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Night Reader Reviews (683 KP) rated Micro in Books
Jan 9, 2020
Review Just becasue
The book Micro by Michael Crichton and Richard Prestom was great. I may be a little biased because Michael Crichton is one of my favorite authors but at the same time I hold his work to a specific standard that he must meet or else I'm disappointed. Like most of his work Micro touches on some topics that as a society we should be aware of. It warns us of some disasters that new technology, being worked on or possibly already created, can cause. It id also an eye opener to the dangers of that our inventions pose.
In Micro a group of young graduate students at a college or approached by the head of a company called Nanigen. The graduate students are invited out to the Nanigen lab in Hawaii to see for themselves the work being done there and to see if they want to work for the company. Out of curiosity all the approached graduate students agree to go but their trip to Hawaii becomes more than what they bargain for.
Nanigen is studying the micro world mainly looking for chemicals that micro animals are making that could be useful to humans in some way. Also like many scientific companies in the private sector Nanigen is doing top secret work for the government. Greed gets in the way for some of the scientist already working for the company and the trip becomes extremely dangerous and even deadly for the graduate students. Having to deal with micro-bots and new technology never heard of before the students must fight to survive a world very different from our own.
What I like most about the book was one of the same features that keeps me reading Michael Crichton's work. The author does his research very thoroughly. The book may be a work of science fiction but there is a bibliography in the back for the curious reader to be able to learn more about the fascinating topics brought up in the book. For being a work of fiction the animals, plants, chemicals, technology,and scientific concepts are not. What I liked least about the book was how similar to another one of his books it was and how predictable some parts felt to me. Again though, I am very familiar with Michael Crichton's work and that would probably explain why it felt so predictable. I cannot hold that against the book.
Overall I would rate this book a 4 out of 4 and would highly recommend it. It has a very strong story and is believable which is an important factor for science fiction. The target readers for this book would start around high school age if not older. I feel like high school students will get the basic concept of what book was talking about but they might be lost on some of the finer detail. It all just depends on if the book is being read for the story or if the reader is interested in science specifically microbiology and nanotechnology.
I feel like I need to note on here that Richard Preston finishing the book did not harm it in any way.
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In Micro a group of young graduate students at a college or approached by the head of a company called Nanigen. The graduate students are invited out to the Nanigen lab in Hawaii to see for themselves the work being done there and to see if they want to work for the company. Out of curiosity all the approached graduate students agree to go but their trip to Hawaii becomes more than what they bargain for.
Nanigen is studying the micro world mainly looking for chemicals that micro animals are making that could be useful to humans in some way. Also like many scientific companies in the private sector Nanigen is doing top secret work for the government. Greed gets in the way for some of the scientist already working for the company and the trip becomes extremely dangerous and even deadly for the graduate students. Having to deal with micro-bots and new technology never heard of before the students must fight to survive a world very different from our own.
What I like most about the book was one of the same features that keeps me reading Michael Crichton's work. The author does his research very thoroughly. The book may be a work of science fiction but there is a bibliography in the back for the curious reader to be able to learn more about the fascinating topics brought up in the book. For being a work of fiction the animals, plants, chemicals, technology,and scientific concepts are not. What I liked least about the book was how similar to another one of his books it was and how predictable some parts felt to me. Again though, I am very familiar with Michael Crichton's work and that would probably explain why it felt so predictable. I cannot hold that against the book.
Overall I would rate this book a 4 out of 4 and would highly recommend it. It has a very strong story and is believable which is an important factor for science fiction. The target readers for this book would start around high school age if not older. I feel like high school students will get the basic concept of what book was talking about but they might be lost on some of the finer detail. It all just depends on if the book is being read for the story or if the reader is interested in science specifically microbiology and nanotechnology.
I feel like I need to note on here that Richard Preston finishing the book did not harm it in any way.
https://facebook.com/nightreaderreviews
ClareR (5726 KP) rated The Mercies in Books
Feb 25, 2020 (Updated Feb 25, 2020)
The Mercies is a slow burn of a novel, set in the Arctic town of Vardø in 1617 (Norway, the part that was called Finnmark). On Christmas Eve, whilst all of the men are out fishing, a storm blows in and kills them all. The women are left without their husbands, brothers and fathers, and must learn to fend for themselves. Maren Magnusdatter is one of these women. She watches as her father, brothers and future husband are drowned.
