How interesting does this book sound!?! The blurb definitely caught my attention, and I'm glad it did because I loved this book!!
I think the title suits this book. It's about the main character losing who she thought she was, so I think it suits the book just fine.
I'm usually not a big fan of just sticking a girl on the cover of a book, but with Losing Francesca, it works. I think if it had much more than Francesca on the cover, it'd be too cluttered.
I found the world building to written quite well for the most part! It was easy to slip into Francesca's shoes and feel exactly what she was feeling. The only part I didn't like was the insta-love between Francesca and Brody. It just didn't feel that believable. Also, I felt as if Francesca accepted her new life too quickly. She didn't act nervous or scared enough, I felt. However, saying that, I've never been in that situation, so I can't pass judgement too much.
The pacing is absolutely fantastic in this book! I usually only read ebooks at night while I'm laying down, but with Losing Francesca, I was reading this book at all times. I couldn't wait to read about what would happen next. This book definitely held my attention.
I really enjoyed the whole plot. I found it to be original and interesting. I like the idea of a girl that was kidnapped being recognized as the child who went missing years ago. I wanted to see what it'd be like. There aren't really any plot twists in this book, but that doesn't take away from how good it is.
I didn't really like the character of Francesca until towards the end. She came across as being a snobby rich girl. Even when she was with Brody and had stopped with the whole rich girl act, she still seemed like she was bragging about how rich her family is. To me, she was too spoiled and too much of a show-off. However, I did start liking her towards the end. I did like Brody. I loved his determination and his never give up attitude. Although he used to be a bit of a bad boy, he came across as a gentleman.
The thing that annoyed me with the dialogue is that the swearing seemed too over the top. Brody swears a lot, and most of the time, the swearing seems forced and fake. It doesn't come across as natural because Brody does it too much. And it wasn't just Brody. Some of the other teenagers swore as well, and it didn't come across as natural. Other than the unnatural swearing, the dialogue was quite enjoyable. We get point of views from Francesca and Brody which was quite enjoyable to read. I enjoyed reading Francesca's point of view the best.
Overall, Losing Francesca by J.A. Huss was a super good read! There were a few problems, but those were easy to overlook with how great the book was!
I'd recommend this book to those aged 17+ who are after an interesting and sweet read. I'm only recommending it from age 17+ due to the language (which there is a lot of swearing). Otherwise, this would've been a 14+.
I'd give Losing Francesca by J.A. Huss a 4.5 out of 5.
(I received a free ecopy of this title from the tour host in exchange for a fair and honest review).
The Terminator franchise has been as relentless and unstoppable as the series namesake. The first two films written and directed by James Cameron are cinematic icons and made many of the ten best lists when they were released.
The subsequent two films that lacked any input from Cameron and as such paled in comparison with the most recent, “Terminator Salvation” failing to achieve the success of the previous films in the series.
Undaunted, the series is back with “Terminator Genisys”, the first in a planned trilogy before the rights to the series revert back to James Cameron.
The new film shows parts of the final battle by the human resistance as they finally defeat the deadly Skynet system but as fans of the series know, learn that a Terminator was sent back to stop humanities savior John Connor (Jason Clarke), from being born.
As fans known, loyal soldier Kyle Reese (jai Courtney) volunteers to travel back to 1984 to save Sara Connor (Emilia Clarke) and preserve the future but upon his arrival in 1984, Reese learns that the mission he has been sent on has changed.
Someone has sent a Terminator back to protect a younger Sarah when she was a child and as such, this Sara is not the naïve waitress Reese had been expecting, rather she is a battle hardened and strong willed woman with a Terminator protector she named “Pops” played by series icon Arnold Schwarzenegger.
This is where any similarities to the original films end as what initially sets up to be moments from the first two films revisited in a new timeline quickly changes and moves to 2017 where Sara, Reese, and Pops, learn that Skynet is about to go live and accomplish the start of Judgement Day which puts the heroes in a race against time and overwhelming odds to save humanity.
