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Lawrence Kasdan recommended Shampoo (1975) in Movies (curated)
Sarah (7798 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Aug 8, 2018
An entirely unnecessary sequel
I can't for the life of me fathom why they decided to make this film. It is one of the most depressing musicals I've ever seen (and yes I have seen Les Mis). Whilst the first film wasn't great, at least it was happy feel good sing along. This however is for the most part plain old depressing and miserable. If it wasn't for Julie Walters and the young & old Harry, this would also be entirely devoid of any form of humour.
The problem with this sequel is that it ruins the ending of the original and also tells a story that we didn't need to know. The whole flashbacks about how Donna met the guys isn't massively interesting and doesn't turn out as exciting as the first film made it sound. There's also an issue with the music. I'm not the biggest Abba fan, but I know quite a lot of their well known music, however I must have known less than half of the songs in this. I had thought they must have to use different songs, but in all honesty I wished they hadn't and just kept the more popular ones again.
This has a great cast but I think they're ruined by such a poor plot and overall film. Cher has a great voice still, but her acting skills are marred by the inability to move her face because of all the work she's had done. The whole thing is just a bit of a mess, lacks any form of spark or heart and is really just a bit pointless.
The problem with this sequel is that it ruins the ending of the original and also tells a story that we didn't need to know. The whole flashbacks about how Donna met the guys isn't massively interesting and doesn't turn out as exciting as the first film made it sound. There's also an issue with the music. I'm not the biggest Abba fan, but I know quite a lot of their well known music, however I must have known less than half of the songs in this. I had thought they must have to use different songs, but in all honesty I wished they hadn't and just kept the more popular ones again.
This has a great cast but I think they're ruined by such a poor plot and overall film. Cher has a great voice still, but her acting skills are marred by the inability to move her face because of all the work she's had done. The whole thing is just a bit of a mess, lacks any form of spark or heart and is really just a bit pointless.
Bob Mann (459 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Sep 29, 2021
I had a dream. A sob. A sing.
You remember in “Aliens” when Ripley (Sigourney Weaver) fought through hell and high water against that “bitch” to protect the youngster Newt (Carrie Henn)? And then how betrayed you felt in that emotional investment at the start of “Alien 3”?
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Billie Wichkan (118 KP) rated Duncan in Books
May 22, 2019
A cunning pederastic serial killer nicknamed Santa is making his way up the East Coast from New Orleans to Boston, leaving a trail of young bodies in his wake. Santa covers his tracks along the way by working as an itinerant bass player in a series of jazz combos. At the same time, the Driscoll family Mark, Julie and their nine-year-old son Nate who live in an upstate suburb of Syracuse, New York, struggle to come to grips with Moms quadriplegia following a horrific auto accident. The suspense builds to a fever pitch as these two plot strands approach each other for the inevitable confrontation. All this tension is heightened by the mystery of Duncan, Nates stuffed-toy gorilla, who is not only the boys beloved companion but becomes a kind of family totem, and, later on in the story, so much more.
Trigger warning for pedophilia, disability, murder, and so forth
This is a novel not only for readers addicted to thrill rides and maddening suspense, but also those who are curious about the abnormal psychology of the pedophiliac killer. The book gives food for thought as well as a kind of perverse satisfaction for the imagination and senses. It is a thinking readers thriller.
There are some graphic scenes that would make any normal human uncomfortable to say the least.
I loved how Mr. McCort portrays the heart-warming relationship dynamics within the Driscoll family. Oh I did love Duncan too!
The book also delivers on its' promise to the insight of the killers mind as well (the diabolical Santa).
Disturbing but excellent read.
Recommend reading.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
Trigger warning for pedophilia, disability, murder, and so forth
This is a novel not only for readers addicted to thrill rides and maddening suspense, but also those who are curious about the abnormal psychology of the pedophiliac killer. The book gives food for thought as well as a kind of perverse satisfaction for the imagination and senses. It is a thinking readers thriller.
There are some graphic scenes that would make any normal human uncomfortable to say the least.
I loved how Mr. McCort portrays the heart-warming relationship dynamics within the Driscoll family. Oh I did love Duncan too!
The book also delivers on its' promise to the insight of the killers mind as well (the diabolical Santa).
Disturbing but excellent read.