Three years later, a Scot, Absalom Cornet and his young Norwegian wife, Ursa, arrive. Absalom has been appointed Commissioner of Vardø, and is adamant that witchcraft was the cause of the storm three years ago. The fact that the women are surviving and taking on the roles of their dead menfolk doesn’t help their case. Absalom only sees evil, and women who have forgotten their place as servants of God. He is a witch finder, and has been responsible for the prosecution and death of women at home in Scotland. Unsurprisingly, he’s not a very nice character, and I liked NOT liking him, although I couldn’t help but feel sorry for Ursa. She is shy and inexperienced in the ways of the world. She has been shut away, caring for her sick younger sister. She knows nothing of what is expected of her as a wife - in every sphere. She doesn’t know how to keep a house at all. This is where Maren steps in as an advisor. They become good friends, and there is the beginnings of something more than just a simple friendship. I loved the interactions between these two women. Maren, strongly independent, competent and lonely, and Ursa, inexperienced, unhappy and lonely. In other circumstances, theirs could have been a good friendship - but unlikely because of social status, I should think.
The writing in this is gorgeous. The descriptions of the landscape and the sea made me feel as though I was standing there with them (warmer though!), and I loved getting to know the women, even the ultra-religious women who were only too keen to give up their fellow towns-women as witches. This part doesn’t happen for quite a while, so we’re given the chance to become emotionally invested in these characters. So when we read of their treatment at the hands of Absalom and his fellow witch hunters, it makes it all the more appalling. If it wasn’t bad enough already.
I love historical fiction, and I really liked how this was written in such a way that these didn’t really seem to be women separated from us by 400 years. They were normal women, working hard to survive and make lives for the,selves. Which made it all the more sad. There’s no way I could detach myself and NOT read this with a modern woman’s eye. These women were punished for something that we take for granted: independence.
Despite the terrible things that happen, it’s a beautifully written, very enjoyable book that I would easily recommend to anyone, even though it’s just like I would imagine the landscape around Finnmark is: bleak, yet beautiful.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Three years later, a Scot, Absalom Cornet and his young Norwegian wife, Ursa, arrive. Absalom has been appointed Commissioner of Vardø, and is adamant that witchcraft was the cause of the storm three years ago. The fact that the women are surviving and taking on the roles of their dead menfolk doesn’t help their case. Absalom only sees evil, and women who have forgotten their place as servants of God. He is a witch finder, and has been responsible for the prosecution and death of women at home in Scotland. Unsurprisingly, he’s not a very nice character, and I liked NOT liking him, although I couldn’t help but feel sorry for Ursa. She is shy and inexperienced in the ways of the world. She has been shut away, caring for her sick younger sister. She knows nothing of what is expected of her as a wife - in every sphere. She doesn’t know how to keep a house at all. This is where Maren steps in as an advisor. They become good friends, and there is the beginnings of something more than just a simple friendship. I loved the interactions between these two women. Maren, strongly independent, competent and lonely, and Ursa, inexperienced, unhappy and lonely. In other circumstances, theirs could have been a good friendship - but unlikely because of social status, I should think.
The writing in this is gorgeous. The descriptions of the landscape and the sea made me feel as though I was standing there with them (warmer though!), and I loved getting to know the women, even the ultra-religious women who were only too keen to give up their fellow towns-women as witches. This part doesn’t happen for quite a while, so we’re given the chance to become emotionally invested in these characters. So when we read of their treatment at the hands of Absalom and his fellow witch hunters, it makes it all the more appalling. If it wasn’t bad enough already.
I love historical fiction, and I really liked how this was written in such a way that these didn’t really seem to be women separated from us by 400 years. They were normal women, working hard to survive and make lives for the,selves. Which made it all the more sad. There’s no way I could detach myself and NOT read this with a modern woman’s eye. These women were punished for something that we take for granted: independence.
Despite the terrible things that happen, it’s a beautifully written, very enjoyable book that I would easily recommend to anyone, even though it’s just like I would imagine the landscape around Finnmark is: bleak, yet beautiful.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Darren (1599 KP) rated The Dish (2001) in Movies
Sep 16, 2019
Characters – Cliff Buxton is the director of the facility, he remains calm for the additional pressure placed on him by this mission, he knows how to welcome a new member to the team and keep his loyal team showing the respect required, Cliff has been through his own personal tragedy which has given him extra motivation to be part of this moment in history. Mitch is the senior member of the team in Australia, he has worked with Cliff for years now and doesn’t take too keenly to Al, he must learn to accept his own mistakes and that everyone involved wants the same thing. Glenn is the youngest member of the team, he is nervous person in life and has a side story of whether he will ask a local woman out. Al is the representative from NASA, he is very much by the book figure and this does cause tension in places because he isn’t as laid back as the rest of the team, even though he does have the utmost respect for the team.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
Andy K (10821 KP) rated Existenz (1999) in Movies
Sep 23, 2019
The 1999 body horror version of Ready Player One
Famed, innovative but reclusive software developer Allegra Geller is ready to unveil her latest virtual augmented reality game, eXistenZ, and has invited her biggest fans and followers to the first best test launch party ever. The game features bio-mechanical controller ports which actually get plugged into the gamer's spine for the fully immersive experience.
