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Sarah (7798 KP) rated Underwater (2020) in Movies
Oct 18, 2020
Better than expected
Underwater stars Kristen Stewart as an engineer working aboard a deep-sea laboratory, who must fend for her life alongside her crew when an earthquake devastates the station.
I’ll start by admitting that I’ve never been a big fan of Kristen Stewart, with Twilight to thank for this rather negative opinion. However I’ve come to realise she’s actually a decent actress, especially in action packed films, and this really helped me to enjoy Underwater a lot more than I was expecting.
The action in this is virtually nonstop. There’s no lengthy or drawn out introductions, we’re submerged (literally) into the main plot of this film less than 5 minutes in and it continues in this vein throughout. It’s an edge of your seat thrill ride that’s tense and gripping, and there isn’t a dull moment. The horror aspect is rather well done and paired with the unknown and often claustrophobic circumstances the characters find them in and the very good score, it becomes quite a scary and nerve wracking film. The plot is decent and whilst the reveal on the cause of the earthquake isn’t entirely unpredictable, it still proves to be great entertaining.
Sadly despite my gushing, Underwater isn’t perfect. The biggest problem with it is the CGI and special effects. The props and set design themselves look good, but they’re let down when we’re shown these huge CGI underwater scenes that are meant to look impressive but instead look horrendous. I’d be interested to know how this looked on the big screen, but in a home setup it looks decidedly dodgy. And slow motion every time something explodes is cringeworthy.
Underwater also suffers from your typical survival film clichés. The plot itself is very typical of a survival film, and paired with ridiculous and predictable actions by underdeveloped characters, it lets it down. The cast too are also let down by the cliched characters, and even Vincent Cassel and John Gallagher Jnr are given little to work with. The only character that has had any development whatsoever is Stewart’s Nora, who is a decent and fairly likeable protagonist.
I really wish Underwater had a little more money thrown at it. If they had dramatically improved the CGI then I think this would’ve made for a cracking good sci-if/horror. The critical reception for this hasn’t been great, which surprises me as overall this is a very tense, nerve wracking and sometimes scary film that just falls short of being very good.
I’ll start by admitting that I’ve never been a big fan of Kristen Stewart, with Twilight to thank for this rather negative opinion. However I’ve come to realise she’s actually a decent actress, especially in action packed films, and this really helped me to enjoy Underwater a lot more than I was expecting.
The action in this is virtually nonstop. There’s no lengthy or drawn out introductions, we’re submerged (literally) into the main plot of this film less than 5 minutes in and it continues in this vein throughout. It’s an edge of your seat thrill ride that’s tense and gripping, and there isn’t a dull moment. The horror aspect is rather well done and paired with the unknown and often claustrophobic circumstances the characters find them in and the very good score, it becomes quite a scary and nerve wracking film. The plot is decent and whilst the reveal on the cause of the earthquake isn’t entirely unpredictable, it still proves to be great entertaining.
Sadly despite my gushing, Underwater isn’t perfect. The biggest problem with it is the CGI and special effects. The props and set design themselves look good, but they’re let down when we’re shown these huge CGI underwater scenes that are meant to look impressive but instead look horrendous. I’d be interested to know how this looked on the big screen, but in a home setup it looks decidedly dodgy. And slow motion every time something explodes is cringeworthy.
Underwater also suffers from your typical survival film clichés. The plot itself is very typical of a survival film, and paired with ridiculous and predictable actions by underdeveloped characters, it lets it down. The cast too are also let down by the cliched characters, and even Vincent Cassel and John Gallagher Jnr are given little to work with. The only character that has had any development whatsoever is Stewart’s Nora, who is a decent and fairly likeable protagonist.
I really wish Underwater had a little more money thrown at it. If they had dramatically improved the CGI then I think this would’ve made for a cracking good sci-if/horror. The critical reception for this hasn’t been great, which surprises me as overall this is a very tense, nerve wracking and sometimes scary film that just falls short of being very good.
