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Rampage (2018)
Rampage (2018)
2018 | Action, Adventure, Sci-Fi
Action, CGI, THE ROCK (0 more)
Very thing plot. Malin Ackerman is not very good as the villain (0 more)
Pretty much what you'd expect - and it's fun
There are times when you go to a movie, you are going there to immerse yourself in a world that draws out strong emotions with stellar acting, writing and directing and Cinematography that takes your breath away.

And there are other times where all you want is to watch Dwayne "The Rock" Johnson and a giant Gorilla fight a giant Wolf and a giant Alligator in downtown Chicago.

Guess which one RAMPAGE is?

Based on a video-game of the same name, RAMPAGE tells the tale of a primatologist who's "friend" (a gorilla) is infected with an experimental - and illegal - pathogen that turns him (and 2 other animals) into giant killing machines. It will take all the skills of this primatologist (did I mention that he is a former Navy Seal) to withstand the onslaught and find an antidote.

But, of course, with these kinds of films, the plot really doesn't matter. All that matters is that The Rock is playing the Pathologist and Naomi Harris plays a discredited genetic engineer. The two of them teams up with a mystery "agent" (played by Jeffrey Dean Morgan) to battle the bad guys - and the monsters.

But, of course, in these kinds of films, the characters don't really matter either. What REALLY matters in these kinds of films is the action and the CGI that is used to create these actions - and both of them are pretty good - at least, good enough.

Director Brad Peyton teams up again with The Rock (they were together for SAN ANDREAS and JOURNEY 2), so he knows not to linger too long on anything. He moves the plot (what there is of it) along smartly and focuses most of our attention on the action and only really stops for a joke or two - and they (for the most part) land just fine.

The Rock is, of course, THE ROCK in this film. He does "his thing" and he does it well. Jeffrey Dean Morgan basically plays the same character he plays on THE WALKING DEAD (but...he is a GOOD GUY here). Naomi Harris (still smelling fresh from her Oscar nominated turn in MOONLIGHT) clearly needs to pay for a house in Malibu by "slumming" it in this movie - I can see her conversation now...

"How much is that house in Malibu...?" (calls her Agent) "Hey...how much are they willing to pay me for the Giant Ape movie...?"

Malin Ackerman - never my favorite performer - is pretty one note as the main villain in the piece. She plays a Corporate Exec who wants to...wait for it...MONETIZE the giant animals!

But again, we are here to see The Rock and the giant Gorilla fighting the giant Wolf and Alligator - all the while destroying indentifiable landmarks in downtown Chicago.

And in that...this film succeeded...well enough.

Letter Grade B (it's probably a B- or C+, but I'm a sucker for these types of films).

7 (out of 10) stars and you and you can take that to the Bank(ofMarquis)
  
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Thunderhead (Arc of a Scythe #2)
Thunderhead (Arc of a Scythe #2)
Neal Shusterman | 2018 | Science Fiction/Fantasy, Young Adult (YA)
10
9.1 (9 Ratings)
Book Rating
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#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★

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I thought Scythe will be my favorite book of the year, but then I read Thunderhead. It is a shame that I won’t be able to read The Toll this year - but I am honestly so honored to have a chance to read this series in my lifetime. Neal, please let me kiss your immortality ring!

Thunderhead is a continuation of The Arc of Scythe series, where we follow two characters, Citra and Rowan, in their journey to become apprentices of Scythe Faraday. With many twists and turns, which I don’t want to spoil for you all, Thunderhead begins exactly where Scythe finished. And it only gets better from here!

While in Scythe, the main focus of the book was the introduction to the world of Scythes, their beliefs, their challenges, their destiny, in Thunderhead, we get to know the Thunderhead better. The mind behind all the success of humankind, the brains behind how we managed to beat immortality. The Thunderhead sees everything and it can control everything - except the Schythedom. 

<b><i>“The end doesn’t always justify the means, dear.” she said. “But sometimes it does. Wisdom is knowing the difference.”</i></b>

This book was so powerful in so many ways. The bravery of Scythe Citra, now known as Scythe Anastasia. The determination of Rowan. Thunderhead and the power and wisdom it holds, but is unable to share it. The sacrifice of Scythe Curie. The friendship that slowly turns to love and trust between Citra and Rowan and their fights to bring fairness and justice, both of them fighting for the same goal, but in their own different ways. 

Thunderhead was everything I was hoping it to be and more. It was all I ever wanted from it. The writing, the mini entries of thoughts from the Thunderhead or the diary excerpts that keep you engaged chapter after chapter are such a refreshing way to read a book.