Recommend reading.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
Darren (1599 KP) rated 8MM 2 (2005) in Movies
Jun 20, 2019
Story: 8MM 2 starts as we meet young lawyer David (Schaech and his future wife Tish (Heuring) in Budapest. While on their trip away the couple end up having a steamy threesome with Risa (Gorog) helping both of their needs in the bedroom. David finds himself having to impress Tish’s father Ambassador Harrington (Davison) while his other daughter Lynn (Benz) has already settled down.
When the couple receive photos of their threesome they try to figure out who took them leading them into the sexual underworld in Hungry. While trying to clean up the blackmailing the two find themselves being approached from all angles as they try to keep any political career undercover.
8MM 2 is a film with one of the most miss-leading titles in film history, it is advertised as a sequel to 8MM starring Nicolas Cage which is about going into the underworld of sex. This is a boring political drama cover up after a daughter and her fiancée end up in a sex tape and get blackmailed. Nothing about this makes any sense for it to be a sequel but only uses the name because of the standard below average story. to make matters worse this might as well just be a softcore film because you can pretty much guarantee there is more time when the women are naked more than actually clothed.
Actor Review
Johnathon Schaech: David is the young lawyer entering into a powerful family as he tries to rise up the ranks in the Hungarian Embassy. When he has a steamy threesome with his wife to be and a strange woman he finds himself having to go into the world of pornography to uncover the people trying to blackmail him. Johnathon is solid but basic in this role.
Lori Heuring: Tish is the wife to be for David, her father is the Ambassador making her have a high profile name in social circles. She ends up having to follow David into the underworld of the sex industry to find the tape from their night. Lori is solid in this role without being special.
Bruce Davison: Ambassador Harrington is the father of Tish he is highly respected and the night the two have together could find themselves being responsible for a problem in his career. Bruce gives us a very basic supporting performance that we just don’t see enough.
Julie Benz: Lynn is the sister of Tish that is the older one of the two who always wants to protect her younger sister. Julie is wasted in this supporting role.
Support Cast: 8MM 2 has a basic supporting cast where nearly all the female cast are naked with most not really having much going on.
Director Review: J.S. Cardone – J.S. really doesn’t give us a worthy sequel that lacks any of the important parts needed.
Mystery: 8MM 2 doesn’t really offer us a mystery because we don’t see what the big mystery is.
Thriller: 8MM 2 doesn’t keep us on edge at all.
Settings: 8MM 2 is set in Hungary without being anything special.
Special Effects: 8MM 2 has basic effects when needed but nothing fancy.
Suggestion: 8MM 2 is one just to avoid really because it is terrible. (Avoid)
Best Part: Final Twist.
Worst Part: Pointless amount of nudity.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: From The Last Kiss To The Last Breath… From The First Kiss To The Last Breath.
Trivia: Much of the sex depicted is actual not simulated.
Overall: Dreadful sequel that really doesn’t work.
https://moviesreview101.com/2016/06/12/franchise-weekend-8mm-2-2005/
When the couple receive photos of their threesome they try to figure out who took them leading them into the sexual underworld in Hungry. While trying to clean up the blackmailing the two find themselves being approached from all angles as they try to keep any political career undercover.
8MM 2 is a film with one of the most miss-leading titles in film history, it is advertised as a sequel to 8MM starring Nicolas Cage which is about going into the underworld of sex. This is a boring political drama cover up after a daughter and her fiancée end up in a sex tape and get blackmailed. Nothing about this makes any sense for it to be a sequel but only uses the name because of the standard below average story. to make matters worse this might as well just be a softcore film because you can pretty much guarantee there is more time when the women are naked more than actually clothed.
Actor Review
Johnathon Schaech: David is the young lawyer entering into a powerful family as he tries to rise up the ranks in the Hungarian Embassy. When he has a steamy threesome with his wife to be and a strange woman he finds himself having to go into the world of pornography to uncover the people trying to blackmail him. Johnathon is solid but basic in this role.
Lori Heuring: Tish is the wife to be for David, her father is the Ambassador making her have a high profile name in social circles. She ends up having to follow David into the underworld of the sex industry to find the tape from their night. Lori is solid in this role without being special.
Bruce Davison: Ambassador Harrington is the father of Tish he is highly respected and the night the two have together could find themselves being responsible for a problem in his career. Bruce gives us a very basic supporting performance that we just don’t see enough.