This time however there are several new wrinkles to the mix as well as some epic action sequences that have been sorely missing from the series since Cameron’s departure. The 3D effects are solid but note that they are converted from a 2D source and the film was not shot with 3D cameras.
What really worked well for me was the fact that the film is very respectful to the source material and while telling a new chapter to the story does not do much to undermine the impact and the legacy of the first two films. It was reported that James Cameron himself has endorsed this film and had called it the third film in the series.
The action is solid from an epic bus chase to intense firefights across the timelines the film grabs your attention the way the best summer films do and takes you on an epic thrill ride. Action and effects aside, what really makes the film work is the cast. The characters are strong and well portrayed and mix humanity, empathy, and self-sacrifice in the manner to which the characters have been established.
Reese and Sara are strong and determined and in a twist, have a more complicated relationship in this timeline than had been previously established. Of course the star of the film is Schwarzenegger and he knows this character inside and out. From the stoic and intense action sequences to the rivalry and distrust he and Reese share which grows into a solid respect. Arnold knows what audiences want and delivers it again and again. Despite the years, he still remains the backbone of the series and it is great to see him back in form.
While some may have issues with a rebooted timeline to propel future films, there were enough great moments in the film and plenty of entertainments for me not only to recommend the film, but to say bring on the next chapter.
I finished this book for the second time around 15 minutes ago, and I’m still missing being part of its world. Yes, it’s that good. Actually, I read the whole book just today. The first time I read it, just before the film came out, I’d followed a friend’s recommendation to read the books first, and devoured all three in as many days. I then had to give up my Kindle for a few days so that my friend could read it, and she was just as enamoured. I know my American cousins loved it too. Safe to say, it was very popular in my circle of friends! I have heard a couple of dismissive comments saying it’s a rip-off of Battle Royale, but I haven’t read that yet, so I’ll reserve judgement.
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
Review can also be found on www.diaryofdifference.com
If someone offered you $500 to answer a few personal questions and stay anonymous, would you do it?
The makeup artist, Jessica Farris goes into a client’s house to do her job. Just the usual. And then she hears her teenage client mentioning the survey that gives you huge amounts of money for a few anonymous questions. When the teenager says she won’t be able to attend, and she is too lazy to let them know, Jessica decided to use this chance and go instead.
But what happens when after a few simple questions a woman starts telling her deepest secrets? And the money will increase, but so will the difficulty of the tasks she needs to do.
”It’s easy to judge other people’s choices.”
I was hyped about this book before I even started to read it. I read the synopsis, and it intrigued me from the very first moment. Of all the mysteries and thrillers, I have enjoyed the psychological the most. Something about how a twisted mind works triggers my pleasure senses. It’s creepy, but I wish you all get that feeling for a genre.
Right after the first chapter of the book I was satisfied, and happy. This book was all I needed right then, and it just kept getting better and better.
We get to meet Jessica and see how she thinks, follow her as she answers question after question, revealing secret after a secret. With each question, and each task, and each secret being revealed, the book kept becoming darker and darker, better and better.
It reminded me of the Harry Potter series, with the content getting darker after time. If you remember the first Harry Potter book, it is Children’s fiction, but the significantly darker compared to the first. Same happens with the movies as well.
I loved the questions that were asked on the survey – they are really meant to make you think through and try and give your answers.
Could you tell a lie without feeling guilt?
Have you ever deeply hurt someone you care about?
The relationship between the people in this book is twisted. It’s all about playing games. It’s all about the cat and mouse chase. As much as I loved it, it also annoyed me at times, as I wanted it to stop.
The twists, cliff hangers and unexpected moments were brilliant. Pure skill, I tell you that. I haven’t been so surprised, excited, thrilled at the same time by any book I’ve recently read.
And with such twisted moments, and thrills throughout the book, and chapters ending leaving you breathless, you would expect the most thrilling ending.
I did. I expected it.
And I was very disappointed. It ended… rather bland. Like a Sunday Roast without gravy.
”We all have reasons for our actions. Even if we hide the reason from those who think they know us best. Even if the reasons are so deeply buried we can’t recognise them ourselves.”
