self-reflexive and self-referential, others simply crass and puerile, mixed in with the kind of FX-driven fights and chase sequences you would expect to find in a conventional superhero movie. I should point out that many of the jokes are either repeated from the first film or fairly predictable. All good fun, and there are many very funny bits, but one really wonders why they bothered to include scenes about the characters' emotions which are seemingly played wholly straight and are apparently intended to be taken seriously, because the whole point of the film is that it's not meant to be taken seriously.
Probably just about scrapes a 7 on the strength of the closing credit sequence gags, but a very uneven film that doesn't have the novelty value of the first one and struggles to find anything to replace it.
Matthew Krueger (10051 KP) rated The Possession (2012) in Movies
Dec 4, 2019 (Updated Dec 4, 2019)
Whats In The Box???
The Possession- came out in 2012 is anethor very good horror movie that hardly no one talks about and knows about. It came in 2012, and i forgot that this movie came out in 2012 cause 2012 was a big year for movies and was directed by Ole Bornedal, who you may say? Well he directed Nightwatch a danish thriller film in 1994 than he remade it in 1997 and started Ewan McGregor, Patricia Arquette, Josh Brolin and Nick Nolte. It was written by Bornedal and Steven Soderbergh. And i will review that movie at somepoint. Cause the movie is really underreated and a good horror movie. And well thats pretty much it, that he directed. So whats this film about than...
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.
LeftSideCut (3778 KP) rated Frank Miller's Sin City: A Dame to Kill For (2014) in Movies
Jan 17, 2021
I think that I actually prefer A Dame to Kill For over the first Sin City...
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Movie Metropolis (309 KP) rated Only The Brave (2017) in Movies
Jun 10, 2019
One of the year's best films
Films based on true events are ten-a-penny these days. From 2015s stunning American Sniper and 2016s breath-taking Deepwater Horizon to the critically acclaimed Patriots Day, there seems to be no stopping the ‘true to life’ variety of movies that has suddenly become very popular.
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
Sarah (7798 KP) rated Deadpool 2 (2018) in Movies
May 31, 2018
More Marvel films should be like this
Deadpool really makes me want to see more Marvel films like this. It's refreshing to watch a more "adult" Marvel film, with the violence and rude humour and aside from Logan, Deadpool is the only film to have ventured into this adult territory.
That's not to say it always works, as sometimes the jokes are a little too crude or offensive. But for the most part Deadpool 2 is pretty funny and even verging on hilarious at times, and the blood and gore is actually great to see. The plot itself is maybe a tad predictable, but it more than makes up for it with everything else. The title credits, post credits scene and a lot of the tongue in cheek references are particularly hilarious. The soundtrack is eclectic and a bit bonkers, but Deadpool a manages to pull it off.
The cast and characters are fantastic, both the returning favourites (I love Dopinder) and some of the new cast too. Josh Brolin has always been a favourite and he does very well in this, Deadpool even managed to throw in a genius reference to Thanos. Zazie Beetz too is a great new addition. There are also some brilliant cameos in this, which I won't spoil for anyone who hasn't seen it.
My main problem with this film is that parts of it are way too serious and sombre and these scenes really bring down the tone of the film. They do need something serious, but I think with this they've gone a little too heavy handed which is a shame.
That's not to say it always works, as sometimes the jokes are a little too crude or offensive. But for the most part Deadpool 2 is pretty funny and even verging on hilarious at times, and the blood and gore is actually great to see. The plot itself is maybe a tad predictable, but it more than makes up for it with everything else. The title credits, post credits scene and a lot of the tongue in cheek references are particularly hilarious. The soundtrack is eclectic and a bit bonkers, but Deadpool a manages to pull it off.
The cast and characters are fantastic, both the returning favourites (I love Dopinder) and some of the new cast too. Josh Brolin has always been a favourite and he does very well in this, Deadpool even managed to throw in a genius reference to Thanos. Zazie Beetz too is a great new addition. There are also some brilliant cameos in this, which I won't spoil for anyone who hasn't seen it.
My main problem with this film is that parts of it are way too serious and sombre and these scenes really bring down the tone of the film. They do need something serious, but I think with this they've gone a little too heavy handed which is a shame.