Search
Search results
Lee (2222 KP) rated Wild Rose (2018) in Movies
Mar 20, 2019 (Updated Mar 20, 2019)
A Star Is Born
I've talked before about how disappointed I was with 'A Star Is Born' last year. An overrated movie of two halves, with an incredible first half and a dire second half. What I wanted from that movie was the story of a girl chasing a dream, culminating in the birth of a star and an epic singing finale. That all happened in the first half though, with the second half spiraling into boring filler territory. Wild Rose tells the story of Rose-Lynn, a down on her luck, aspiring country singer with dreams of becoming a star. It more closely follows that story I was looking for than 'A Star Is Born' did and is a much better movie overall, despite remaining fairly average throughout. If you put Sheridan Smith in the lead role, this could have just as easily been shown on ITV as their latest big weeknight drama series.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
JT (287 KP) rated Paranormal Activity 3 (2011) in Movies
Mar 10, 2020
If it’s not broke, then don’t fix it. Seems a pretty good mantra and one that new directors Henry Joost and Ariel Schulman have stuck to.
The pair are behind the camera for the third terrifying instalment of the ever-popular franchise that proves you don’t need a massive budget to make a shit load of money. The film had the biggest opening weekend of any other horror film grossing $54m, and at the same time satisfying those that love it when things go bump in the night.
We’re still with Katie and Kristi, the sisters who were on the wrong end of a pissed off entity for the original and the sequel, or should we say prequel in this case. This time, after a brief cameo from the older girls Katie Featherston and Sprague Grayden, we are transported back to 1988 and the home of VHS, with the siblings now much younger.
The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
Things start to turn sinister from the outset after Dennis (Nicholas Smith), a wedding videographer discovers a figure silhouetted on camera. Desperate to discover what it is, and against the wishes of his partner Julie (Lauren Bittner), he sets up the good old handheld cameras in the bedrooms hoping for it to reappear, it doesn’t take long.
The focus on this is the relationship that Kristi has with the invisible entity who she has aptly named Toby and runs about playfully with until it is clear that Toby gets slightly annoyed when things don’t go his way. The film is full of jumps and jolts that will have you leaping out of your seat or ducking down behind it.
From the old fashioned white-sheeted ghost to making you never want to see a Teddy Ruxpin again as long as you live. Joost and Schulman find new and unique ways to scare the living daylights out of you. To reveal too much more would, of course, ruin it, but suffice to say they are all brilliantly executed.
Being 1988 CCTV was all but redundant for the most part and perhaps one of the biggest payoffs was Dennis’s makeshift camera that was set up in the living room downstairs. Made out of a desk fan the camera pans slowly from one end of the room to the other and is very much the main focus for several horrific scenes, including a homage to the exploding cupboards in PA2.
The film is also injected with a strong sense of light-heartedness and humour, used almost like a comforter that the audience will embrace, that is until Joost and Schulman smack them across the face with another scare. The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
It’s a reveal that may or may not is appreciated, but one thing is for sure you’ll have a great time getting there.
One important thing to note is that the trailer below contains scenes that aren’t included in the film at all, I for one am happy with this as it means that cinema goers can still go in fresh. Although you do feel a little cheated that you missed something important.
The pair are behind the camera for the third terrifying instalment of the ever-popular franchise that proves you don’t need a massive budget to make a shit load of money. The film had the biggest opening weekend of any other horror film grossing $54m, and at the same time satisfying those that love it when things go bump in the night.
We’re still with Katie and Kristi, the sisters who were on the wrong end of a pissed off entity for the original and the sequel, or should we say prequel in this case. This time, after a brief cameo from the older girls Katie Featherston and Sprague Grayden, we are transported back to 1988 and the home of VHS, with the siblings now much younger.
The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
Things start to turn sinister from the outset after Dennis (Nicholas Smith), a wedding videographer discovers a figure silhouetted on camera. Desperate to discover what it is, and against the wishes of his partner Julie (Lauren Bittner), he sets up the good old handheld cameras in the bedrooms hoping for it to reappear, it doesn’t take long.
The focus on this is the relationship that Kristi has with the invisible entity who she has aptly named Toby and runs about playfully with until it is clear that Toby gets slightly annoyed when things don’t go his way. The film is full of jumps and jolts that will have you leaping out of your seat or ducking down behind it.
From the old fashioned white-sheeted ghost to making you never want to see a Teddy Ruxpin again as long as you live. Joost and Schulman find new and unique ways to scare the living daylights out of you. To reveal too much more would, of course, ruin it, but suffice to say they are all brilliantly executed.
Being 1988 CCTV was all but redundant for the most part and perhaps one of the biggest payoffs was Dennis’s makeshift camera that was set up in the living room downstairs. Made out of a desk fan the camera pans slowly from one end of the room to the other and is very much the main focus for several horrific scenes, including a homage to the exploding cupboards in PA2.
The film is also injected with a strong sense of light-heartedness and humour, used almost like a comforter that the audience will embrace, that is until Joost and Schulman smack them across the face with another scare. The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
It’s a reveal that may or may not is appreciated, but one thing is for sure you’ll have a great time getting there.
One important thing to note is that the trailer below contains scenes that aren’t included in the film at all, I for one am happy with this as it means that cinema goers can still go in fresh. Although you do feel a little cheated that you missed something important.