Unfortunately, her party was rudely interrupted by a would-be assassin who wants to put an end to Geller before the game is released. Wounded but not executed, her fate is given to be marketing assistant who has never played a game in his life. The two escape and begin a road trip like no other trying to navigate their situation and figure out who they can trust.
The game novice, Ted Pikul, soon gets himself a "port" so he can join Gellar in the game and to also ascertain whether her main controller hub was severely damaged in the attempt on her lie. Once jacked in, he begins to slowly morph into a more submersive version of the same gradually losing control of himself an becoming his in game character.
The other "participants" they meet serve to enhance the game experience either with conflict or assistance, but it is hard to tell which side everyone plays for. The two become passionate for each other, but still are unable to comprehend whether their feelings are real or just part of the game.
They need to figure out how to finish the game so they can return back to reality.
The last of David Cronenberg's "Body Horror" films before he took his career in a different direction in the 2000s with films like "Eastern Promises" and "A History of Violence", eXistenZ is one truly wild and unique ride. If you have seen some of his other film in the genre like "The Fly" or "The Brood" you would be used to the over-the-top gore, brutality and strange way of storytelling he has made his career.
His characters are flawed, but motivated and that is why you are interested in their situation and go along with them. This film has some remarkable visceral, macabre elements that make it extremely unique, which is why you watch a movie like this. The internet was only a few years old in 1999 and games like World of Warcraft were still years away; however, this film underscores the dangers of becoming too close to the online world and the dangers it could cause.
At many points during the film, you wonder whether you are still within the game itself similar to watching a "Nightmare on Elm Street" film and wondering if you are still dreaming.
Jennifer Jason Leigh has never really gotten the respect she deserves. Whether in the recent "The Hateful Eight" or in films like "Dolores Claiborne" or "Single White Female" she has shown longevity and the ability to play complex, sometimes unlikable characters with the charisma and charm. I liked the fact she was a female game designer, leading in her field, in 1999 when there were probably not many like her at the time.
This film will keep you guessing all the way to the end and even leave you to interpret what you have just seen as the credits roll.
Easily recommended for gruesome horror fans.
Unfortunately, her party was rudely interrupted by a would-be assassin who wants to put an end to Geller before the game is released. Wounded but not executed, her fate is given to be marketing assistant who has never played a game in his life. The two escape and begin a road trip like no other trying to navigate their situation and figure out who they can trust.
The game novice, Ted Pikul, soon gets himself a "port" so he can join Gellar in the game and to also ascertain whether her main controller hub was severely damaged in the attempt on her lie. Once jacked in, he begins to slowly morph into a more submersive version of the same gradually losing control of himself an becoming his in game character.
The other "participants" they meet serve to enhance the game experience either with conflict or assistance, but it is hard to tell which side everyone plays for. The two become passionate for each other, but still are unable to comprehend whether their feelings are real or just part of the game.
They need to figure out how to finish the game so they can return back to reality.
The last of David Cronenberg's "Body Horror" films before he took his career in a different direction in the 2000s with films like "Eastern Promises" and "A History of Violence", eXistenZ is one truly wild and unique ride. If you have seen some of his other film in the genre like "The Fly" or "The Brood" you would be used to the over-the-top gore, brutality and strange way of storytelling he has made his career.
His characters are flawed, but motivated and that is why you are interested in their situation and go along with them. This film has some remarkable visceral, macabre elements that make it extremely unique, which is why you watch a movie like this. The internet was only a few years old in 1999 and games like World of Warcraft were still years away; however, this film underscores the dangers of becoming too close to the online world and the dangers it could cause.
At many points during the film, you wonder whether you are still within the game itself similar to watching a "Nightmare on Elm Street" film and wondering if you are still dreaming.
Jennifer Jason Leigh has never really gotten the respect she deserves. Whether in the recent "The Hateful Eight" or in films like "Dolores Claiborne" or "Single White Female" she has shown longevity and the ability to play complex, sometimes unlikable characters with the charisma and charm. I liked the fact she was a female game designer, leading in her field, in 1999 when there were probably not many like her at the time.
This film will keep you guessing all the way to the end and even leave you to interpret what you have just seen as the credits roll.
Easily recommended for gruesome horror fans.