Julie Benz: Lynn is the sister of Tish that is the older one of the two who always wants to protect her younger sister. Julie is wasted in this supporting role.
Support Cast: 8MM 2 has a basic supporting cast where nearly all the female cast are naked with most not really having much going on.
Director Review: J.S. Cardone – J.S. really doesn’t give us a worthy sequel that lacks any of the important parts needed.
Mystery: 8MM 2 doesn’t really offer us a mystery because we don’t see what the big mystery is.
Thriller: 8MM 2 doesn’t keep us on edge at all.
Settings: 8MM 2 is set in Hungary without being anything special.
Special Effects: 8MM 2 has basic effects when needed but nothing fancy.
Suggestion: 8MM 2 is one just to avoid really because it is terrible. (Avoid)
Best Part: Final Twist.
Worst Part: Pointless amount of nudity.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: From The Last Kiss To The Last Breath… From The First Kiss To The Last Breath.
Trivia: Much of the sex depicted is actual not simulated.
Overall: Dreadful sequel that really doesn’t work.
https://moviesreview101.com/2016/06/12/franchise-weekend-8mm-2-2005/
Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Sophia (Bookwyrming Thoughts) (530 KP) rated Shadow of the Fox (Shadow of the Fox, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Shadow of the Fox by Julie Kagawa brings Japanese mythology and folklore to life, taking readers on an exciting journey through feudal Japan, Kagawa weaves together three characters from different backgrounds all while introducing readers to a wide variety of demons the characters come across. The novel follows these characters as a new age approaches and the Kami Dragon is summoned, granting a wish to the one who holds the pieces of the Dragon Scroll.
Shadow of the Fox is primarily told in the two perspectives of Yumeko and Tatsumi, with the occasional addition of a third. Yumeko is a half-kitsune, half-human raised at the Silent Winds temple to hide her true kitsune nature, though she is forced to flee after everyone is slaughtered by a demon who wants to retrieve a part of the scroll. Readers interested in seeing kitsune magic coming to life on the page may find themselves disappointed as Yumeko shows little of her magic and hides her true nature from her companions.
One of those companions includes Tatsumi, a samurai from the Shadow Clan ordered to bring the Dragon Scroll regardless of the cost. Raised as a weapon, Tatsumi is taught from a young age to hide all of his emotions and thoughts from those around him as doing so would pose a danger. Not able to accomplish his mission right away, he finds himself in an unlikely alliance with Yumeko and begins to question his upbringing.
The first novel in a stunning new series, Shadow of the Fox is a magical adventure with an ominous feel throughout and will have readers wanting the sequel to the story.
<a href="https://60secondsmag.com/review-shadow-of-the-fox/">This review was originally posted on 60 Seconds Online Magazine</a>.
Shadow of the Fox by Julie Kagawa brings Japanese mythology and folklore to life, taking readers on an exciting journey through feudal Japan, Kagawa weaves together three characters from different backgrounds all while introducing readers to a wide variety of demons the characters come across. The novel follows these characters as a new age approaches and the Kami Dragon is summoned, granting a wish to the one who holds the pieces of the Dragon Scroll.
Shadow of the Fox is primarily told in the two perspectives of Yumeko and Tatsumi, with the occasional addition of a third. Yumeko is a half-kitsune, half-human raised at the Silent Winds temple to hide her true kitsune nature, though she is forced to flee after everyone is slaughtered by a demon who wants to retrieve a part of the scroll. Readers interested in seeing kitsune magic coming to life on the page may find themselves disappointed as Yumeko shows little of her magic and hides her true nature from her companions.
One of those companions includes Tatsumi, a samurai from the Shadow Clan ordered to bring the Dragon Scroll regardless of the cost. Raised as a weapon, Tatsumi is taught from a young age to hide all of his emotions and thoughts from those around him as doing so would pose a danger. Not able to accomplish his mission right away, he finds himself in an unlikely alliance with Yumeko and begins to question his upbringing.
The first novel in a stunning new series, Shadow of the Fox is a magical adventure with an ominous feel throughout and will have readers wanting the sequel to the story.
<a href="https://60secondsmag.com/review-shadow-of-the-fox/">This review was originally posted on 60 Seconds Online Magazine</a>.