I think this series will end up being my favorite one of all time, and I cannot wait to get to The Toll and get the ending I am hoping I will get. Thunderhead finishes with an enormous cliff-hanger, that makes you beg for the next book. 

I recommend this book so, so much and in real life I cannot stop talking about it. Please pick up a copy and give it a try. If you don’t instantly fall in love with it, you can glean me.

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Benevolent
Benevolent
Erin A. Jensen | 2018 | Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
I first heard of Benevolent by Erin A. Jensen through the blogging community. It sounded very interesting especially the more I heard about it. When an opportunity to review Benevolent came about, I jumped at the chance. Although Benevolent does mention the television show Supernatural throughout the book, you don't have to be a fan of Supernatural or know anything about the show to enjoy this novel. I will admit that I've only seen a few episodes of Supernatural back when it first began, but my limited knowledge of Supernatural did not take away my enjoyment of Benevolent. I'm really glad I got the chance to read Benevolent because it truly is a gem of a book!

The plot of Benevolent was a truly interesting one that really tugged at my heartstrings throughout. Benevolent begins with a teenage girl, Abigail (or Abbie as she's sometimes called) losing her best and only friend to cancer. She is comforted by an angel who appears in the form of Castiel from the television show Supernatural (her and her best friend's favorite). The reader is then taken through a journey throughout Abbie's life including all the ups and downs. Her angel, Castiel, plays a big role in her life's journey, and Abbie's left wondering if Castiel is real or if he's just a figment of her imagination. Benevolent is more than just that though. It's a gripping and emotional love story, but not in the romantic sense.

I could not put Benevolent down! In fact, I pretty much read this book in one sitting. It's a fairly short story, but the pacing was absolutely perfect throughout. I love how each chapter title was a song title. In fact, it makes for a great playlist whilst reading the chapter that features it or before and/or after that chapter. I was pulled into Abigail's world as soon as I started reading the first page. I loved how every loose end is tied up before Benevolent ends, and every question I had was answered. The world building is fantastic, and I can't fault anything about it. Erin A. Jensen is such a talented writer based on Benevolent!

I absolutely enjoyed every character in Benevolent. Abigail felt like an old friend. In fact, I felt like I was reading a true life biography about Abigail instead of just a work of fiction. Everything about Abigail's character was just laid bare for everyone to read about, and I think that's what made me love her so much. She had been through a lot, and I could relate to her on so many levels. The character of Castiel was written perfectly too. Like I said, I had only watched a few episodes of Supernatural before they introduced the character of Castiel, so I can't comment on how much Benevolent's character of Castiel was like the one on Supernatural. However, it is mentioned in the beginning of Benevolent that Abigail's angel took on the form of Castiel and his name and mannerisms to make Abbie feel more comfortable. It is said that he isn't the actual Castiel from Supernatural. We also get to know Danny, Abbie's childhood best friend, through Abbie's memories. Danny seemed like such an awesome person, and even I was saddened by his death.

Trigger warnings for Benevolent include death, cancer, attempted suicide, overdosing, drug use, alcohol, and some profanity but nothing too bad.

Overall, Benevolent is one of those books that will stick with you long after you've stopped reading. It's a book that tugs on your heart strings and won't let go until the very end. Benevolent has such a fantastic plot with such a relatable main character that it just makes for an awesome read. What makes Benevolent even more awesome (which is saying something since Benevolent is highly awesome already) is that 100 percent of the profits from its sales will be donated to Random Acts charity. I would wholeheartedly recommend Benevolent by Erin A. Jensen to everyone aged 15+ no matter what genre of book they like. I feel like this book will touch everyone who gives it a read.
--
(A special thank you to Erin A. Jensen for providing me with a paperback of Benevolent in exchange for an honest and unbiased review.)
  
Fantastic Beasts and Where to Find Them (2016)
Fantastic Beasts and Where to Find Them (2016)
2016 | Fantasy
Attempting to continue the phenomenal literary and cinematic successes of the Harry Potter series of books and films is a daunting task for anyone to undertake. Even when series creator J.K. Rowling Rowling is involved, many would shy away from such a monumental taak.

However when you consider the books, movies, and merchandise have become a billion dollar industry and that rabid fans cannot get enough of the word that Rowlings created, it is not surprising that Rowlings and Warner Brothers have created a new cinematic series inspired by a story contained within the original book series.