Ivana A. | Diary of Difference (1171 KP) rated Eleven Lines to Somewhere in Books
Oct 2, 2020
I am extremely happy and excited to be part of the blog tour for Eleven Lines to Somewhere by Alyson Rudd. Thank you to the team at HQ - for sending me a copy in exchange for an honest review. Check out the other book bloggers that are part of the tour as well:
Synopsis:
Everyone is searching for love. Sometimes we just take our own route to find it.
Ryan sees a young woman on the tube on his way to work, and he can't stop looking at her. Attracted and intrigued, he's set to find out more about this mysterious passenger that shares the tube with him.
Sylvie keeps travelling the underground, unable to leave for reasons unknown to Ryan. He hasn't been dating for ten years, when he was at university and the love of his life died.
But for some reason, he feels he needs to help Sylvie. In a world of missed opportunities and what-ifs, a connection has been made.
My Thoughts:
This is the second book I have read by Alyson Rudd, with the first one being The First Time Lauren Pailing Died. That book intrigued me, and when I saw Eleven Lines to Somewhere being published - I had to know and compare them.
At the beginning, I was intrigued, knowing what the synopsis is. We meet Ryan and Sylvie (separately), and we get a small glimpse into their lives. In the beginning, Ryan's story with his family and friends is more talked about. I liked getting to know Ryan, very slowly throughout the first half of the book. He is a very intriguing character himself, going through a personal time, as well as making very controversial decisions to get to know Sylvie better.
I liked Sylvie's story and her connection to the underground. It was very intriguing to me to read and understand how some moments in life can let us become something that we can't help but be. That a certain experience can cause such a need for Sylvie to action. I loved the psychological aspect of her characterisation, and how the trauma was handled.
Once Ryan and Sylvie got to know each other, the pace of the book changed, I felt. The pace was very slow, but the scenes moved very quickly in time.
Even though I loved Ryan and Sylvie as separate characters, I couldn't love them as a couple.
I felt that there was chemistry and romance missing, and somehow their connection to each other was based on the need to help the other one with their own trauma. For me, that being a single reason to love someone makes me think a person is in such a relationship to only feel better about themselves. Look - I helped someone, I am a better person now. But that's just my humble opinion.
There were a lot of side characters that had their own storylines - which I really enjoyed. A lot of drama and twists happened with them, which was quite enjoyable to read. Some characters in the end were thrown into the story abruptly, almost as if for convenience to the story line. But it worked well in the end.
I really enjoyed this story. Still a 4 star, but I enjoyed it more than The First Time Lauren Pailing Died. If you love contemporary books with a lot of characters, this will be a very good pick for you!
Synopsis:
Everyone is searching for love. Sometimes we just take our own route to find it.
Ryan sees a young woman on the tube on his way to work, and he can't stop looking at her. Attracted and intrigued, he's set to find out more about this mysterious passenger that shares the tube with him.
Sylvie keeps travelling the underground, unable to leave for reasons unknown to Ryan. He hasn't been dating for ten years, when he was at university and the love of his life died.
But for some reason, he feels he needs to help Sylvie. In a world of missed opportunities and what-ifs, a connection has been made.
My Thoughts:
This is the second book I have read by Alyson Rudd, with the first one being The First Time Lauren Pailing Died. That book intrigued me, and when I saw Eleven Lines to Somewhere being published - I had to know and compare them.
At the beginning, I was intrigued, knowing what the synopsis is. We meet Ryan and Sylvie (separately), and we get a small glimpse into their lives. In the beginning, Ryan's story with his family and friends is more talked about. I liked getting to know Ryan, very slowly throughout the first half of the book. He is a very intriguing character himself, going through a personal time, as well as making very controversial decisions to get to know Sylvie better.
I liked Sylvie's story and her connection to the underground. It was very intriguing to me to read and understand how some moments in life can let us become something that we can't help but be. That a certain experience can cause such a need for Sylvie to action. I loved the psychological aspect of her characterisation, and how the trauma was handled.
Once Ryan and Sylvie got to know each other, the pace of the book changed, I felt. The pace was very slow, but the scenes moved very quickly in time.
Even though I loved Ryan and Sylvie as separate characters, I couldn't love them as a couple.
I felt that there was chemistry and romance missing, and somehow their connection to each other was based on the need to help the other one with their own trauma. For me, that being a single reason to love someone makes me think a person is in such a relationship to only feel better about themselves. Look - I helped someone, I am a better person now. But that's just my humble opinion.
There were a lot of side characters that had their own storylines - which I really enjoyed. A lot of drama and twists happened with them, which was quite enjoyable to read. Some characters in the end were thrown into the story abruptly, almost as if for convenience to the story line. But it worked well in the end.
