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Haley Mathiot (9 KP) rated A Courtesan's Scandal (The Scandalous Series, #3) in Books
Apr 27, 2018
A Courtesan’s Scandal by Julia London
Rating: 3/5
Genre: Historical Fiction
My Summary: Kate is a courtesan who only lives the way she does to keep herself from being tossed into the streets. She is “sold” to the Prince of Whales, but as the price is married, he cannot afford a scandal. While the prince divorces his wife, he instructs the Duke of Darlington to be seen in public with Kate so that nobody suspects him. But Kate and Grayson, the Duke, aren’t expecting to fall in love.
Thoughts: I have mixed feelings about this book. On the one hand, it was pretty entertaining at times, but on the other it was hard to sit down and read more than a few chapters at a time. I found the story rather trivial, really it was all silly politics and unfaithfulness in marriage.
I couldn’t finish this book. I got to the part where they fall in love (a little more than halfway) and just didn’t have the patience to finish it. There wasn’t much of a story line besides, again, politics and reputation and sex.
Characters: The characters were the strong point in this book. They were very real and well developed immediately, and I enjoyed their dialogue.
Writing: The writing was also very good. It’s very refreshing to read a novel that uses good sentence structure and a wide range of vocabulary. The prose flowed nicely.
Content: There was no language, but some sex in the book. The scenes were pretty outlined and there were a few pages I skipped. Occasionally a man is drunk and says something a bit odd, but other than that there are no major alcohol references.
Recommendation: Ages 16+ (18+ if you’re picky about content) to lovers of historical fiction and romance, and quick easy reads.
Rating: 3/5
Genre: Historical Fiction
My Summary: Kate is a courtesan who only lives the way she does to keep herself from being tossed into the streets. She is “sold” to the Prince of Whales, but as the price is married, he cannot afford a scandal. While the prince divorces his wife, he instructs the Duke of Darlington to be seen in public with Kate so that nobody suspects him. But Kate and Grayson, the Duke, aren’t expecting to fall in love.
Thoughts: I have mixed feelings about this book. On the one hand, it was pretty entertaining at times, but on the other it was hard to sit down and read more than a few chapters at a time. I found the story rather trivial, really it was all silly politics and unfaithfulness in marriage.
I couldn’t finish this book. I got to the part where they fall in love (a little more than halfway) and just didn’t have the patience to finish it. There wasn’t much of a story line besides, again, politics and reputation and sex.
Characters: The characters were the strong point in this book. They were very real and well developed immediately, and I enjoyed their dialogue.
Writing: The writing was also very good. It’s very refreshing to read a novel that uses good sentence structure and a wide range of vocabulary. The prose flowed nicely.
Content: There was no language, but some sex in the book. The scenes were pretty outlined and there were a few pages I skipped. Occasionally a man is drunk and says something a bit odd, but other than that there are no major alcohol references.
Recommendation: Ages 16+ (18+ if you’re picky about content) to lovers of historical fiction and romance, and quick easy reads.
Lee Ann (116 KP) rated Moonlight Sins in Books
May 18, 2018
This book is so awkward. That's really the only way I can put it. The female MC flits between sounding like a woman in her 20s to a teenager and back again with alarming regularity.
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
Steve Fearon (84 KP) rated Hellraiser (1987) in Movies
Sep 14, 2018
A wonderfully imaginative and creepy Mythos (1 more)
Doug Bradley becomes a horror icon
The Special Effects are a little dated (1 more)
Sometimes seems confused about what sort of film it is...
We have such Cenobites to show you...
Hellraiser is arguably the finest in the series, creating horror icons in Pinhead, Kirsty, Frank and Julia, whilst giving the viewer some of the most extreme horror scenes ever seen.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
Hazel (1853 KP) rated Yoshiko and the Gift of Charms (The Land of Dragor) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
This is the first book of the children’s series <i>The Land of Dragor</i> by Julia Suzuki. Dragor is the land inhabited by dragons, hidden from the rest of the world, away from the evil humans, with the smoke produced by the The Fire Which Must Never Go Out. Dragor is where it is safe. The dragons are forbidden to leave. However, it may not be as perfect as it seems.
The story begins with the birth, or hatching, of a dragon named Yoshiko. Unlike all other dragon births, Yoshiko’s egg was a variety of different colours, which led to speculation as to whether this young dragon was cursed. Other than being a late developer, Yoshiko is physically well and attends school like all the other youngsters where, unfortunately, he experiences bullying from one of the other dragon clans – something the reader may be able to relate to through their own school experiences. Each clan is a different colour, but one day Yoshiko realises he has the ability to change the shade of his scales. Horrified by his discovery, he seeks help from an old, but wise, outcast, who, whilst supporting Yoshiko as he learns to control the colours, helps him discover his destiny.
The initial two thirds of the book felt like a really long introduction with the final third being a hastily written climax. Despite this it was an enjoyable read and would be particularly entertaining for children. Some of the language though may be a little too advance for the younger readers. Despite the introduction/climax issue, the story contains enough information to understand the way the dragon’s small world works and ends by setting the theme of the next installment. It will be exciting to find out what happens next!
