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Andy K (10823 KP) rated Chernobyl in TV
Oct 6, 2019
No words...
Every once in a while, a piece of cinema comes along so profound, epic, chilling, horrible, emotional, disgusting, jarring, magnificent and wondrous it completely takes my breathe away. When I was a child it was films like E.T., Return of the Jedi and Raiders of the lost Ark. Since becoming an adult, it has changed to movies like Schindler's List, 2001: A Space Odyssey, Requiem For A Dream and now Chernobyl.
This five part HBO series not only accounts for the immediate aftermath of the disaster, but shows the relatively unknown sagas of those people who were just doing their jobs not knowing their heroism and ultimate sacrifice probably saved millions of lives and maybe the entire planet Earth.
The men in the control room of the Chernobyl nuclear power plant did not know what just happened. They heard an explosion and then thought there was a fire on the roof of one of the buildings. Residents in the nearly town went out to see the spectacle taking their children and stood on a nearby bridge so they could see. Those men with the local fire department were called in the deal with the fire and quickly arrived to see the devastation they faced. Little did they know most of them were doomed with this assignment.
Soon after, nuclear experts are called in to formulate a plan to not only contain and extinguish the atomic blaze, but also to contain the radiation which the wind is carrying to neighboring countries. Proud Russian state officials also downplay the situation to the rest of the world and are wary to ask for outside assistance not wanting to show weakness.
After the plan to douse the flames in successful a new problem arises. Large water tanks which are supposed to be empty now contain water from the fireman's work which now could cause a nuclear megaton explosion killing millions and laying waste to an entire region of the Earth. A plan is also forged to deal with this new development.
Meanwhile, hospitals overrun with casualties are now forced to deal with unimaginable human suffering from those who took the worst of the radiation. Their agony and torture is some of the worst human suffrage short of war time in the history of the Earth. At the same time, a scientist and nuclear expert speaks with the men near death to assume a timeline and details of what took place during those fateful minutes before the disaster.
The monumental feat this mini-series puts to task is truly astonishing. The technical and historical detail filmmakers took to ensure accuracy is among the most impressive I have ever seen. The European locations used for filming were authentic to the last detail and the style of film was harsh and unrelenting. I watched all 5 episodes straight through as I couldn't wait to get to the next installment. As each ended, I was left with my jaw on the floor is amazement wear tears in my eyes and streaming down my face. Creator/writer Craig Mazin should be commended for his screenplay which is based on quite a lot of first-hand accounts of the situation from people who witnessed it.
Lead actors Jared Harris, Stellan Skarsgård and Emily Watson were all astonishing, especially Harris who portrayed Valery Legasov with such conviction, you as the audience were outraged and sympathetic to his role in this ordeal.
The human suffering portrayed onscreen through the use of remarkable make up effects were so real there were several points I had to stop the film just so I could catch my breath. I was so emotional while watching this masterpiece I feel now like a changed person after just having witnessed something as magic as this perfect piece of filmmaking.
I was so enamored with this production I watched all the making of material afterwards and a documentary about the real events including some of the real graphic patient images that I will never forget.
Hopefully, this will be shown in schools in the future and future generations will continue to learn about the Chernobyl catastrophe as a symbol of human arrogance so that it will never be repeated.
This five part HBO series not only accounts for the immediate aftermath of the disaster, but shows the relatively unknown sagas of those people who were just doing their jobs not knowing their heroism and ultimate sacrifice probably saved millions of lives and maybe the entire planet Earth.
The men in the control room of the Chernobyl nuclear power plant did not know what just happened. They heard an explosion and then thought there was a fire on the roof of one of the buildings. Residents in the nearly town went out to see the spectacle taking their children and stood on a nearby bridge so they could see. Those men with the local fire department were called in the deal with the fire and quickly arrived to see the devastation they faced. Little did they know most of them were doomed with this assignment.
Soon after, nuclear experts are called in to formulate a plan to not only contain and extinguish the atomic blaze, but also to contain the radiation which the wind is carrying to neighboring countries. Proud Russian state officials also downplay the situation to the rest of the world and are wary to ask for outside assistance not wanting to show weakness.
After the plan to douse the flames in successful a new problem arises. Large water tanks which are supposed to be empty now contain water from the fireman's work which now could cause a nuclear megaton explosion killing millions and laying waste to an entire region of the Earth. A plan is also forged to deal with this new development.
Meanwhile, hospitals overrun with casualties are now forced to deal with unimaginable human suffering from those who took the worst of the radiation. Their agony and torture is some of the worst human suffrage short of war time in the history of the Earth. At the same time, a scientist and nuclear expert speaks with the men near death to assume a timeline and details of what took place during those fateful minutes before the disaster.