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Maddog (122 KP) rated Joker (2019) in Movies
May 16, 2020
A must see, even if your not a superhero fan.
I'm a massive Joker fan - always have been ever since I was little, so this may be a little one sided.
So out of all the films he's been involved with this is Joker’s first stand alone movie which I was so excited for. Joker’s back story has of course been talked about for many years as most of his life is unknown and simply everyone is guessing. The film 'Joker' decides to go down the back story of mental health which many believe is the cause of his behaviour.
The film starts off very simple, so much so that you believe you could be watching any other film. You get little hints of the Joker’s mental health issues and how people see him (at one point I felt sorry for him because of everything happening in the movie). As the movie progresses your then thrown into the world and mindset of the Joker himself; you start to see more mental health issues and start to notice the Joker that everyone knows. As the film progresses towards to the end, it creates many moments that leave you questioning your own sanity as you start to wonder what the truth is.
Yes this film has it flaws; it wasn’t quite the stand alone I was hoping for as I thought maybe a lesser well known reason would have been chosen but still the film did well with its chosen plot.
Yes it has 'that song' but in reality I feel it actually helps with the story that's happening. Here's my take; I feel that the song is in fact a hidden message. The song was performed by someone many would call 'a monster' so in truth is this not fitting for Joker? I believe that the playing of this song is Joker showing the audience in only true Joker fashion that 'the monster' he has hidden for so long is finally free.
There are many things I could say about this film but I feel I'd be here forever. In truth, many people don't enjoy this film for whatever their reason, or only enjoy parts. However, I enjoyed all of the film and everything it stands for or represents. As I said at the beginning I'm a Joker fan so this may seem one sided. I will say this though no matter what you may think about the film it’s 100% worth a watch, we can all take something away from this film, even if it's just how well done the movie was made. put together and portrayed.
So out of all the films he's been involved with this is Joker’s first stand alone movie which I was so excited for. Joker’s back story has of course been talked about for many years as most of his life is unknown and simply everyone is guessing. The film 'Joker' decides to go down the back story of mental health which many believe is the cause of his behaviour.
The film starts off very simple, so much so that you believe you could be watching any other film. You get little hints of the Joker’s mental health issues and how people see him (at one point I felt sorry for him because of everything happening in the movie). As the movie progresses your then thrown into the world and mindset of the Joker himself; you start to see more mental health issues and start to notice the Joker that everyone knows. As the film progresses towards to the end, it creates many moments that leave you questioning your own sanity as you start to wonder what the truth is.
Yes this film has it flaws; it wasn’t quite the stand alone I was hoping for as I thought maybe a lesser well known reason would have been chosen but still the film did well with its chosen plot.
Yes it has 'that song' but in reality I feel it actually helps with the story that's happening. Here's my take; I feel that the song is in fact a hidden message. The song was performed by someone many would call 'a monster' so in truth is this not fitting for Joker? I believe that the playing of this song is Joker showing the audience in only true Joker fashion that 'the monster' he has hidden for so long is finally free.
There are many things I could say about this film but I feel I'd be here forever. In truth, many people don't enjoy this film for whatever their reason, or only enjoy parts. However, I enjoyed all of the film and everything it stands for or represents. As I said at the beginning I'm a Joker fan so this may seem one sided. I will say this though no matter what you may think about the film it’s 100% worth a watch, we can all take something away from this film, even if it's just how well done the movie was made. put together and portrayed.
