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Night Reader Reviews (683 KP) rated The Cockatoo from Timbuktu in Books
Mar 19, 2020
Honest Review for Free Copy of Book
The Cockatoo from Timbuktu is from the same author who wrote Timothy Mean and the Time Machine (a 4/4 book I reviewed about a year ago) by William AE Ford. Just like the first book I reviewed by him, it is an amazingly cute book with fun rhymes.
Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
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Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
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Phillip McSween (751 KP) rated Swing Time (1936) in Movies
Aug 14, 2020
Entertaining Despite Some Flaws
Fucking blackface, am I right? I’ll warn you now if you plan to watch Swing Time: There is a blackface scene. In spite of this touch of ignorance, as a black man, I have to say that I rather enjoyed the movie. The plot: When John Garnet (Fred Astaire) gets cold feet on his wedding day, his fiance opts to give him another chance if he can find a way to earn $25,000. John is all for it until he falls in love with a dance instructor and tries to find every way in the world to avoid making the money.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
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BankofMarquis (1832 KP) rated Dumbo (2019) in Movies
Apr 5, 2019
In a word...bland
There are many words that you can use to describe films by Tim Burton: Gothic, Bizarre, Dark, Interesting, SteamPunk, Unique, Visual.
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
156Reviews (7 KP) rated I Lost My Body (2019) in Movies
May 1, 2020
It wasn't surprising that I Lost My Body, a story about a severed hand that is trying to find its way back to its owner, didn't win “Best Animated feature” at this years Oscars. Originality seems to be quite low on the Academy's criteria. But it was more telling that it lost to Toy Story 4, a fourth instalment of a franchise that began in 1995. Sadly for director Jeremy Clapin, the decision was the right one.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
Gareth von Kallenbach (980 KP) rated Year One (2009) in Movies
Aug 9, 2019
I had no idea what to expect with “Year One”. Would it be another flop like “Nacho Libre”? How does Michael Cera fit into this kind of film? Could this be unexpected comedy gold reminiscent of the 1981 Mel Brook’s classic “History of the World: Part I”?
“Year One” follows the journey of two cavemen, Zed (Jack Black) and Oh (Michael Cera), through a comedic adaptation of early mankind. Zed and Oh are lowly members of their tribe rebuffed by the women they desire. Desperate to be something more Zed consumes the forbidden fruit from the tree of knowledge and is immediately out casted from his tribe. Oh joins Zed and the two begin a trip encountering fractured Biblical stories and characters.
Eventually our heroes are led into the lecherous city of Sodom, where they find the tribe and their ladyloves have been taken as slaves. As the two attempt to free the women from a life of slavery eccentric vaguely plotted comedy ensues.
The cast, filled with the usual silly suspects, includes Paul Rudd as Abel, Christopher Mintz-Plasse as Issac, and Vinnie Jones as Sargon. But do not expect their normal brand of comedy because it has been replaced with visually graphic potty humor.
The sets and costumes are well created but near impossible to notice when there is a pile of sheep innards being interpreted by Oliver Platt, who plays the High Priest. The few interesting one-liners fail to save “Year One” from an aura similar to “Austin Powers in Goldmember“.
Why after great films like “School of Rock” and “Be Kind Rewind” is Jack Black purposely trying to end his career? Moreover, why has he decided to take Michael Cera with him? As for Michael Cera this awful sort of humor is not going to lead him out of the valley of “Juno” fandom.
The flick is better than “Nacho Libre”, but it is not comedy gold. If you enjoy simple potty humor you should definitely see the film, but if not plan to borrow the DVD from a friend only to be happy you did not purchase it.
“Year One” follows the journey of two cavemen, Zed (Jack Black) and Oh (Michael Cera), through a comedic adaptation of early mankind. Zed and Oh are lowly members of their tribe rebuffed by the women they desire. Desperate to be something more Zed consumes the forbidden fruit from the tree of knowledge and is immediately out casted from his tribe. Oh joins Zed and the two begin a trip encountering fractured Biblical stories and characters.
Eventually our heroes are led into the lecherous city of Sodom, where they find the tribe and their ladyloves have been taken as slaves. As the two attempt to free the women from a life of slavery eccentric vaguely plotted comedy ensues.
The cast, filled with the usual silly suspects, includes Paul Rudd as Abel, Christopher Mintz-Plasse as Issac, and Vinnie Jones as Sargon. But do not expect their normal brand of comedy because it has been replaced with visually graphic potty humor.
The sets and costumes are well created but near impossible to notice when there is a pile of sheep innards being interpreted by Oliver Platt, who plays the High Priest. The few interesting one-liners fail to save “Year One” from an aura similar to “Austin Powers in Goldmember“.
Why after great films like “School of Rock” and “Be Kind Rewind” is Jack Black purposely trying to end his career? Moreover, why has he decided to take Michael Cera with him? As for Michael Cera this awful sort of humor is not going to lead him out of the valley of “Juno” fandom.
The flick is better than “Nacho Libre”, but it is not comedy gold. If you enjoy simple potty humor you should definitely see the film, but if not plan to borrow the DVD from a friend only to be happy you did not purchase it.
Bong Mines Entertainment (15 KP) rated Peace of Mind - Single by frogi in Music
Jun 18, 2019
frogi is a singer-songwriter and producer based in Los Angeles, California. Not too long ago, she released a lovely debut single, entitled, “Peace of Mind”.
“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics
‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.
Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.
‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.
“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi
frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.
Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.
Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.
https://www.bongminesentertainment.com/frogi-peace-of-mind/
“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics
‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.
Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.
‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.
“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi
frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.
Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.
Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.
https://www.bongminesentertainment.com/frogi-peace-of-mind/
Recipes for Life: My Memories
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Linda Evans's unique memoir combines her love of cooking with tales of living and working in...