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Matthew Krueger (10051 KP) rated Poseidon (2006) in Movies
Feb 25, 2021
An Upside-Down World
Poseidon- is a intense thriller.
The plot: After a huge tidal wave capsizes a luxury liner in the North Atlantic, individual survivors (Josh Lucas, Kurt Russell, Jacinda Barrett) band together and traverse a hazardous upside-down maze that they hope will take them to safety. As the wrecked vessel fills with water, the survivors must call on hidden strengths and skills to face the fight of their lives.
It has a good cast and a intense survival thriller.
The plot: After a huge tidal wave capsizes a luxury liner in the North Atlantic, individual survivors (Josh Lucas, Kurt Russell, Jacinda Barrett) band together and traverse a hazardous upside-down maze that they hope will take them to safety. As the wrecked vessel fills with water, the survivors must call on hidden strengths and skills to face the fight of their lives.
It has a good cast and a intense survival thriller.
Jake Gyllenhaal recommended The Goonies (1985) in Movies (curated)
MelanieTheresa (997 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Jan 2, 2020
This is an excellent movie all around. I was fascinated by the story itself, and thought they did a terrific job of putting it to film. The race scenes are thrilling, and it's fun watching them build the cars. Christian Bale and Matt Damon work so well together. Caitriona Balfe is amazing as Mollie Miles. Jon Bernthal did a great Lee Iacocca. Josh Lucas has clearly been typecast as the douchebag, which he does very well here as Leo Beebe. Tracy Letts is a perfect Henry Ford II. Granted, 2.5 hours is a bit long, but it holds up throughout so that it doesn't really feel that long. Probably the best movie I've seen in a while, and definitely the best racing movie I've seen in a long time. 🚗🚗
Gareth von Kallenbach (971 KP) rated Bravetown (2015) in Movies
Aug 6, 2019
Today’s movie selection is certainly a ‘heavy’ …. and by heavy I mean 1 half serious and 1 half inspirational. It’s one of those stories where the protagonist has been fighting an uphill battle most of their lives and in the end, being the catalyst for change in the lives of others ends up being that factor which changes their own life for the better.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
Gareth von Kallenbach (971 KP) rated Poseidon (2006) in Movies
Aug 14, 2019
The summer movie season has arrived in grand style with the first thrill ride of the season In Poseidon, viewers are taking to the very edge and beyond in one of the better adventure films in recent memory.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Sarah (7798 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 26, 2019
Great watch
I've always been a bit of a car person (or at least I like driving fast...) and it was watching Rush at the cinema back in 2013 that really got me into racing films, and is also probably to blame for my F1 interests. Le Mans '66 appealed to me exactly for these reasons and it really is a great film, and not just for the racing.
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
LeftSideCut (3778 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Sep 13, 2020
The more films I see by James Mangold, the more I like him.
Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.
Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.
The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.
I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.
Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.
The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.
I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
Emma @ The Movies (1786 KP) rated The Forever Purge (2021) in Movies
Feb 20, 2022
I'm definitely late to the party on this series, I watched The Purge in preparation for First Purge and really enjoyed both... and let's face it, there's nothing like some gratuitous violence to fill your evening!
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
Gareth von Kallenbach (971 KP) rated Glory Road (2006) in Movies
Aug 14, 2019
Sports films have long been a popular genre in Hollywood as classics such as Pride of the Yankees, The Natural, and Raging Bull are all examples of some of the finest examples of sports films which encapsulate the very essence of the sport they portray.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
BankofMarquis (1832 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 25, 2019
GREAT chemistry between Bale and Damon
Most people are attending - or staying away from - the new James Mangold film, FORD v FERRARI because it is a "race car flick". But to label it as just that is doing a disservice to this film, so if that is what is keeping you away from this movie, think again, for this film is much more than a race car film.
It is, at it's core, a film about friendship and loyalty in the face of adversity and is a very serious contender for multiple awards this Oscar season.
A long gestating film project (Director Mangold first came across this property in 2010), FORD v FERRARI tells the tale of the Ford Motor Company's attempt to unseat the Italian car company, Ferrari, as an elite race car producer by defeating it on it's own turf - the 24 hour race at LeMans.
Entrusted to make this dream a reality by Henry Ford II (Tracy Letts) is (now) legendary race car designer Carroll Shelby (Matt Damon) who turns to his reckless friend - and top race car driver - Ken Miles (Christian Bale) to help put this project over the top.
Will this duo succeed? Will Ford topple Ferrari? Can Shelby help smooth the rough waters that the temperamental Miles will, inevitably, create? What do you think?