This is the first book of the children’s series <i>The Land of Dragor</i> by Julia Suzuki. Dragor is the land inhabited by dragons, hidden from the rest of the world, away from the evil humans, with the smoke produced by the The Fire Which Must Never Go Out. Dragor is where it is safe. The dragons are forbidden to leave. However, it may not be as perfect as it seems.
The story begins with the birth, or hatching, of a dragon named Yoshiko. Unlike all other dragon births, Yoshiko’s egg was a variety of different colours, which led to speculation as to whether this young dragon was cursed. Other than being a late developer, Yoshiko is physically well and attends school like all the other youngsters where, unfortunately, he experiences bullying from one of the other dragon clans – something the reader may be able to relate to through their own school experiences. Each clan is a different colour, but one day Yoshiko realises he has the ability to change the shade of his scales. Horrified by his discovery, he seeks help from an old, but wise, outcast, who, whilst supporting Yoshiko as he learns to control the colours, helps him discover his destiny.
The initial two thirds of the book felt like a really long introduction with the final third being a hastily written climax. Despite this it was an enjoyable read and would be particularly entertaining for children. Some of the language though may be a little too advance for the younger readers. Despite the introduction/climax issue, the story contains enough information to understand the way the dragon’s small world works and ends by setting the theme of the next installment. It will be exciting to find out what happens next!
Gareth von Kallenbach (971 KP) rated Closed Circuit (2013) in Movies
Aug 6, 2019
oday, we’re going to bring you something a little different from ‘across the pond’ in the form of the latest crime-thriller from
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
Merissa (11800 KP) rated On the 2 in Books
Aug 2, 2023
ON THE 2 is a standalone story set in New York that features some characters from previous books. You don't need to have read those to get the benefit, but I did so love seeing them and remembering their stories!
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Laura Doe (1350 KP) rated Romancing Mister Bridgerton (Bridgertons, #4) in Books
Jan 6, 2022
I think that this has by far been my favourite of the Bridgerton series that I have read so far! After not enjoying An Offer From A Gentleman quite as much as the first three, I’m glad to see that Julia Quinn seemed to have gone back to her original style rather than retelling a fairytale.
We follow Penelope Featherington as she resigns herself to a life as a spinster after no proposals in all of the time that she has been out in society. I felt for Penelope that she’d not even interested one man. Despite being intelligent and witty, Penelope never was noticed at the balls and was a wallflower who only had eyes for one man, Colin Bridgerton.
I spent so much of the book wishing for Colin to notice Penelope and notice how talented she was, rather than be like the rest of the ton men. And once he finally did, it was amazing to read on as his feelings grew. Although I wasn’t too keen when he lost his temper with Penelope multiple times, but I understood the reasoning behind him doing so but just wished that he would listen to Penelope’s side a bit more.
I also love the fact that we found out the identity of Lady Whistledown in this book, but will however miss her summary of the parties and her comments about the goings on around town. I think Lady Whistledown’s Society Papers were such a fun addition to the stories and the mystery behind who she was was a puzzle that occupied me throughout the first four books of the series.
I’m hoping the next book is just as good as this one, and I am enjoying this series immensely.
We follow Penelope Featherington as she resigns herself to a life as a spinster after no proposals in all of the time that she has been out in society. I felt for Penelope that she’d not even interested one man. Despite being intelligent and witty, Penelope never was noticed at the balls and was a wallflower who only had eyes for one man, Colin Bridgerton.
I spent so much of the book wishing for Colin to notice Penelope and notice how talented she was, rather than be like the rest of the ton men. And once he finally did, it was amazing to read on as his feelings grew. Although I wasn’t too keen when he lost his temper with Penelope multiple times, but I understood the reasoning behind him doing so but just wished that he would listen to Penelope’s side a bit more.
I also love the fact that we found out the identity of Lady Whistledown in this book, but will however miss her summary of the parties and her comments about the goings on around town. I think Lady Whistledown’s Society Papers were such a fun addition to the stories and the mystery behind who she was was a puzzle that occupied me throughout the first four books of the series.
I’m hoping the next book is just as good as this one, and I am enjoying this series immensely.
Ivana A. | Diary of Difference (1171 KP) rated The One And Only in Books
Aug 20, 2018
When bio-terrorism threatens to obscure humanity, one woman has the power to restore hope.
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
Review:
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
Review:
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
Emma @ The Movies (1786 KP) rated Downhill (2020) in Movies
Mar 8, 2020
I'm not going to lie, the trailer did not look good. I went in expecting something that would hopefully be mildly amusing to pass the time before seeing The Invisible Man, thank goodness I saw this one first, ending my double bill with this would have been heart-breaking.
Pete and Billie are taking their two boys away for a skiing trip, things have been tough recently and they all need a chance to unwind. When a controlled explosion on the slopes gets a little too close for comfort the family are shaken. When the snow settles Billie, who instinctively went to protect her sons looks around and Pete is nowhere to be seen. Tensions run high between the could and they both start to wonder what the situation means for their family.