I really enjoyed this story. Still a 4 star, but I enjoyed it more than The First Time Lauren Pailing Died. If you love contemporary books with a lot of characters, this will be a very good pick for you!
Ama (21 KP) rated Detroit (2017) in Movies
Sep 11, 2017
Shattering
The first couple of questions when writing a review here are What's good? and What's bad?
Now, as you've seen I have given this film a full score, but I could not for the life of me put into a sentence what was good about it. It's not a nice film. Nothing about it is good. Except the way it makes you feel with it. But then even that is not a good thing. It's ugly.
I watched Detroit yesterday at the local cinema. I had seen the trailer, knew it was gonna be a tearjerker, knew I would hate the world and myself after watching it.
What I realised is that I completely underestimated the film.
About half an hour to an hour in all I wanted to do was to turn it off. I had an urge to just turn the cinema off, go home and potentially have some chocolate.
It wasn't the fact that the film was bad (I repeat, I gave it a full score), nor was it surprising narrative (again, I had seen the trailer and my tiny bit of historical knowledge filled in the gaps), but something in the way it was presented somehow evoked that feeling of wanting it to go away.
When I walked out of the cinema and forced myself to think about it, I realised a couple of things (all of which eventually made me come to the conclusion that that might have been deliberate).
First of all that film was lit like a feature film and shot like a documentary. This means that watching it, my brain was trying to fool me into thinking this was real a lot more than it usually would. It's film like a documentary, so it's a documentary so this is exactly what must have happened, right? There was a camera at the scene, right?
Well, of course there wasn't. Of course it was still a feature film and of course before the credit it was even stated that besides the testimonies of the parties involved, there was still dramatic licence taken. But that didn't change the fact that it shook me. It shook me because that little shake of the camera that was a little more intense that I was used to and that little zoom every now and then to get closer to an action as though the camera had only just noticed it all lead to that convincing idea of this being real and having happened exactly as I was seeing it.
The acting was splendid. Again, upon contemplating the film, I wondered what it was like for all of these black people (the term used deliberately) to play these roles, having grown up in that country themselves. I wondered what it was like for Will Poulter to become an asshole from the work 'Action!' and while that isn't any different than any other set, somehow, in Detroit, it seemed like so much bigger a deal. On this note, kudos to all the actors in this piece. There was none of you that felt out of place or irrelevant. Each of you portrayed a character dealing with the situation at hand differently and on a spectrum that showed how truly diverse humans are - even if united in a cause, be it on the white side or the black.
I could go on for hours (which I did, with the friend I went to see it with) about how this film made me feel and how much insecurity in the current world it made me feel, but there is no point in doing that. Feelings are best felt, rather than read so just watch it and I'm sure you'll understand.
I do want to say this though:
This film made me realise that the world we live in today is not the product from its past, but rather a work in progress towards what is to come.
I in no way mean that I did not know that previously, but there is a difference between knowing and understanding.
On this note, this film is not for the faint hearted but it is one of those important films that need to be watched at the moment.
Now, as you've seen I have given this film a full score, but I could not for the life of me put into a sentence what was good about it. It's not a nice film. Nothing about it is good. Except the way it makes you feel with it. But then even that is not a good thing. It's ugly.
I watched Detroit yesterday at the local cinema. I had seen the trailer, knew it was gonna be a tearjerker, knew I would hate the world and myself after watching it.
What I realised is that I completely underestimated the film.
About half an hour to an hour in all I wanted to do was to turn it off. I had an urge to just turn the cinema off, go home and potentially have some chocolate.
It wasn't the fact that the film was bad (I repeat, I gave it a full score), nor was it surprising narrative (again, I had seen the trailer and my tiny bit of historical knowledge filled in the gaps), but something in the way it was presented somehow evoked that feeling of wanting it to go away.
When I walked out of the cinema and forced myself to think about it, I realised a couple of things (all of which eventually made me come to the conclusion that that might have been deliberate).
First of all that film was lit like a feature film and shot like a documentary. This means that watching it, my brain was trying to fool me into thinking this was real a lot more than it usually would. It's film like a documentary, so it's a documentary so this is exactly what must have happened, right? There was a camera at the scene, right?
Well, of course there wasn't. Of course it was still a feature film and of course before the credit it was even stated that besides the testimonies of the parties involved, there was still dramatic licence taken. But that didn't change the fact that it shook me. It shook me because that little shake of the camera that was a little more intense that I was used to and that little zoom every now and then to get closer to an action as though the camera had only just noticed it all lead to that convincing idea of this being real and having happened exactly as I was seeing it.
