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Conor Grennan is an American traveling the world for one year. One of his planned stops on his journey is at Little Princes orphanage in Nepal. After this 3 months stay at the orphanage, he promises the children that he would return in one years time. Hardly did volunteers return to the orphanage, after they left. Conor was abe to keep his promise and after his return he set out on a true journey...to find the families of the children at Little Princes and other orphanages in the area. He set up a foundation in order to fund this necessary endeavor. Many of the children had been taken from their homes by child traffickers with the promise to provide a better life for the children Many of these parents had no idea where their children were and just as many children thought their parents were dead. Conor ended up staying in Nepal for the next three years helping reconnect Nepal's lost children with their families.

Many times when we do volunteer work whether it is within our own country or abroad, we go into it thinking how much good we are going to do for someone else. What really is the case is that the volunteer is the one who ends up benefiting the most. Hearts and minds are forever changed. We implore our friends and family to help with the cause we are involved in and pray that we are making a difference. I have never met anyone who has not had their lives impacted by volunteer work.

Conor is no exception. He has made friends with these children, learned something new about a different culture and has taught us all something new with this book. Little Princes, has touched my heart and I'm eager to know how the children of Nepal are doing now after all of the help that Conor has brought to the region. You can find out more about Conor's work visit http://www.nextgenerationnepal.org/
  
    Lingoland

    Lingoland

    Education and Games

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    Lingoland is the first real game that helps you learn Spanish. It takes the best out of both games...

Aquaman (2018)
Aquaman (2018)
2018 | Action, Sci-Fi
Jason Momoa as Aquaman The final battle The cgi Willem defoe Nicole kidman Amber heard Patrick Wilson (0 more)
Pitbulls Africa cover (0 more)
"war is coming to the surface"
Aquaman is absolutely a disciple of the superhero formula we've seen used, reused and recycled over the past couple decades...but its formula done right. There's an inherent lunacy to a hero like Aquaman; his myth is built upon a lost Atlantean culture that's simultaneously advanced technologically and heavily influenced by ancient Greek mythology, and his powers included near-Superman levels of strength and invulnerability existing alongside an ability to communicate with marine life. This makes approaching his story from a gritty, realistic perspective damn near impossible.

Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.

It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.

I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.