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Jenny Houle (24 KP) rated The Weight of This World in Books
Jan 13, 2018
I received an ARC from FirstToRead for an unbiased review of THE WEIGHT OF THE WORLD.
It's particularly hard to explain the details of this book without spoilers, beyond the blurb already posted about it: "A combat veteran returned from war, Thad Broom can’t leave the hardened world of Afghanistan behind, nor can he forgive himself for what he saw there. His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it."
I don't entirely think I knew what I was getting myself into reading the book, which was well written but a little too graphic for me. I think in referring others to it, I will consider those who handle certain scenarios well, versus those who do not (for example, I'm not exactly rushing out to recommend this to any of my friends who've returned home from war and are dealing with PTSD).
The development of the three main characters and the intensity of their bonds and loyalty, despite all the ways they continued to fail one another, were a true depiction of human spirit. How we can love someone so much that we never mean to fail them, yet we can never do fully right by them.
I loved the epilogue but not the ending...if that makes sense (I'm afraid to say much for fear of spoilers). Part of me wanted so desperately for Aiden, Thad and April to all find their way away from Little Canada, alone or together, having beaten all their demons. Part of me, though, is realistic enough to know that is not how life works.
I will absolutely be hunting for other books by David Joy having read this one. So glad I took the time and stuck out the scenes that were hard to stomach.
It's particularly hard to explain the details of this book without spoilers, beyond the blurb already posted about it: "A combat veteran returned from war, Thad Broom can’t leave the hardened world of Afghanistan behind, nor can he forgive himself for what he saw there. His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it."
I don't entirely think I knew what I was getting myself into reading the book, which was well written but a little too graphic for me. I think in referring others to it, I will consider those who handle certain scenarios well, versus those who do not (for example, I'm not exactly rushing out to recommend this to any of my friends who've returned home from war and are dealing with PTSD).
The development of the three main characters and the intensity of their bonds and loyalty, despite all the ways they continued to fail one another, were a true depiction of human spirit. How we can love someone so much that we never mean to fail them, yet we can never do fully right by them.
I loved the epilogue but not the ending...if that makes sense (I'm afraid to say much for fear of spoilers). Part of me wanted so desperately for Aiden, Thad and April to all find their way away from Little Canada, alone or together, having beaten all their demons. Part of me, though, is realistic enough to know that is not how life works.
I will absolutely be hunting for other books by David Joy having read this one. So glad I took the time and stuck out the scenes that were hard to stomach.
Revathi - A Life in Trans Activism
Book
A. Revathi's memoir The Truth about Me became a sensation in India when it was published in 2011....
Playing God: The Evolution of a Modern Surgeon
7.0
Rate It
Book
What does it mean to be a doctor? “I am a doctor.” Every year, thousands of medical school...
FilmIntuition (33 KP) rated All We Ever Wanted in Books
Jul 6, 2018
Timely & Compelling
Determined to get to the second book in the series that everyone I knew had assured me was "the best," over the years, I must've picked up and earnestly started my paperback copy of Emily Giffin's Something Borrowed dozens of times but just couldn't relate to the characters.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
BA
Building an Outstanding Legal Team: Battle-Tested Strategies from a General Counsel
Book
In this practical "how to" guide, Bjarne P Tellmann, General Counsel and SVP of Pearson, draws upon...
Texas Hold'em for iPad
Games and Entertainment
App
★★★ Start your poker career and hone your skills in 7 amazing casinos with online multiplayer...
Ross (3284 KP) rated House of Sacrifice in Books
Aug 14, 2019
Style over substance in a long grind of a conclusion
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.
PA
Putnam and Beyond
Titu Andreescu and Razvan Gelca
Book
This book takes the reader on a journey through the world of college mathematics, focusing on some...
For the Love of Rivers: A Scientist's Journey
Book
Rivers and streams supply our water and capture our imaginations. We seek the more pristine ones to...