In “Fantastic Beasts and Where to Find Them”, audiences are introduced to Newt Scamander (Eddie Redmayne), who is just embarking on his adventures which will later be turned into books that Harry and his friends will read some seventy years onward.

Set in 1926 New York amongst the secret community of wizards and witches; the film follows the arrival of Newt in America as he has come with a suitcase filled with magical creatures. When a non-magic user named Jacob Kowalski (Dan Fogler), accidentally mistakes the suitcase for his own and unleashes some of the creatures, chaos follows.

The timing of this mishap could not be worse for the magic community as magic users have lived in secret and the arrival of Nate and his creatures threatens to expose them and make a bad situational even worse. Further complicating matters are a series of events that have caused destruction in the city which has given rise to a group who are convinced that witches are amongst them and must be destroyed at all cost.

Being an unregistered magic user; Newt, is soon taken in by an agent in New York named Porpentina Goldstein (Katherine Waterston), who herself has fallen out of favor within her community of magic users. In time; Newt is taken into custody by Percival Graves (Collin Farrell), who not only seems to have a disdain for Newt, but is working with a member of the anti-witch group for his own ambitions.

Newt and his friends soon find themselves on the run as they attempt to gather the missing creatures and get to the bottom of a much bigger and more dangerous menace that threatens their community as well as the people of New York. What follows is a journey filled with magic, comedy, and danger that will delight fans.

The film is a pure delight and the Potter magic has continued in this highly-entertaining new series. The cast and characters are very enjoyable and the visual magic is wonderful to behold.

The story is filled with charm and humor but has a few nods to the previous films as well as a few surprises along the way.

I was easily swept up by the madcap adventure and cast that all gave solid performances. Never once did the characters let the dazzling array of visual effects overshadow the fact that this is a character driven story.

Redmayne and Fogler work very well with one another and the innocent fish out of water story that they both embark on makes them easily endearing to the audience.

It will be very interesting to see where the future films will go, but if this one is any indication of what is in store, there is plenty of magic left in this world and I cannot wait to see what comes next.

http://sknr.net/2016/11/15/fantastic-beasts-find/
  
Total Recall (2012)
Total Recall (2012)
2012 | Action, Sci-Fi
5
5.8 (20 Ratings)
Movie Rating
Remaking classic films is always risky business. Mainly because there is a specific reason those movies are so well received – because they are the best of their time. Remakes are inherently risky because the filmmakers have a bar they have to at least reach, and they absolutely cannot tread the exact same ground as the original. They have to do something new, modern, or innovate. Or, at least they are expected to. When remakes work, they soar. When they don’t… Well, that’s another story. Paul Verhoeven’s “Total Recall” (1990) was an excellent science fiction monolith of its time. It stood out as a heartfelt science fiction story, one that was exceptionally aware of its own identity, design, and overall setting. It reflected the vary soul of its time – intentionally representational of culture at the time (late 80s and early 90s). If Len Wiseman’s remake, “Total Recall” (2012) is supposed to be a representation of contemporary culture in the same way as the original, then I fear our popular culture is too shallow for high minded science fiction. While not a bad movie – in fact, it is actually quite entertaining overall – it just does not feature the same soul and passion of the original film.

The premise follows the original in only a rough sense. Sometime in the future, the world has been left mostly uninhabitable due to a deadly chemical war across the globe. Humanity has been left to residing in the only remaining habitable landmasses – Western Europe and “The Colony”, the latter being modern-day Australia. Because air travel is now impossible, the only travel between the landmasses is through a massive elevator called “The Fall” that cuts through the center of the Earth. Douglas Quaid (Colin Farrell) is a factory worker who works in Europe but lives in “The Colony” with his wife, Lori (Kate Beckinstale). His chronic nightmares lead him to become interested in the “Rekall” service – a machine that can implant memories into customers. His interest will lead him on a wild journey with Melina (Jessica Biel) to learn about his true self as well as secrets of Cohaagen’s (Bryan Cranston) tyrannical administration.

The problems of the film really start with the premise. While I enjoy the creativity of something like “The Fall”, it is simply too ridiculous to take seriously. They deserve credit for coming up with a relatively unknown science fiction concept, but an elevator that travels through the center of the Earth? Peoples’ suspension of disbelief can only be pushed so far. It serves a practical purpose in the plot – to create the conflict between “The Colony” and the mainland and between the government and the Resistance. Yet, too much time is spent trying to introduce this concept and make it seem plausible than the film should. It honestly seems easier to just use the original film’s conflict between settings – Mars and Earth. I have to ask, what makes an elevator between two lands more contemporary of an idea than a conflict between colonial Mars and Earth. This is especially true considering recent news that a Mars colony might be seen in our lifetimes.