The monumental feat this mini-series puts to task is truly astonishing. The technical and historical detail filmmakers took to ensure accuracy is among the most impressive I have ever seen. The European locations used for filming were authentic to the last detail and the style of film was harsh and unrelenting. I watched all 5 episodes straight through as I couldn't wait to get to the next installment. As each ended, I was left with my jaw on the floor is amazement wear tears in my eyes and streaming down my face. Creator/writer Craig Mazin should be commended for his screenplay which is based on quite a lot of first-hand accounts of the situation from people who witnessed it.
Lead actors Jared Harris, Stellan Skarsgård and Emily Watson were all astonishing, especially Harris who portrayed Valery Legasov with such conviction, you as the audience were outraged and sympathetic to his role in this ordeal.
The human suffering portrayed onscreen through the use of remarkable make up effects were so real there were several points I had to stop the film just so I could catch my breath. I was so emotional while watching this masterpiece I feel now like a changed person after just having witnessed something as magic as this perfect piece of filmmaking.
I was so enamored with this production I watched all the making of material afterwards and a documentary about the real events including some of the real graphic patient images that I will never forget.
Hopefully, this will be shown in schools in the future and future generations will continue to learn about the Chernobyl catastrophe as a symbol of human arrogance so that it will never be repeated.
Rachel (48 KP) rated Exonerated: A History of the Innocence Movement in Books
May 25, 2017
Such a Disappointment
I had very high hopes for this book, it is a fascinating subject, but sadly it did not live up to expectations at all.
Halfway through the introduction I realised just how dry it was going to be. I recognised the structure of it from my university essays. When an introduction includes a brief synopsis of the chapters to come it is obviously good to be more of an academic study than a book you can sit down and get lost in!
And so it continued. Far too much time is dedicated to very dry details. For example, 10 pages are dedicated to a conference held in 1998 called The National Conference on Wrongful Convictions and the Death Penalty. Obviously this is an extremely important cause but it could either have been explained in 2 - 3 pages maximum or a lot more details about the exoneree's could have been added. This is actually the problem through out the book. Details of the exoneration's are sparse, usually with as little detail as "he was exonerated by DNA".
When the author, rarely, tells the story of someone he really comes to life. He has a voice that can put across the suffering and circustance of a person in a very warm and interesting way. Had there been more of that writing it could have been a spectacular book.
As the book was about the Innocence Movement itself I was not expecting some true crime book but, had the dates and figures been interspersed with case studies it would have been great. It would have been nice to know exactly how someone was wrongfully imprisoned and how they were exonerated. Had this been the case I would have given a much higher rating.
The author himself calls this work a study. Unless this book is to be marketed solely for academic purposes, which I am sure it isn't, then it should not BE a study. It should be an accessible book for all people interested in the subject to enjoy.
The author is obviously very passionate about this subject - hence 2 stars instead of 1 - yet passion alone does not make a book good.
Halfway through the introduction I realised just how dry it was going to be. I recognised the structure of it from my university essays. When an introduction includes a brief synopsis of the chapters to come it is obviously good to be more of an academic study than a book you can sit down and get lost in!
And so it continued. Far too much time is dedicated to very dry details. For example, 10 pages are dedicated to a conference held in 1998 called The National Conference on Wrongful Convictions and the Death Penalty. Obviously this is an extremely important cause but it could either have been explained in 2 - 3 pages maximum or a lot more details about the exoneree's could have been added. This is actually the problem through out the book. Details of the exoneration's are sparse, usually with as little detail as "he was exonerated by DNA".
When the author, rarely, tells the story of someone he really comes to life. He has a voice that can put across the suffering and circustance of a person in a very warm and interesting way. Had there been more of that writing it could have been a spectacular book.
As the book was about the Innocence Movement itself I was not expecting some true crime book but, had the dates and figures been interspersed with case studies it would have been great. It would have been nice to know exactly how someone was wrongfully imprisoned and how they were exonerated. Had this been the case I would have given a much higher rating.
The author himself calls this work a study. Unless this book is to be marketed solely for academic purposes, which I am sure it isn't, then it should not BE a study. It should be an accessible book for all people interested in the subject to enjoy.
The author is obviously very passionate about this subject - hence 2 stars instead of 1 - yet passion alone does not make a book good.
Haley Mathiot (9 KP) rated Blood Magic (The Blood Journals, #1) in Books
Apr 27, 2018
Books should capture you from the first page, right? They should cause you to want to read more and not be able to put it down. They should also have important interesting things happening in every scene.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
Zuky the BookBum (15 KP) rated Death in Profile in Books
Mar 15, 2018
(I've changed this down to 3 stars from 4 stars cause think back, it wasn't actually that good, I just think I was really happy to find a Netgalley book that didn't bore me to death)
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Firstly I'd like to thank Netgalley and Urbane Publications for giving me the opportunity to read this book.
