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Discover one of the greatest successes on the App Store and embark on a delightful journey through...
Chris Sawin (602 KP) rated Biutiful (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
At times, it's difficult to summarize your thoughts about a specific film. It isn't because the film is necessarily so good or bad that it's beyond words, but because you're unsure how to feel about said film until the credits finally roll. Biutiful is such a film.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.
Lonely Planet Africa
Lonely Planet, Simon Richmond, Stuart Butler and Paul Clammer
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Africa is your passport to...
Gareth von Kallenbach (980 KP) rated Rio (2011) in Movies
Aug 7, 2019
As the very colorful birds of the jungle in Rio de Janeiro are partying it up with singing and aeriel dancing some humans crash the party and capture some of the birds, one of them being a very young blue macaw. From there they are flown to the U.S. with final destinations unknown. Thanks to some poor driving habits the crate containing the young blue macaw is left stranded in the freezing snow of Minnesota but he is soon saved by a young girl named Linda who names him Blu (I know not very original).
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
The First Collected Tales Of Bauchelain and Korbal Broach
Book
The first collected tales of Bauchelain and Korbal Broach, from the Malazan world. BLOOD FOLLOWS...
Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
I Can't Make This Up: Life Lessons
8.3
Rate It
Book
Superstar comedian and Hollywood box office star Kevin Hart turns his immense talent to the written...
Taking Heaven Lightly: A Near Death Experience Survivor's Story and Inspirational Guide to Living in the Light
Book
'A remarkable book ...Experiences like Roisin's have now been validated by hundreds of scientific...
Emma @ The Movies (1786 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Nov 17, 2019
The film starts with a perfect homage to Mr Rogers and his show, the miniature city and the gentleness of everything, even without the first hand nostalgic feeling it's a very calm and tranquil moment.
After we get our introduction to Lloyd and find out he works for a magazine we're shown a video about how people make a magazine... I love these videos. I'm amazed that you still see the old 60s/70s ones making the rounds these days.
Our first proper introduction to Mr Rogers comes on set when Lloyd arrives for the interview and find him on set with a child and his parents who have come to visit. It's a charming encapsulation of his character and how he was able to reach out to people who were in need.
Hanks was an amazing choice for this, the calm confident manner is something he seems perfect for. His attention to detail when you see footage side by side is just incredible. I don't know that anyone else in Hollywood would have been good for this role, I'm really glad it was Hanks.
Matthew Rhys playing Lloyd Vogel gets to be a powerful thing in this, for this point I'm not talking about as Lloyd but what he represents to the viewer. A lot of us will get to take the same journey Lloyd goes through in the film, it allows you to fall to Mr Rogers' personality in the same way he does. Rhys makes Lloyd the perfect contrast for Hanks' Rogers, the cynicism, the constant surprise that comes across his face, a great combination.
There are so many touching scenes in A Beautiful Day In The Neighbourhood and I genuinely smiled a lot and felt like I was staring wide-eyed at the screen. If I was younger, and more limber I think I'd have ended up sitting crosslegged, elbows on knees, resting my head on my hands as I watched.
In a world full of troubles this film is a moment of peace and tranquility. There's no real way to explain how I felt after seeing this. I was definitely moved by it, there was a sense of peace... I can only hope that everyone gets this same sad yet somehow uplifting feeling from it.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/a-beautiful-day-in-neighbourhood-movie.html
After we get our introduction to Lloyd and find out he works for a magazine we're shown a video about how people make a magazine... I love these videos. I'm amazed that you still see the old 60s/70s ones making the rounds these days.
Our first proper introduction to Mr Rogers comes on set when Lloyd arrives for the interview and find him on set with a child and his parents who have come to visit. It's a charming encapsulation of his character and how he was able to reach out to people who were in need.
Hanks was an amazing choice for this, the calm confident manner is something he seems perfect for. His attention to detail when you see footage side by side is just incredible. I don't know that anyone else in Hollywood would have been good for this role, I'm really glad it was Hanks.
Matthew Rhys playing Lloyd Vogel gets to be a powerful thing in this, for this point I'm not talking about as Lloyd but what he represents to the viewer. A lot of us will get to take the same journey Lloyd goes through in the film, it allows you to fall to Mr Rogers' personality in the same way he does. Rhys makes Lloyd the perfect contrast for Hanks' Rogers, the cynicism, the constant surprise that comes across his face, a great combination.
There are so many touching scenes in A Beautiful Day In The Neighbourhood and I genuinely smiled a lot and felt like I was staring wide-eyed at the screen. If I was younger, and more limber I think I'd have ended up sitting crosslegged, elbows on knees, resting my head on my hands as I watched.
In a world full of troubles this film is a moment of peace and tranquility. There's no real way to explain how I felt after seeing this. I was definitely moved by it, there was a sense of peace... I can only hope that everyone gets this same sad yet somehow uplifting feeling from it.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/a-beautiful-day-in-neighbourhood-movie.html
Purple Phoenix Games (2266 KP) rated FUSE in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/