The other problems are more literary. Colin Farrell’s Douglas Quaid is portrayed very well throughout the film, and he manages to make the character satisfactory in the emotional portrayal of a man with a confused past and an insane situation. But even then, I have to say Arnold’s original portrayal seemed overall more human. The problem with Colin Farrell’s character is a mixture of performance and writing in his introduction. It is hard to believe him as someone so distraught over his nightmares that he absolutely feels compelled to go to Rekall. If they spent more time exploring his inner demons and how they are bringing his life down, then he would have been a much more compelling character. As it stands, he just goes through the motions of a protagonist. All of the other characters are the same way. Kate Beckinstale’s villainous Lori and Jessica Biel’s Melina are fairly shallow characters. They are not bad at their roles but that is all they, unfortunately, are: roles. Like Quaid, they just go through the motions, playing their part as clichéd character archetypes. Bryan Cranston is always awesome in any role, but in this he is not given much to work with. All he ends up being is just an evil tyrant with a megalomaniacal plot – with very little reason or background.

Those issues said, there are many things that do work. The pacing is good throughout, with no moments feeling awkward. The art design is exceptional, and there are no moments in the film that are boring to look at. To its credit, almost every scene is full of beautiful science-fiction design. The only complaint in this area is that some of the action scenes feel very cluttered due to the overall noise of The Colony’s design. The plot moves forward steadily, and it is overall simple to understand. That said, it is not without its own faults. The plot starts out great but becomes full of usual secret agent thriller clichés. Also, the plot becomes very campy, not to mention unbelievable, in its third act. The third act is also where there are the most plot holes – notable plot holes at that.

If you can shut your brain off for a couple hours, you can enjoy “Total Recall”. The film is pretty to look at and is absolutely packed with action sequences. All of the action sequences are well shot, well paced, and entertaining. The actors all do great with what they are given; but the problem is that they are not given much. They are all fairly flat characters, but are all satisfactory for the service of the plot – a plot that is well paced and understandable, but one that becomes campy, ridiculous, and peppered with notable plot holes. It is not as tightly written and directed to be a great secret agent thriller, and not as inspired to be a great science fiction story. The original was exceptional in its setting construction – pulling the audience into the amazingly designed Paul Verhoeven world. It was full of comedy and thrills, thought and design. As it stands, the moments that could really go far in establishing a passionate soul-filled, inspired world are instead spent on making quick references to those vary moments from the original. It could have established its own voice, its own heart and soul, but it just settles on being your clichéd average science fiction blockbuster.
  
French Kissing
French Kissing
Catherine Sanderson | 2009 | Contemporary, Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
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<b><i>"French Kissing" by Catherine Sanderson is one of those romance novels you enjoy for a few days and then forget how it ended. </i></b>

<b>Synopsis:</b>

Sally Marshall decided to try a French online dating site. This was after she leaves her long-term boyfriend and Lila's father when she discovers he was cheating on her. With his secretary. After six months of healing, Sally is now ready to find her perfect match. 

However, online dating has its downside. Meeting weird and creepy men, having one-night stands and being judged that she is a mother. Sally has to go through self-discovery in her journey to happiness.

<b>My Thoughts:</b>

"French Kissing" was average. It is very well written, but it follows a plot that, to me, has been overused by many writers, especially in the romance genre. It becomes another drop of water in the sea.

Sally is a very normal character and easy to love. She is struggling with the online dating. She believes she is at a disadvantage due to being a mother and her journey will teach her that she just hasn't met the right person yet. I am not a mother, and I don't know how Sally must truly feel, but I can imagine this situation being a big burden to her. Also, considering how men behave in today's world, where they want as little responsibility as possible and they are very reluctant to date women that already have children - I can understand how difficult this is for Sally. On the same aspect, this means that this is not Sally's fault. There is always someone out there that will be able to love her just the way she is - daughter included.

I liked the fact that this book was set in France. It gave a nice charm to it. However, on many occasions, there are French sentences with no explanation nor translation. If you don't understand French, you should buy a dictionary when you are buying this book. I can imagine this being an issue for many readers.

To conclude - it was an okay read. It will fill up your time nicely and bring you on an adventure of self-discovery. Perhaps you will also be able to connect with Sally on a whole new level. I wouldn't say "French Kissing" is a favorite, nor would I recommend it on the spot if someone asked me. However, if you love romances set in France with a focus on online dating - this might be worth your time.