But it is the journey - and not the destination - that is the joy of this film, for under the watchful, steady eye of veteran Director Mangold (WALK THE LINE) this film is much, much more than the cliched journey of a maverick bucking the system to, ultimately, prevail. It is a study of friendship and loyalty under intense pressure and Mangold finds the right balance between showing hardcore racing and the friendship and camaraderie of Miles and Shelby.
Mangold, of course, smartly knew that the success (or failure) of this film will rest on the chemistry between the two leads of this film - and he cast them well. Matt Damon brings his usual charm and easy-going attitude to Carroll Shelby, making him the heart and anchor of this film - we see the events unfold through his eyes - and he is a an easy stand-in for the audience during the proceedings and is someone that we are happy, and comfortable, to spend the 2 1/2 hours of this film with.
This is good, for he is strongly complimented - and challenged - by the hard intensity that Christian Bale brings to his portrayal of Ken Miles. This real-life racing car legend is driven (pun intended) to excellence, and does not suffer fools gladly. We spend a good amount of time in this film with Miles staring intently out the window of his race car and no one does smoldering, staring intensity better than Bale. This is another Oscar-worthy performance by an actor who has made a career of Oscar-worthy performances and has me asking - is he the finest actor working today? He certainly is in the conversation.
Bale and Damon play off each other very well, their chemistry seems real and we believe that these are 2 old friends working together. This is the first pairing of these two, and based on these results, I would guess that we'll be seeing these two in a film together again.
They are joined by strong supporting work by the likes of Letts, Jon Bernthal (portraying Lee Iacocca) and Caitriona Balfe (as Miles wife, Mollie). Only Josh Lucas (as the a-hole antagonist of the film) fares less well as his character is written in one note and Lucas just plays that note.
The racing scenes are well done - giving us the visceral intensity of what it must be like in the car, and in the pits, of a major race experience. But it is the friendship between Miles and Shelby that really is the engine that drives this film.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
It is, at it's core, a film about friendship and loyalty in the face of adversity and is a very serious contender for multiple awards this Oscar season.
A long gestating film project (Director Mangold first came across this property in 2010), FORD v FERRARI tells the tale of the Ford Motor Company's attempt to unseat the Italian car company, Ferrari, as an elite race car producer by defeating it on it's own turf - the 24 hour race at LeMans.
Entrusted to make this dream a reality by Henry Ford II (Tracy Letts) is (now) legendary race car designer Carroll Shelby (Matt Damon) who turns to his reckless friend - and top race car driver - Ken Miles (Christian Bale) to help put this project over the top.
Will this duo succeed? Will Ford topple Ferrari? Can Shelby help smooth the rough waters that the temperamental Miles will, inevitably, create? What do you think?
But it is the journey - and not the destination - that is the joy of this film, for under the watchful, steady eye of veteran Director Mangold (WALK THE LINE) this film is much, much more than the cliched journey of a maverick bucking the system to, ultimately, prevail. It is a study of friendship and loyalty under intense pressure and Mangold finds the right balance between showing hardcore racing and the friendship and camaraderie of Miles and Shelby.
Mangold, of course, smartly knew that the success (or failure) of this film will rest on the chemistry between the two leads of this film - and he cast them well. Matt Damon brings his usual charm and easy-going attitude to Carroll Shelby, making him the heart and anchor of this film - we see the events unfold through his eyes - and he is a an easy stand-in for the audience during the proceedings and is someone that we are happy, and comfortable, to spend the 2 1/2 hours of this film with.
This is good, for he is strongly complimented - and challenged - by the hard intensity that Christian Bale brings to his portrayal of Ken Miles. This real-life racing car legend is driven (pun intended) to excellence, and does not suffer fools gladly. We spend a good amount of time in this film with Miles staring intently out the window of his race car and no one does smoldering, staring intensity better than Bale. This is another Oscar-worthy performance by an actor who has made a career of Oscar-worthy performances and has me asking - is he the finest actor working today? He certainly is in the conversation.
Bale and Damon play off each other very well, their chemistry seems real and we believe that these are 2 old friends working together. This is the first pairing of these two, and based on these results, I would guess that we'll be seeing these two in a film together again.
They are joined by strong supporting work by the likes of Letts, Jon Bernthal (portraying Lee Iacocca) and Caitriona Balfe (as Miles wife, Mollie). Only Josh Lucas (as the a-hole antagonist of the film) fares less well as his character is written in one note and Lucas just plays that note.
The racing scenes are well done - giving us the visceral intensity of what it must be like in the car, and in the pits, of a major race experience. But it is the friendship between Miles and Shelby that really is the engine that drives this film.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)