Gareth von Kallenbach (971 KP) rated Warm Bodies (2013) in Movies
Aug 7, 2019
Considering how many movies are typically released in the first quarter of the year, Warm Bodies is by far the best movie of 2013 so far. “Zombie Love Story” was the first term that came to my mind when I was first made aware of the movie, but it is so much more than that. Part “Romeo and Juliet”, part “Zombieland”, this adaptation of Isaac Marion’s critically acclaimed young adult novel is a humorous and surprisingly fresh zombie movie that gives its own unique look at love.
R, the zombie in our “Romeo” role, is your typical walker (excuse me while I borrow terms from another hit zombie medium). He moves around without purpose, mostly spending his days at the airport. He carries “conversations” with another zombie, M, and his internal monologue certainly lets the viewer know that zombies are fully aware of what they are. As a result of their condition, they no longer have control over what they do. Nor does R try to make excuses for it; they are what they are. This is demonstrated when he and a horde of walkers attack a group of humans. In this group is Julie, who as I am sure you have guessed is our “Juliet”. R immediately falls for her and is determined to have her reciprocate the feelings. This might prove to be difficult, considering that humans and zombies at their core just want to kill each other. It is this feeling, this emotion, that humans thought zombies incapable of, that begins to change R, and other zombies around him.
After the attack, R takes Julie back to his… er, safe haven comes to mind, but it’s really just an abandoned airplane sitting on a tarmac filled with wacky items that R has collected in the time since he became a zombie. Writer/Director Jonathan Levine, who adapted Marion’s novel, has managed to create very smart, witty dialogue, but in a cute way as he did with The Wackness (which Levine also wrote). The sincerity of the dialogue in the movie keeps you interested in a growing relationship that’s way, way outside the box. There is plenty of violence in the movie too, as we see R attack a human, bite their arm, and hide their brains away for a snack later. Speaking of brain, the film explains that when a zombie eats a human’s brains, they remember our memories. This is kind of important.
Despite being a very different romantic comedy, the film also delivers a healthy horror flick. Zombies are not the only thing that is a result of the zombie outbreak. In this post-apocalyptic world there is another threat: bonies. Bonies are zombies that are so far gone they do not care anymore. They’ve given up, have peeled off their skin and attack anything with beating hearts. R says it best in the film. “Zombies do this also, but at least they are conflicted about eating it.” Even though the bonies are fully CG creations, and utterly obviously so, Levine has done it in such a way that you only get quick glances, which is a nice way to keep the PG-13 rating considering all of the blood flowing in the film.
Nicholas Hoult is fantastic in the lead role of R, and he finds a way to turn on the creepy just as easily as he can turn the funny on. Everything our “Romeo” character is supposed to be is remarkably portrayed by Hoult. Of course it helps to have a great supporting cast, Teresa Palmer strong and sweet as Julie and John Malkovich as her father who is the hardened general who is leading the human survivors.
Warm Bodies is a great zombie movie, with an excellent sound track to set the mood throughout the film. But it’s more than that. It is also a charming story of unconventional love. Telling the story from R’s point of view gives it a very fresh feel, but it’s the thought and care that Levine and the cast members put into it that make it such a superb film. Warm Bodies is a love story between woman and monster, and the screenwriting and execution delivers a charm that cannot be denied. Warm Bodies is funny, but it’s also sweet, a bit dark at times, and highly original. All of this combined makes it the first must-see film of 2013.
R, the zombie in our “Romeo” role, is your typical walker (excuse me while I borrow terms from another hit zombie medium). He moves around without purpose, mostly spending his days at the airport. He carries “conversations” with another zombie, M, and his internal monologue certainly lets the viewer know that zombies are fully aware of what they are. As a result of their condition, they no longer have control over what they do. Nor does R try to make excuses for it; they are what they are. This is demonstrated when he and a horde of walkers attack a group of humans. In this group is Julie, who as I am sure you have guessed is our “Juliet”. R immediately falls for her and is determined to have her reciprocate the feelings. This might prove to be difficult, considering that humans and zombies at their core just want to kill each other. It is this feeling, this emotion, that humans thought zombies incapable of, that begins to change R, and other zombies around him.
