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Matthew Krueger (10051 KP) rated Snake Eyes (1998) in Movies
Nov 7, 2019 (Updated Nov 7, 2019)
Murder Was The Case
Snake eyes- is good mystry thriller directed by Brian De Palma.
The Plot: Detective Rick Santoro (Nicolas Cage) has never played by the rules. When he attends a high-profile boxing match with his friend Navy Cmdr. Kevin Dunne (Gary Sinise), as well as Defense Secretary Kirkland (Joel Fabiani), he witnesses a terrorist assassinate Kirkland. Despite a lockdown on the arena, key witness Julia Costello (Carla Gugino) escapes -- and Santoro begins to suspect Kirkland's death is part of a much larger conspiracy that involves boxing rivals and a beautiful stranger.
It was a good movie, very underrated.
The Plot: Detective Rick Santoro (Nicolas Cage) has never played by the rules. When he attends a high-profile boxing match with his friend Navy Cmdr. Kevin Dunne (Gary Sinise), as well as Defense Secretary Kirkland (Joel Fabiani), he witnesses a terrorist assassinate Kirkland. Despite a lockdown on the arena, key witness Julia Costello (Carla Gugino) escapes -- and Santoro begins to suspect Kirkland's death is part of a much larger conspiracy that involves boxing rivals and a beautiful stranger.
It was a good movie, very underrated.
Joey Santiago recommended The Beatles (White Album) by The Beatles in Music (curated)
Veronica Pena (690 KP) rated Charlie Wilson's War (2007) in Movies
May 29, 2020
I think this is one of the few films that Tom Hanks is just unbearable to watch! It has nothing to do with Hanks himself and everything to do with his character. Obviously that changes over the course of the film, but it definitely is hard in the beginning. The person that stood out to me the most - other than Philip Seymour Hoffman who I love more than life itself - is Julia Roberts. I feel like this is a role that's very different from anything she's ever done and I really enjoyed watching her in it.
LeftSideCut (3776 KP) rated Hellraiser (1987) in Movies
Nov 14, 2021
All these years later, and Hellraiser is still a treat. I've always had respect for Clive Barker's directorial debut. It came out in a decade where the genre had become more schlocky and less serious with each passing year, and dared to go for the jugular with its straight shooting, no nonsense brand of horror.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
Adam Silvera recommended 100 Sideways Miles in Books (curated)
Molly J (Cover To Cover Cafe) (106 KP) rated The Heart's Appeal (London Beginnings #2) in Books
Feb 27, 2019
A delightful read! I loved this story from start to finish. Ms. Delamere hooked me instantly and kept me turning the pages long into the night. The Heart's Appeal is a story that will make you smile, make you think, make you want more of this fabulous author's work.
Julia and Michael are complex and wonderfully chiseled. The interactions between the two were beautifully done, and the story line was rich in historicaly detail. The way that Ms. Delamere pieced Julia and Michael's story together, was captivating and delicately done.
These characters, this story line, the history, the inspirational messages woven throughout, all made this story one that I will turn to again and again. It played out like a movie, and the characters all came to life, bringing me into the heart of the story right along side them all.
This is a 4 star novel that I recommend to all! If you want a book that will suck you in, and keep you hooked until you're reading the last page, then look no further than the talent of Ms. Delamere and The Heart's Appeal. It's sure to leave you wanting more!
*I received a complimentary copy of this book from the publisher and was under no obligation to post a review, positive or negative.*
Julia and Michael are complex and wonderfully chiseled. The interactions between the two were beautifully done, and the story line was rich in historicaly detail. The way that Ms. Delamere pieced Julia and Michael's story together, was captivating and delicately done.
These characters, this story line, the history, the inspirational messages woven throughout, all made this story one that I will turn to again and again. It played out like a movie, and the characters all came to life, bringing me into the heart of the story right along side them all.
This is a 4 star novel that I recommend to all! If you want a book that will suck you in, and keep you hooked until you're reading the last page, then look no further than the talent of Ms. Delamere and The Heart's Appeal. It's sure to leave you wanting more!
*I received a complimentary copy of this book from the publisher and was under no obligation to post a review, positive or negative.*
Nicole Hadley (380 KP) rated Desert Moon: Also Includes Bonus Story of Honor Bond by Colleen L. Reece in Books
Jun 18, 2018
Desert Moon by Susan Page Davis is a wonderful historical fiction. The story takes place in Arizona. There is a sweet romance throughout the story with a little bit of danger and mystery added. The story begins fast with a stage coach robbery and then blames of the crime are made and with evidence.
