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The Haunting  (1963)
The Haunting (1963)
1963 | Horror
The Haunted House
The Haunting- is one of the best horror movies of all time. Its scary, spooky, haunting, terrorfying, horrorfying and more.

The Plot: Dr. John Markway, an anthropologist with an interest in psychic phenomena, takes two specially selected women to Hill House, a reportedly haunted mansion. Eleanor (Julie Harris), a lonely, eccentric woman with a supernatural event in her past, and the bold Theodora (Claire Bloom), who has ESP, join John and the mansion's heir, cynical Luke (Russ Tamblyn). They are immediately overwhelmed by strange sounds and events, and Eleanor comes to believe the house is alive and speaking directly to her.

From the great novel- The Haunting of Hill House by Shirley Jackson.

In 2010, The Guardian newspaper ranked it as the 13th-best horror film of all time. Director Martin Scorsese has placed The Haunting first on his list of the 11 scariest horror films of all time.

The film was remade in 1999 by director Jan de Bont, starring Liam Neeson, Lili Taylor, Catherine Zeta-Jones and Owen Wilson, but that version was heavily panned by critics and audiences. Dont watch that film, but instead watch this masterpiece.

I would highly reccordmend this movie.
  
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Awix (3310 KP) rated Wild Rose (2018) in Movies

Apr 16, 2019 (Updated Apr 16, 2019)  
Wild Rose (2018)
Wild Rose (2018)
2018 | Drama, Music
A Star is Paroled, More Like
Scottish-set take on the same kind of material as A Star is Born features a terrific performance (both acting and musical) from Jessie Buckley, and much less material about people falling in love or weeing themselves on stage. Talented but off-the-rails young woman comes out of prison, tries to reconnect with her mother and children, plans (not very realistically) to go to Nashville and become a country star. (The point is repeatedly made that country music is not the same as country and western music, but this is possibly not the venue to be pedantic in.) Features a cameo by Whispering Bob Harris, who gives an oddly unconvincing performance even though he's playing himself.

Buckley is tremendous, as noted, but Julie Walters is equally good as her disapproving mum (no singing from Walters, though); the film plays engagingly with audience expectations and - to its credit - resists the temptation to suggest there are easy answers to life's questions. It works really hard to earn its moments of triumph and joy: there is some real heartbreak along the way, and the film suggests that while being dedicated to your dreams is all very well, it can also make you a horrible person to be around. Cheats a bit at the very end, but has earned the right to by that point, I would say.
  
Wild Rose (2018)
Wild Rose (2018)
2018 | Drama, Music
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.

Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.

Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.

Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.

Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?

Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.

Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.

The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.

Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!

But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.