After the attack, R takes Julie back to his… er, safe haven comes to mind, but it’s really just an abandoned airplane sitting on a tarmac filled with wacky items that R has collected in the time since he became a zombie. Writer/Director Jonathan Levine, who adapted Marion’s novel, has managed to create very smart, witty dialogue, but in a cute way as he did with The Wackness (which Levine also wrote). The sincerity of the dialogue in the movie keeps you interested in a growing relationship that’s way, way outside the box. There is plenty of violence in the movie too, as we see R attack a human, bite their arm, and hide their brains away for a snack later. Speaking of brain, the film explains that when a zombie eats a human’s brains, they remember our memories. This is kind of important.
Despite being a very different romantic comedy, the film also delivers a healthy horror flick. Zombies are not the only thing that is a result of the zombie outbreak. In this post-apocalyptic world there is another threat: bonies. Bonies are zombies that are so far gone they do not care anymore. They’ve given up, have peeled off their skin and attack anything with beating hearts. R says it best in the film. “Zombies do this also, but at least they are conflicted about eating it.” Even though the bonies are fully CG creations, and utterly obviously so, Levine has done it in such a way that you only get quick glances, which is a nice way to keep the PG-13 rating considering all of the blood flowing in the film.
Nicholas Hoult is fantastic in the lead role of R, and he finds a way to turn on the creepy just as easily as he can turn the funny on. Everything our “Romeo” character is supposed to be is remarkably portrayed by Hoult. Of course it helps to have a great supporting cast, Teresa Palmer strong and sweet as Julie and John Malkovich as her father who is the hardened general who is leading the human survivors.
Warm Bodies is a great zombie movie, with an excellent sound track to set the mood throughout the film. But it’s more than that. It is also a charming story of unconventional love. Telling the story from R’s point of view gives it a very fresh feel, but it’s the thought and care that Levine and the cast members put into it that make it such a superb film. Warm Bodies is a love story between woman and monster, and the screenwriting and execution delivers a charm that cannot be denied. Warm Bodies is funny, but it’s also sweet, a bit dark at times, and highly original. All of this combined makes it the first must-see film of 2013.
Daniel Boyd (1066 KP) rated Mary Poppins Returns (2018) in Movies
Jan 9, 2019 (Updated Jan 9, 2019)
Emily Blunt & Lin-Manuel Miranda (1 more)
An Incredible Animated Sequence
Practically Perfect In Every Way?
I've never been a big Mary Poppins fan, but I went to see this because my girlfriend is and we both enjoyed it. I didn't go in expecting much, but this was a charming, harmless, family friendly time and I had fun with it. I think the fact that I am not a huge fan of the original was actually a benefit going in, because I wasn't constantly comparing the film to the OG.
First off, Emily Blunt did a sublime job in the title role. I am a huge fan of hers and she nails this role. To be honest from what I can remember from seeing the original when I was young, I think I prefer her to Julie Andrew's take on the character. Regardless, I don't think that there is any other actress working today that could have done a better job than she did.
Lin-Manuel Miranda is also fantastic as the Dick Van Dyke type character and does a good job of keeping the energy up and the plot moving forward throughout the movie. The lamp lighting sequence that he lead was one of the best in the film. The rest of the cast also do a decent job, except from the vastly overrated Meryl Streep, she was excruciatingly annoying and she felt unnecessarily shoehorned into the movie for no apparent reason.
The highlight for me though, was the beautiful and dynamic animated sequence that happens within the porcelain bowl. This whole sequence was incredible and really blew me away. I found it particularly mind blowing as an animator myself. There were many times that I was left asking myself how they managed to pull off certain things and it left me extremely impressed.
Overall, this is a fun, family friendly romp that in my opinion surpasses the original. It is in some aspects a soft reboot, but there enough call-backs and homages to the OG version that it works as a sequel and will please long time fans of the first movie, but it will also hopefully entertain a whole new generation and Emily Blunt fills the big shoes left by her predecessor remarkably well.
First off, Emily Blunt did a sublime job in the title role. I am a huge fan of hers and she nails this role. To be honest from what I can remember from seeing the original when I was young, I think I prefer her to Julie Andrew's take on the character. Regardless, I don't think that there is any other actress working today that could have done a better job than she did.