The acting was splendid. Again, upon contemplating the film, I wondered what it was like for all of these black people (the term used deliberately) to play these roles, having grown up in that country themselves. I wondered what it was like for Will Poulter to become an asshole from the work 'Action!' and while that isn't any different than any other set, somehow, in Detroit, it seemed like so much bigger a deal. On this note, kudos to all the actors in this piece. There was none of you that felt out of place or irrelevant. Each of you portrayed a character dealing with the situation at hand differently and on a spectrum that showed how truly diverse humans are - even if united in a cause, be it on the white side or the black.
I could go on for hours (which I did, with the friend I went to see it with) about how this film made me feel and how much insecurity in the current world it made me feel, but there is no point in doing that. Feelings are best felt, rather than read so just watch it and I'm sure you'll understand.
I do want to say this though:
This film made me realise that the world we live in today is not the product from its past, but rather a work in progress towards what is to come.
I in no way mean that I did not know that previously, but there is a difference between knowing and understanding.
On this note, this film is not for the faint hearted but it is one of those important films that need to be watched at the moment.
RəX Regent (349 KP) rated Godzilla (1954) in Movies
Feb 25, 2019
The beginning was inspired...
Contains spoilers, click to show
I was first introduced to Godzilla in cartoon form in the 1980′s as a child, but it wasn't until 1998, with Roland Emmerich's blockbuster reboot that I had seen the infamous beast on the pearl screen. I had also seem bits and bobs of the many original sequels as a child and they had made absolutely no impact on me what so ever! But I became aware of the significance of this, the original, only recently and it was due to this discovery that I hunted down the best copy available.
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
Becs (244 KP) rated Blinding Night in Books
May 17, 2019
Rushed at parts and slow at others, but the story was there
My rating: ☆☆☆.5
I received the audiobook version of Blinding Night to read and review for my honest opinion.
I was very excited to read this as it was a retelling of my favorite Greek God and Goddess. I did enjoy it, but there were things that I was kind of so/so on. We'll get to that in a bit though.
Blinding Night follows Summer as she heads to Greece with her family for an expedition over summer vacation. Summer is not at all too happy about spending the entire summer months in a different country with her family while her friends were out having fun. But when Summer arrives in Greece, things take a twist of a turn.
She begins having visions and dreams of a shadowed figure and pomegranate seeds. Then the unthinkable happens, a tragic car accident. This is about the time when Summer meets Darce, a disguise of Hades. Darce then seduces Summer down into the Underworld because he believes she is the reincarnation of his long lost love Persephone. But they can't say anything because than Demeter who has been disguising herself as Summer's mother, will try to take her back. Which is not what we need, because that could lead to some very bad endings.
Characters:
Summer - the main character, a reincarnation of Persephone. Whines and complains a ton.
Darce - a disguise that Hades uses for when he's in the Human world. Supposed to be very dominant, brooding, and in charge, yet is not. Don't get me wrong, he was witty and seductive - which is honestly something I rather enjoy in the main man.
Morpheus - a very laid back character that I at first thought was more of a side character but he plays a very important role throughout the story.
Arae - sassy, snarky, the exact replica of a mean girl. Her snarky comments to the other gods had me cracking up!
Reasons why I rated it 3.5 stars:
1. The plot:
There were a lot of plot holes, at least that's what it felt like. Summer would do things that didn't make any sense and it just left me really confused over the entirety of the story. Some parts were rushed, while others were slow. It wasn't balanced as well as I'd hoped it was. When I imagined a modern retelling of Hades and Persephone, I figured it would have a bit of the dramatic, dark, and Gothic aura around the Underworld and Hades himself as is found in other retellings. Instead, I was left with sunshine and buttercups and just a small disappointed flare that raced through my body. Also, the part I enjoyed the most was the ending. That's when things actually started to get interesting. Chantal does not disappoint on cliffhangers, cause that was a surprise of a cliffhanger.
2. My enjoyment:
I really enjoyed the story as a whole and would reread again at a later date, but I just wish it was more fleshed out.
3. Character and story development:
There was hardly any character development and that made the story a bit dry. There was some story development but not as much that was needed. I found some parts to be rather boring because it lacked the spark of background that could have made this story so much better.
4. Grammar and spelling:
Since I listened to the audiobook version of the story, I can't say much for the grammar and spelling. I'm going to assume it's good and the way Chantal writes had me enthralled with the story.
5. The overall story:
The story wasn't at all what I imagined how the story was going to go. It was a good and very light story, but it lacked the intensity that comes when you read retellings of Greek gods and goddess'.
