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The Underwriting
8
9.0 (2 Ratings)
Book Rating
Hook is the hottest new dating app. It's location based and as long as two users match each other they can "hook" up in a matter of minutes.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.

Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.

The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.

With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!

When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.

Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
  
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Lenard (726 KP) created a post

Jan 12, 2020  
Final Oscar Nomination Predictions
This has been a weird year where it seems like you cannot base the BP noms on an equitable studio split or traditional metrics. I do not think there will be 10 and there is a good chance that only 8 will get nominated again, but I have no idea which film will be snubbed so here are the predictions for 2020.

BEST PICTURE
1917 (Universal)
Ford v Ferrari (Fox)
The Irishman (Netflix)
Jojo Rabbit (Fox Searchlight)
Joker (Warner Bros)
Little Women (Columbia)
Marriage Story (Netflix)
Once Upon a Time in Hollywood (Columbia)
Parasite (Neon)

BEST DIRECTOR
Bong Joon-ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Taika Waititi, Jojo Rabbit

BEST ACTOR
Antonio Banderas, Pain & Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Taron Egerton, Rocketman
Joaquin Phoenix, Joker

BEST ACTRESS
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Lupita Nyongo, Us (here is where preferential balloting is good)
Charlize Theron, Bombshell
Renee Zellweger, Judy

BEST SUPPORTING ACTOR
Jamie Foxx, Just Mercy
Tom Hanks, A Beautiful Day in the Neighborhood (His speech solidified his nom)
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

BEST SUPPORTING ACTRESS
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
Zhao Shuzhen, The Farewell (my longshot, but ScarJo is not respected in Hollywood)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Marriage Story
Rian Johnson, Knives Out
Bong Joon-ho & Han Jin-won, Parasite
Josh Safdie & Benny Safdie, Uncut Gems
Quentin Tarantino, Once Upon a Time in Hollywood
People talk about a lack of female direction nomination, but screenplay is just as void.

BEST ADAPTED SCREENPLAY
Greta Gerwig, Little Women
Anthony McCarten, The Two Popes
Todd Phillips & Scott Silver, Joker
Taika Waititi, Jojo Rabbit
Steven Zaillian, The Irishman
I wish there was room for Lorene Scafaria.