Lin-Manuel Miranda is also fantastic as the Dick Van Dyke type character and does a good job of keeping the energy up and the plot moving forward throughout the movie. The lamp lighting sequence that he lead was one of the best in the film. The rest of the cast also do a decent job, except from the vastly overrated Meryl Streep, she was excruciatingly annoying and she felt unnecessarily shoehorned into the movie for no apparent reason.
The highlight for me though, was the beautiful and dynamic animated sequence that happens within the porcelain bowl. This whole sequence was incredible and really blew me away. I found it particularly mind blowing as an animator myself. There were many times that I was left asking myself how they managed to pull off certain things and it left me extremely impressed.
Overall, this is a fun, family friendly romp that in my opinion surpasses the original. It is in some aspects a soft reboot, but there enough call-backs and homages to the OG version that it works as a sequel and will please long time fans of the first movie, but it will also hopefully entertain a whole new generation and Emily Blunt fills the big shoes left by her predecessor remarkably well.
Bob Mann (459 KP) rated Paddington 2 (2017) in Movies
Sep 29, 2021
Bear faced brilliance.
I never went to see “Paddington 2” at the cinema when it came out. Well, it’s a kids film isn’t it? And my grandkids I thought… well, their probably a bit too young for the long haul on this one. But – after catching up with it recently on a transatlantic flight – I’m sorry I missed it. For it is brilliant in its own way.
Having not seen the first “Paddington”, also directed by Paul King, there is a useful little flashback to the Peruvian origins of the little chap before we pitch into the plot proper. Paddington (voiced by Ben Wishaw, “Spectre“) has nicely settled down to life with The Brown’s in their London home and is a well-loved member of the community (well, well loved that is by everyone except the cranky Mr Curry (Peter Capaldi, “Dr Who“, “World War Z“). But he longs to buy his Aunt Lucy (Imelda Staunton, “Finding Your Feet“) a special birthday present – a pop-up book of London scenes that he’s seen in a local antique shop. But for that he needs a lot of cash, and so proceeds to earn it through a variety of different jobs.
However, fading actor Phoenix Buchanan (Hugh Grant, “Florence Foster Jenkins“, “The Man From U.N.C.L.E.“) also shows an unhealty interest in the book and, after it disappears from the shop with Paddington’s paw prints all over the scene, the poor bear finds himself on the wrong side of the law.
This is a continually inventive movie, which rockets along with truly impressive verve and panache from scene to scene. As a particular example of this, an animated walk through the pop-up book is marvellously done: a tribute to the 2D retro nature (even in those days!) of the TV animation of the 70’s that will go over the heads of younger viewers. There are plenty of slapstick scenes – notably of Paddington trying window cleaning, and his job in a barber’s shop – which will not only delight younger children but also made this 57 year old laugh out loud too! The prison sequence also delights, with a laundry blunder by the bear leading into a comical showdown with the prison’s chief poisoner, sorry, head chef played by Brendan Gleeson (“Alone in Berlin“, “Live By Night“).
Vision AND sound! Paddington with incarcerated friends, including Brendan Gleeson (centre).
The cast all seem to revel in their parts, with Hugh Bonneville (“Viceroy’s House“, “The Monuments Men“) energetic as Mr Brown and Oscar runner-up (surely!) Sally Hawkins (“The Shape of Water“) very chirpy as Mrs Brown. All of the residents of Windsor Gardens are a who’s who of UK film and TV, and each cameo has a lovely little tale behind it: Julie Walters (“Brooklyn“) as Mrs Bird, the Brown’s help; Sanjeev Bhaskar as Dr Jafri, forever nearly locking himself out; Miss Kitts (Jessica Hynes) and the crusty Colonel Lancaster (Ben Miller) in a ‘will they/won’t they’ potential romance. Elsewhere, Jim Broadbent (“Bridget Jones Baby“, “Eddie the Eagle“) is great as the antique store owner; Tom Conti adds both gravitas and humour as Judge Biggleswade and Richard Ayoade (“The Double“) is very funny as a forensic expert.
The Brown family: from left; Mr Brown (Hugh Bonneville); Jonathan (Samuel Joslin); Mrs Brown (Sally Hawkins); Mrs Bird (Julie Walters); and Judy Brown (Madeleine Harris).