Death in Profile is an excellent twist on modern crime drama novels. It's refreshing to find all the characters have a clear head with no underlying disturbances like we see with many other detective characters. While the plot for this novel is nothing too bold or different from other books out there, it still manages to feel unique.
I like how Sampson doesn't focus on simply one person throughout the book, but instead lets you in to each persons life in little snippets making you want to keep reading and find out more and more about each person. While Metcalfe and Willis are interesting as separate people I found their relationship juvenile, in all honesty. The way they went about each other was really rather unimaginable.
For me, the characters made this book fun and exciting because I didn't feel the plot was anything too incredibly amazing and I found the 'shock twist' a little... disappointing. I would have preferred the story to continue in the direction it was already heading by that point rather than the real outcome. I also found the last few pages of the book a bit pointless and it confused me slightly as to why it was included, I think it completely took away from the amazement you were supposed to feel about the outcome of the investigation into the serial killings.
Other than that and a few spelling mistakes here and there (which I couldn't keep note of due to there being no page numbers on the kindle), I actually did very much like this book and was reaching for it of a night time as well as during my travelling hours. I would recommend this book to anyone who wants a crime drama without the troubled cop or gritty suspense. Definitely a fun and quick read.
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Andy K (10823 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 3, 2019
Monsters good. Humans bad.
I just read a lot of reviews on Smashbomb for this and would have to agree with most that I enjoyed the monsters in all their various shapes and sizes, especially if you have been a fan seeing the familiar ones you have known and loved.
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
Phil Leader (619 KP) rated King of Thorns in Books
Nov 18, 2019
It won't be a surprise that in this book we find Jorg installed as king in his own right. It is also his wedding day. Rather inconventiently his castle is also about to be attacked by a huge army and he just doesn't have the troops to stop them.
The main story thread takes place over the day of the wedding and the battle to save his castle and kingdom. Any worries that Jorg has become soft in the years since the first book are swifly put aside as it's clear that with a proper army he can simply cause mayhem on a larger scale.
Like the first book there is also a 'flashback' story, again taking place four years previously, a year after he declared himself king. In this his journey takes him to other parts of the broken empire, showing more variety than the first book. There is also more use of arcane powers - for good and evil - and other adversaries join the story.
I thought the first book was excellent, if a little light on plot. This follow up is another notch up on the scale. The battle scenes are tenser, the plans even more desperate. The plot is now in full swing and moves nicely between the two story threads, events from four years previously having direct impact on the present.
We also find out more about The Builders and the world that Jorg inhabits, all of it totally fascinating, and once again Jorg is not above using the 'ancient' technology to further his ends.
The characterisation is better in this book, simply because more time is taken to flesh them out, but not at the expense of the speed of the story. Lawrence really is a natural story teller.
The plot twists and turns, and the reader is left guessing at each turn of the battle at what Jorg is going to do next and how he is going to win through the insurmountable odds stacked against him.
This really is an amazing book. I cannot recommend it highly enough.
The main story thread takes place over the day of the wedding and the battle to save his castle and kingdom. Any worries that Jorg has become soft in the years since the first book are swifly put aside as it's clear that with a proper army he can simply cause mayhem on a larger scale.
Like the first book there is also a 'flashback' story, again taking place four years previously, a year after he declared himself king. In this his journey takes him to other parts of the broken empire, showing more variety than the first book. There is also more use of arcane powers - for good and evil - and other adversaries join the story.
I thought the first book was excellent, if a little light on plot. This follow up is another notch up on the scale. The battle scenes are tenser, the plans even more desperate. The plot is now in full swing and moves nicely between the two story threads, events from four years previously having direct impact on the present.
We also find out more about The Builders and the world that Jorg inhabits, all of it totally fascinating, and once again Jorg is not above using the 'ancient' technology to further his ends.
The characterisation is better in this book, simply because more time is taken to flesh them out, but not at the expense of the speed of the story. Lawrence really is a natural story teller.
The plot twists and turns, and the reader is left guessing at each turn of the battle at what Jorg is going to do next and how he is going to win through the insurmountable odds stacked against him.
This really is an amazing book. I cannot recommend it highly enough.
Phil Leader (619 KP) rated Taylor's Plight (The Sanctum Series #3) in Books
Nov 26, 2019
Taylor's Plight is the third book in The Sanctum series of pre-teen adventure novels by Katrina Cope. Once again Jayden, Eva, Robert and Aaron are attempting to stop terrorism by using 'surrogates' - robots they can control remotely that appear to be human.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
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