Let me first state that this is a confused mess of genre, I think that was clear even in the trailer, but it became more evident as I sat through the film. It isn't funny enough to be comedy and it's trying so hard to be comedy that it misses drama.
This could turn into a bitch fest if I let it but there are some good points I would like to mention (while I'm not angry at this film).
Both Julia Louis-Dreyfus and Will Ferrell get to have moments that are actually quite moving. In the trailer we see Billie relaying their story to their friends, that complete scene you can tell that Louis-Dreyfus is digging deep for that emotion and it comes through incredibly well. Ferrell, when he finally gets to open up about the event felt very sincere, though he does manage to get upstaged by Billie seconds later.
The setting is obviously very picturesque and they do a great job of showing the contrast between the two different resorts, there are quite a lot of clips of skiing that feel like stock footage and somehow feel out of place with whatever genre this film was. The snow footage that really excited me was that initial avalanche early on, for the briefest moment I thought I'd misjudged the film (it was a fleeting feeling). The rush of the snow, the sound and the reaction of the people on the deck really made for a tense moment.
I'm at a loss for anything apart from that thought. I think I vaguely remember laughing at one point, or more accurately, exhaling slightly more vigorously than normal, but I couldn't tell you which bit that was. The guy across the aisle from me (who arrived nearly 20 minutes late) was roaring with laughter... I just couldn't see any of it. None of the jokes landed and the one character who seemed to only be there for comedic effect was so over the top that it just became annoying.
Will Ferrell's movie career is an interesting thing to scroll through, it has a lot of films you've heard of, most of which I just kind of go "meh" at and will never see again. I honestly don't think I've enjoyed one of his films since Old School. Downhill is sadly no different. I had hoped that this might have been interestingly different with its drama aspect but there was nothing to dig it out of that avalanche.
Julia Louis-Dreyfus wasn't bad, I think mainly because her character wasn't overly burdened with any of the comic stuff to do. A lot of her role was serious and that really helped. But with the film feeling so mediocre/bad around her most of the good acting was lost.
If you can find the good in this film then I'm really pleased for you, but I was left confused and somewhat down about what I'd seen.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/downhill-movie-review.html
Pete and Billie are taking their two boys away for a skiing trip, things have been tough recently and they all need a chance to unwind. When a controlled explosion on the slopes gets a little too close for comfort the family are shaken. When the snow settles Billie, who instinctively went to protect her sons looks around and Pete is nowhere to be seen. Tensions run high between the could and they both start to wonder what the situation means for their family.
Let me first state that this is a confused mess of genre, I think that was clear even in the trailer, but it became more evident as I sat through the film. It isn't funny enough to be comedy and it's trying so hard to be comedy that it misses drama.
This could turn into a bitch fest if I let it but there are some good points I would like to mention (while I'm not angry at this film).
Both Julia Louis-Dreyfus and Will Ferrell get to have moments that are actually quite moving. In the trailer we see Billie relaying their story to their friends, that complete scene you can tell that Louis-Dreyfus is digging deep for that emotion and it comes through incredibly well. Ferrell, when he finally gets to open up about the event felt very sincere, though he does manage to get upstaged by Billie seconds later.
The setting is obviously very picturesque and they do a great job of showing the contrast between the two different resorts, there are quite a lot of clips of skiing that feel like stock footage and somehow feel out of place with whatever genre this film was. The snow footage that really excited me was that initial avalanche early on, for the briefest moment I thought I'd misjudged the film (it was a fleeting feeling). The rush of the snow, the sound and the reaction of the people on the deck really made for a tense moment.
I'm at a loss for anything apart from that thought. I think I vaguely remember laughing at one point, or more accurately, exhaling slightly more vigorously than normal, but I couldn't tell you which bit that was. The guy across the aisle from me (who arrived nearly 20 minutes late) was roaring with laughter... I just couldn't see any of it. None of the jokes landed and the one character who seemed to only be there for comedic effect was so over the top that it just became annoying.
Will Ferrell's movie career is an interesting thing to scroll through, it has a lot of films you've heard of, most of which I just kind of go "meh" at and will never see again. I honestly don't think I've enjoyed one of his films since Old School. Downhill is sadly no different. I had hoped that this might have been interestingly different with its drama aspect but there was nothing to dig it out of that avalanche.
Julia Louis-Dreyfus wasn't bad, I think mainly because her character wasn't overly burdened with any of the comic stuff to do. A lot of her role was serious and that really helped. But with the film feeling so mediocre/bad around her most of the good acting was lost.
If you can find the good in this film then I'm really pleased for you, but I was left confused and somewhat down about what I'd seen.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/downhill-movie-review.html
Bob Mann (459 KP) rated Ocean’s 8 (2018) in Movies
Sep 29, 2021
Can 8 women do the work of 11, 12 or even 13 men?
The female empowerment #SheToo implications of the title are clearly writ large for this movie! The answer of course…. is a major spoiler, so we won’t go there.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.