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The Bandersnatch (199 KP) rated The Wonderful Wizard of Oz in Books
Nov 7, 2019
The Book was Published by George M. Hill Company with an advanced publication date of September 1900. The public heard of it at a book fair in Chicago around July 5th to 20th with its copyright registered by August 1st. The books sold out quickly and the second editions went just as quickly as the first. When Hills company became bankrupt in 1901, Bobbs-Merrill Company resumed publishing the book. By 1933 there were more than a million copies printed and by 1956 the sales had grown to three million printed. Because The Wizard of Oz was so popular it became the first in a thirteen book series.
I had known about the wizard of oz ever since I was a child but this was due to the 1939 Movie by MGM of the same name starring Judy Garland. As such I didn't read the book until I was nearly an adult. The book is highly different to the movie with Dorothy having to do more to get home and for both the Wizard and Oz as a whole. The major differences between book and movie is the fact that the Ruby slippers from the movie are silver in the book and the flying monkeys are controlled by a magical cap and Dorothy having protection from Glinda the good witch of the north. I have to admit I am a stickler for details and I prefer the book rather than the movie, despite the movie being good. I recommend this book to everyone and give the book a 9/10
Lyman Frank Baum was born May 15th 1856 in Chittenango, New York to a devout Methodist family the seventh of nine children of Cynthia and Benjamin Baum. Only Baum and five of his siblings survived to adulthood. Lyman hated his first name despite being named for an uncle and liked his middle name better, he was known as Frank for most of his life. Baum married his wife Maud Gage on November 9th 1882 and by 1888 had moved to Aberdeen, Dakota Territory where he operated his own store for a while before turning to writing full time which he loved to do since he was a child. By the time of his death on May 6th 1919 Baum had written the thirteen book Oz series, a plethora of other books and several musicals and radio plays. Baum had died of a stroke and passed away in his sleep, he's buried in Glendale's Forest Lawn Memorial Park Cemetery. L. Frank Baum certainly has my respect for both his writing of the Oz series and the craziness that his life had been.
I had known about the wizard of oz ever since I was a child but this was due to the 1939 Movie by MGM of the same name starring Judy Garland. As such I didn't read the book until I was nearly an adult. The book is highly different to the movie with Dorothy having to do more to get home and for both the Wizard and Oz as a whole. The major differences between book and movie is the fact that the Ruby slippers from the movie are silver in the book and the flying monkeys are controlled by a magical cap and Dorothy having protection from Glinda the good witch of the north. I have to admit I am a stickler for details and I prefer the book rather than the movie, despite the movie being good. I recommend this book to everyone and give the book a 9/10
Lyman Frank Baum was born May 15th 1856 in Chittenango, New York to a devout Methodist family the seventh of nine children of Cynthia and Benjamin Baum. Only Baum and five of his siblings survived to adulthood. Lyman hated his first name despite being named for an uncle and liked his middle name better, he was known as Frank for most of his life. Baum married his wife Maud Gage on November 9th 1882 and by 1888 had moved to Aberdeen, Dakota Territory where he operated his own store for a while before turning to writing full time which he loved to do since he was a child. By the time of his death on May 6th 1919 Baum had written the thirteen book Oz series, a plethora of other books and several musicals and radio plays. Baum had died of a stroke and passed away in his sleep, he's buried in Glendale's Forest Lawn Memorial Park Cemetery. L. Frank Baum certainly has my respect for both his writing of the Oz series and the craziness that his life had been.
Bob Mann (459 KP) rated A Star Is Born (2018) in Movies
Sep 28, 2021
Dullsville Arizona.
It’s unusual for the illustrious Mrs. Movie-Man and I to disagree over our opinion of a movie. Sure, she doesn’t like some genres like horror and sci-fi that I do, and I will often go to them alone. But in the main if we sit there together then we tend to have the same general view as to whether we liked it or not. (I guess that’s why we’ve been such a good match for nearly 40 years!). Not so though with this film.
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!