"Stories tend to get messed up all the time. It's like a classic game of telephone. Somewhere along the way, the truth is lost and the story becomes something entirely different."
I received the audiobook version of Blinding Night to read and review for my honest opinion.
I was very excited to read this as it was a retelling of my favorite Greek God and Goddess. I did enjoy it, but there were things that I was kind of so/so on. We'll get to that in a bit though.
Blinding Night follows Summer as she heads to Greece with her family for an expedition over summer vacation. Summer is not at all too happy about spending the entire summer months in a different country with her family while her friends were out having fun. But when Summer arrives in Greece, things take a twist of a turn.
She begins having visions and dreams of a shadowed figure and pomegranate seeds. Then the unthinkable happens, a tragic car accident. This is about the time when Summer meets Darce, a disguise of Hades. Darce then seduces Summer down into the Underworld because he believes she is the reincarnation of his long lost love Persephone. But they can't say anything because than Demeter who has been disguising herself as Summer's mother, will try to take her back. Which is not what we need, because that could lead to some very bad endings.
Characters:
Summer - the main character, a reincarnation of Persephone. Whines and complains a ton.
Darce - a disguise that Hades uses for when he's in the Human world. Supposed to be very dominant, brooding, and in charge, yet is not. Don't get me wrong, he was witty and seductive - which is honestly something I rather enjoy in the main man.
Morpheus - a very laid back character that I at first thought was more of a side character but he plays a very important role throughout the story.
Arae - sassy, snarky, the exact replica of a mean girl. Her snarky comments to the other gods had me cracking up!
Reasons why I rated it 3.5 stars:
1. The plot:
There were a lot of plot holes, at least that's what it felt like. Summer would do things that didn't make any sense and it just left me really confused over the entirety of the story. Some parts were rushed, while others were slow. It wasn't balanced as well as I'd hoped it was. When I imagined a modern retelling of Hades and Persephone, I figured it would have a bit of the dramatic, dark, and Gothic aura around the Underworld and Hades himself as is found in other retellings. Instead, I was left with sunshine and buttercups and just a small disappointed flare that raced through my body. Also, the part I enjoyed the most was the ending. That's when things actually started to get interesting. Chantal does not disappoint on cliffhangers, cause that was a surprise of a cliffhanger.
2. My enjoyment:
I really enjoyed the story as a whole and would reread again at a later date, but I just wish it was more fleshed out.
3. Character and story development:
There was hardly any character development and that made the story a bit dry. There was some story development but not as much that was needed. I found some parts to be rather boring because it lacked the spark of background that could have made this story so much better.
4. Grammar and spelling:
Since I listened to the audiobook version of the story, I can't say much for the grammar and spelling. I'm going to assume it's good and the way Chantal writes had me enthralled with the story.
5. The overall story:
The story wasn't at all what I imagined how the story was going to go. It was a good and very light story, but it lacked the intensity that comes when you read retellings of Greek gods and goddess'.
"Stories tend to get messed up all the time. It's like a classic game of telephone. Somewhere along the way, the truth is lost and the story becomes something entirely different."
Purple Phoenix Games (2266 KP) rated The Resistance: Avalon in Tabletop Games
Jun 12, 2019
Do you appreciate your friends and your relationships with them? If so, please read no further. Do you want to dissolve your friendships and cause your family members to wonder what went wrong with you and never trust you again? Play The Resistance: Avalon with them.
The Resistance: Avalon (which we always just refer to as simply Avalon) is a game of hidden roles played over several rounds where the “good guys” from King Arthur’s court are pitted against the “bad guys” in Mordred’s thrall. The number of players at the table determines the number of players to be assigned to the good and bad guys squads and the required goals for victory for each team.
To begin, role cards are divvied up and players secretly find out which team they are on for the game. Blue background cards are good guys, red are bad guys. ALERT! Yes, already. I cannot tell you how many times games have been voided because a player was not quite sure what team they were on, so make sure your players know what’s up before continuing. From here a narrator player reads the script in the rulebook to give instructions to players with their eyes closed (a la Mafia or Werewolf). This allows different members of each team to know certain information about their own team or even the opposite team. Players are then instructed to open their eyes simultaneously and thus begins the game of facades.
A player is chosen at random to be the quest giver for now. This person then assigns other players to go on a quest. The “quest” is just a generic quest where it will either succeed or fail. Once the quest giver has made their choices, everyone at the table has a chance to vote to approve the quest team or deny the quest team. Simple majority vote wins. If the team is approved, the quest happens. If the team is denied, the next player in the circle becomes the quest giver and must create a new team of players to go questing.