The main character, Julia Newman, is a young lady that makes the difficult decisions. Julia receives double bad news in a short amount of time. First she learns of her mother's death, then she learns that her brother is accused of robbing a stagecoach and the person who informed her is the man that Julie has always love, Deputy Adam Scott.
Julie left home to go to school to become a teacher because she could not stand to be near the man she loved, Deputy Adam Scott. On her way home, Julie learns that the stagecoach she is riding in has been robbed. Deputy accused Julie's brother of the crime, which frustrates her. Julie tries to convince Deputy Adam Scott of her brother's innocence but then finds out that her brother has gone mission. During this exchange, Julie discovers that her feelings for Deputy Adam Scott has not gone away as she hoped would happen when she went away to school.
Thank you to NetGalley and Barbour Books for the ARC in exchange for an honest review.
The main character, Julia Newman, is a young lady that makes the difficult decisions. Julia receives double bad news in a short amount of time. First she learns of her mother's death, then she learns that her brother is accused of robbing a stagecoach and the person who informed her is the man that Julie has always love, Deputy Adam Scott.
Julie left home to go to school to become a teacher because she could not stand to be near the man she loved, Deputy Adam Scott. On her way home, Julie learns that the stagecoach she is riding in has been robbed. Deputy accused Julie's brother of the crime, which frustrates her. Julie tries to convince Deputy Adam Scott of her brother's innocence but then finds out that her brother has gone mission. During this exchange, Julie discovers that her feelings for Deputy Adam Scott has not gone away as she hoped would happen when she went away to school.
Thank you to NetGalley and Barbour Books for the ARC in exchange for an honest review.
Mark @ Carstairs Considers (2346 KP) rated Mastering the Art of French Murder in Books
Nov 22, 2023
Chef’s Knife of Crime
Tabitha Knight has decided to live with her grandfather in 1949 Paris as she tries to decide what to do with her life after the end of the war. One of her new neighbors is Julia Child, and the two quickly become friends. After a party at Julia’s apartment one night, one of the guests is killed with Julia’s chef’s knife. Naturally, the police think she did it, but Tabitha knows it had to be someone else at the party. Can she prove it?
While I know little about Julia Child, I did feel what we saw here rang true to her personality. But she is just one of many enchanting characters we meet here, and I can’t wait to see them again. The suspects were strong, and the mystery kept me guessing. I thought I’d picked up on a clue early on, but it turned out to be a red herring that got me. I did feel one aspect of the plot was left up in the air, but the rest was explained to my satisfaction. While there are no recipes in this book, there is tons of talk about food. You’ll definitely be hungry when you read. I’m glad I finally read a book by this author, and I’ll be looking for more.
While I know little about Julia Child, I did feel what we saw here rang true to her personality. But she is just one of many enchanting characters we meet here, and I can’t wait to see them again. The suspects were strong, and the mystery kept me guessing. I thought I’d picked up on a clue early on, but it turned out to be a red herring that got me. I did feel one aspect of the plot was left up in the air, but the rest was explained to my satisfaction. While there are no recipes in this book, there is tons of talk about food. You’ll definitely be hungry when you read. I’m glad I finally read a book by this author, and I’ll be looking for more.
David McK (3562 KP) rated The Addams Family (1991) in Movies
May 22, 2020
"They're creepy and they're kooky
Mysterious and spooky
They're altoghether ooky
the Addmas Family!"
(Very) Early 90s live action take on the Addams Family with Raul Julia and Anjelica Huston impeccably cast as Gomez and Morticia Addams, alongside an equally impeccably cast Christopher Lloyd as Fester Addams.
The plot? Fester Addams has been missing, presumed dead, for decades until a man arrives at their house claiming to be the same, but with no memory of his childhood.
No, this is NOT the one where Wednesday Addams learns to smile (that would be the superior sequel: The Addams Family Values), but this is still an enjoyable enough diversion.
Mysterious and spooky
They're altoghether ooky
the Addmas Family!"
(Very) Early 90s live action take on the Addams Family with Raul Julia and Anjelica Huston impeccably cast as Gomez and Morticia Addams, alongside an equally impeccably cast Christopher Lloyd as Fester Addams.
The plot? Fester Addams has been missing, presumed dead, for decades until a man arrives at their house claiming to be the same, but with no memory of his childhood.
No, this is NOT the one where Wednesday Addams learns to smile (that would be the superior sequel: The Addams Family Values), but this is still an enjoyable enough diversion.