Head and shoulders above all of them though is Hugh Grant who is just outstandingly good as the puffed-up and self-important ham-actor. His Best Supporting Actor nomination for a BAFTA was surprising, but having seen the film so very much deserved. Hang around in the end credits for his last words of the film which are cornily hilarious! One can only hope that Phoenix Buchanen returns for Paddington 3.
A career best… Hugh Grant as the devilishly slippery Phoenix Buchanan.
I would have thought that some of the scenes towards the end of the film, particularly one where Paddington seems doomed to a watery end, might be a little frightening for younger viewers. Thank heavens Sally Hawkins has gills! 🙂
Overall, this is a movie I would gladly watch again, with or without kids. In a movie landscape that is pretty devoid of good comedy, here is a movie that really did make me laugh out loud.
Having not seen the first “Paddington”, also directed by Paul King, there is a useful little flashback to the Peruvian origins of the little chap before we pitch into the plot proper. Paddington (voiced by Ben Wishaw, “Spectre“) has nicely settled down to life with The Brown’s in their London home and is a well-loved member of the community (well, well loved that is by everyone except the cranky Mr Curry (Peter Capaldi, “Dr Who“, “World War Z“). But he longs to buy his Aunt Lucy (Imelda Staunton, “Finding Your Feet“) a special birthday present – a pop-up book of London scenes that he’s seen in a local antique shop. But for that he needs a lot of cash, and so proceeds to earn it through a variety of different jobs.
However, fading actor Phoenix Buchanan (Hugh Grant, “Florence Foster Jenkins“, “The Man From U.N.C.L.E.“) also shows an unhealty interest in the book and, after it disappears from the shop with Paddington’s paw prints all over the scene, the poor bear finds himself on the wrong side of the law.
This is a continually inventive movie, which rockets along with truly impressive verve and panache from scene to scene. As a particular example of this, an animated walk through the pop-up book is marvellously done: a tribute to the 2D retro nature (even in those days!) of the TV animation of the 70’s that will go over the heads of younger viewers. There are plenty of slapstick scenes – notably of Paddington trying window cleaning, and his job in a barber’s shop – which will not only delight younger children but also made this 57 year old laugh out loud too! The prison sequence also delights, with a laundry blunder by the bear leading into a comical showdown with the prison’s chief poisoner, sorry, head chef played by Brendan Gleeson (“Alone in Berlin“, “Live By Night“).
Vision AND sound! Paddington with incarcerated friends, including Brendan Gleeson (centre).
The cast all seem to revel in their parts, with Hugh Bonneville (“Viceroy’s House“, “The Monuments Men“) energetic as Mr Brown and Oscar runner-up (surely!) Sally Hawkins (“The Shape of Water“) very chirpy as Mrs Brown. All of the residents of Windsor Gardens are a who’s who of UK film and TV, and each cameo has a lovely little tale behind it: Julie Walters (“Brooklyn“) as Mrs Bird, the Brown’s help; Sanjeev Bhaskar as Dr Jafri, forever nearly locking himself out; Miss Kitts (Jessica Hynes) and the crusty Colonel Lancaster (Ben Miller) in a ‘will they/won’t they’ potential romance. Elsewhere, Jim Broadbent (“Bridget Jones Baby“, “Eddie the Eagle“) is great as the antique store owner; Tom Conti adds both gravitas and humour as Judge Biggleswade and Richard Ayoade (“The Double“) is very funny as a forensic expert.
The Brown family: from left; Mr Brown (Hugh Bonneville); Jonathan (Samuel Joslin); Mrs Brown (Sally Hawkins); Mrs Bird (Julie Walters); and Judy Brown (Madeleine Harris).
Head and shoulders above all of them though is Hugh Grant who is just outstandingly good as the puffed-up and self-important ham-actor. His Best Supporting Actor nomination for a BAFTA was surprising, but having seen the film so very much deserved. Hang around in the end credits for his last words of the film which are cornily hilarious! One can only hope that Phoenix Buchanen returns for Paddington 3.
A career best… Hugh Grant as the devilishly slippery Phoenix Buchanan.
I would have thought that some of the scenes towards the end of the film, particularly one where Paddington seems doomed to a watery end, might be a little frightening for younger viewers. Thank heavens Sally Hawkins has gills! 🙂
Overall, this is a movie I would gladly watch again, with or without kids. In a movie landscape that is pretty devoid of good comedy, here is a movie that really did make me laugh out loud.