I have a hard time judging this book now, as it was all hype and thrill, until it stopped dead. Maybe the authors wanted to ensure that we experiences exactly this feeling – I am not sure. Maybe for such a twisted book, calmness is all it needs to end with. I’ll leave this judgement up to you, as you experience the book and its ending on your own.
At this time, I feel like giving it 4 stars, as the ending was the only things that bothered me. This book is still a gem, and deserves to be read by people that enjoy psychological thrillers.
Thank you to Netgalley and Pan Macmillan for giving me a free copy of this book, in exchange for an honest review
Reynolds and particularly Comer are great (1 more)
Lots of laughs, most of them on target
Taika Waikiki is too OTT, and has a joke about cancer that wasn't appreciated. (0 more)
Ready Player Truman
I managed to see “Free Guy” last night at a Cineworld “Secret Cinema” event.
Positives:
- It’s a riot of noise and colour. Like a fevered teenager’s dream. And – in the main – very funny. Ryan Reynolds is, as always, anarchically brilliant, playing the role of both Guy and “The Dude” – the one with the slightly unformed catchphrase. Both Reynolds and actor/director Taika Waititi, who plays the flamboyant mega-games-mogul Antoine – are well known for their improv lines. And this is on show here in spades (for better and in some cases for worse). The Bluray extras on this one are sure to be a smorgasbord of different variants!
- Jodie Comer. Wow! The “Killing Eve” star had a cameo as Rey’s mother in “Star Wars – The Rise of Skywalker” and starred in 2017’s Morrissey biopic “England is Mine”. But she’s been TV’s hidden gem in the main. This will surely be a break-out movie for her since she is in a class of her own here. Her portrayal of the flashback teenage version of herself is brilliantly nuanced and believable. I know she’s a serious actress, but the end of the movie made me think that there’s a strong niche, alongside the likes of Rachel McAdams and Emilia Clarke, in delivering a top-class romcom in the future.
- NO SPOILERS! But there is a surprise cameo towards the end of the movie that made the whole cinema erupt with laughter.
- The score by Christophe Beck is great, and song selections (especially the wonderful “Make Your Own Kind of Music”) are well-chosen and snort-worthy with their inclusion. I was listening to an interview with Beck on the UK's Scala Radio and he used to be a protégé of the great Mike Post: and there’s a nice tribute to Post with the inclusion of his “Greatest American Hero” theme to accompany “Dude” at one point.
Negatives:
- Waititi as Antoine is supposed to be over-the-top, but he misses 11, 12 and 13 and cranks it right up to 14 with his performance. Some of his (presumably) improv lines cross a mark. Dude, CANCER JUST ISN’T FUNNY. Nobody laughed. I can’t understand why this line was left in the cut when presumably they had a number of other variants. Bad judgement. (This is about the only reason I’m not giving this movie 10*s).
- Per “Summary Thoughts” below – it’s not as original as it likes to think it is.
Summary Thoughts on “Free Guy”: So, this is a movie that a lot of folks I know have been waiting for. And it’s a blast that I enjoyed immensely. There is little original under the movie sun, and this is no exception. It strays significantly into Spielberg’s “Ready Player One“, especially towards the end of the movie. But I personally found the closest resonance was with Peter Weir’s peerless “The Truman Show”. I even wondered if Reynolds was acknowledging that at one point, with a Carrey-esque gurn on one of his “Good Morning goldfish” segments?
The great thing is that you can ONLY see this on the big screen (which I hope stays that way for a good number of months). So I recommend you do just that since it’s a fine big screen summer blockbuster to enjoy. But when you go, don’t have a good visit – have a GREAT visit!
And by the way, there is NO 'monkey' (a post-credits scene in One Mann's Movies speak), so you don’t need to “do a Marvel” and sit through the end credits (unless, like me, you want to listen to more of Christophe Beck’s score again).
For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
It’s been 22 years since Joe Johnston thrilled cinemagoers with a little film called Jumanji. Starring the late, great Robin Williams, it has amassed a huge following over the years and has become nearly as loved as its leading star.
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
Rate It 