Once approved, the quest team players are each given two cards: Success and Fail. Secretly, under the table works best, the players make their choices. ALERT! All good guys MUST CHOOSE SUCCESS CARDS so the quest can succeed. Bad guys can choose either one. The questers then pass their cards to an uninvolved player who will then shuffle the cards without looking at them. Once completed, the cards are revealed and thus the success or failure of the quest. If all cards are Success, then the quest was a success and the good guys mark this on the main board. If even just one Fail card appears the quest fails and the bad guys mark it on the main board. This continues until either the good guys win or the bad guys claim victory!
Components. The box is small (akin to the Tiny Epic size boxes). I’m not sure if the game comes with an insert because I won mine from a BGG auction. The cards included in the game are fine, and I sleeved mine because they get held quite a bit. The other miscellaneous tokens are nice and do the job well. This is a game that is less reliant on components, and much more so on game play.
If my intro seemed dark a foreboding, it was completely intentional. Have I witnessed friendships dissolving as a result of this game? Ok not entirely, but there have been some pretty amazing head turns and surprise reveals coupled with slapping and yelling. Not me, mind you, but others. In any case, this game is definitely one to check out if you are a fan of hidden role games and if you want to add tons of tension to your game night. I honestly have no idea why this game (or its older sibling The Resistance if you are more into that theme) isn’t in every game collection. Yes, I know, there are now TONS of hidden role games out there. But this is my favorite of the lot. By far.
We at Purple Phoenix Games are split somehow, giving this one 18 / 24. Obviously it is because Josh is a minion of Mordred and wants our review to fail.
https://purplephoenixgames.wordpress.com/2019/04/24/the-resistance-avalon-review/
The Resistance: Avalon (which we always just refer to as simply Avalon) is a game of hidden roles played over several rounds where the “good guys” from King Arthur’s court are pitted against the “bad guys” in Mordred’s thrall. The number of players at the table determines the number of players to be assigned to the good and bad guys squads and the required goals for victory for each team.
To begin, role cards are divvied up and players secretly find out which team they are on for the game. Blue background cards are good guys, red are bad guys. ALERT! Yes, already. I cannot tell you how many times games have been voided because a player was not quite sure what team they were on, so make sure your players know what’s up before continuing. From here a narrator player reads the script in the rulebook to give instructions to players with their eyes closed (a la Mafia or Werewolf). This allows different members of each team to know certain information about their own team or even the opposite team. Players are then instructed to open their eyes simultaneously and thus begins the game of facades.
A player is chosen at random to be the quest giver for now. This person then assigns other players to go on a quest. The “quest” is just a generic quest where it will either succeed or fail. Once the quest giver has made their choices, everyone at the table has a chance to vote to approve the quest team or deny the quest team. Simple majority vote wins. If the team is approved, the quest happens. If the team is denied, the next player in the circle becomes the quest giver and must create a new team of players to go questing.
Once approved, the quest team players are each given two cards: Success and Fail. Secretly, under the table works best, the players make their choices. ALERT! All good guys MUST CHOOSE SUCCESS CARDS so the quest can succeed. Bad guys can choose either one. The questers then pass their cards to an uninvolved player who will then shuffle the cards without looking at them. Once completed, the cards are revealed and thus the success or failure of the quest. If all cards are Success, then the quest was a success and the good guys mark this on the main board. If even just one Fail card appears the quest fails and the bad guys mark it on the main board. This continues until either the good guys win or the bad guys claim victory!
Components. The box is small (akin to the Tiny Epic size boxes). I’m not sure if the game comes with an insert because I won mine from a BGG auction. The cards included in the game are fine, and I sleeved mine because they get held quite a bit. The other miscellaneous tokens are nice and do the job well. This is a game that is less reliant on components, and much more so on game play.
If my intro seemed dark a foreboding, it was completely intentional. Have I witnessed friendships dissolving as a result of this game? Ok not entirely, but there have been some pretty amazing head turns and surprise reveals coupled with slapping and yelling. Not me, mind you, but others. In any case, this game is definitely one to check out if you are a fan of hidden role games and if you want to add tons of tension to your game night. I honestly have no idea why this game (or its older sibling The Resistance if you are more into that theme) isn’t in every game collection. Yes, I know, there are now TONS of hidden role games out there. But this is my favorite of the lot. By far.
We at Purple Phoenix Games are split somehow, giving this one 18 / 24. Obviously it is because Josh is a minion of Mordred and wants our review to fail.
https://purplephoenixgames.wordpress.com/2019/04/24/the-resistance-avalon-review/