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Mandy and G.D. Burkhead (26 KP) rated Banewreaker in Books
May 20, 2018
Shelf Life – Banewreaker Will Make You Feel Bad for Sauron
Contains spoilers, click to show
Very few fantasy fans can get away with admitting that they aren’t all that big into sweeping, high epic fantasy à la Lord of the Rings or the Pern stories or everything that Terry Brooks writes. Many non-fantasy fans, however, can point to these tales as examples of why they aren’t into fantasy. Like it or not, it’s hard not to see the latter group’s point, as a lot of high fantasy is riddled with confusing terminology, rehashed stories, and genre clichés. This is not to say that these stories are bad, per sé, just that they can easily turn off readers who aren’t in the right kind of crowd.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Purple Phoenix Games (2266 KP) rated Dinos Not Assembled in Tabletop Games
Mar 15, 2021
I think it’s no secret that I would be super hyped to go on a dinosaur dig. My brother, Bryan, is certainly more of a dino dude than I am, but I still remember loving them as a child and wishing I could see a skeleton being unearthed. Now I am the one with children who wish the same thing, and now I can play games with just that theme and they enjoy themselves. This is just such a game.
Dinos Not Assembled is a competitive set collection board game with hints of take-that for two to four players that can be enjoyed by players as young as four years old (I know this because my son is four and he loves it). In it players are acting as assistant paleontologists vying for the prestigious opportunity to join a world-famous paleo on their next dig. The player who is first to display three complete dinosaur skeletons in their portion of the museum will win the chance to go on the dig and win the game.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup place the main Museum Board and Dig Site Board in the middle of the table. The Dino Cards are shuffled and each player receives two cards. In addition each player will choose their Character Boards and section of the museum. All Bone Tiles are shuffled into the Dirt Sack, four of these tiles are drawn and displayed on the Dig Site Board, and the Dino Meeples are placed on the table nearby. The first player receives the velociraptor talon (in my copy) and the game may begin!
On a turn a player may perform one action from a choice of five actions: Dig, Steal, Clear, Make, Plan. Since the players are attempting to build their dinosaur skeletons based on the necessary tile types from their Dino Cards, players may Dig by selecting two Bone Tiles from the Dig Site Board to add to their Character Board. Players may never have more than four tiles at any one time. Perhaps the Dig Site Board offers nothing of interest to the active player. The active player may choose to instead Steal one Bone Tile from another player onto their own Character Board. When this happens the player that was just stolen from alerts the Security Meeple and they take the meeple to their Character Board to signify they may not be stolen from again until another player has suffered a Steal action. The active player may choose to instead Clear the board by removing the tiles on offer and drawing four new tiles to the board.
Once a player has collected the necessary Bone Tiles to build a dino skeleton they may Make the skeleton. This requires the player to discard their Bone Tiles back to the Dirt Sack (which I mistakenly kept calling the Dirt Bag), place their completed Dino Card on their Character Board, and place the appropriate Dino Meeple on one of their museum spaces. This player is now one dino closer to winning the game.
If none of these options suit the active player they may always Plan a new dig by drawing a Dino Card from the pile on the Dig Site Board and adding it to their hand. Players may not hold more than three Dino Cards at any one time.
Play continues in this manner of players choosing one action to perform on their turn until one player has made their third dino skeleton. That player wins the game and then gloats to their father. I mean, that didn’t happen…
Components. This game is fabulously produced. The artwork is just perfect for this game. It is colorful, cartoony without being too wacky, and lovable all around. The components themselves are also very good quality. My favorite pieces are all the Dino Meeples and the fancy Security Meeple. Securiteeple?
For a game that states it is intended for players aged eight and above this is a great family game. Yes, my four year old plays it and loves it, and absolutely zero reading skills are necessary to play. The Dino Cards have some fun facts on them, but are not required to enjoy the game. Once players truly understand the five actions that can be taken (and it may take several turns to click) the game is a breeze and flows really well. I would caution gamers playing with younger kids that the Steal action may cause some tears, but it can be used as an essential teaching moment.
Even with strictly adults this game is excellent. Very light and gateway, but still very enjoyable. There is just something about collecting dinosaur bones and building your beasts, but having to also struggle with deciding which bones to keep and which to pass on, as your board can only hold four tiles at a time, but each dinosaur requires three bones to complete. It can be a tasty balancing act of resource collection that I truly love.
This all said Purple Phoenix Games gives this one a very enthusiastic 11 / 12, with a guest score from my son. If your collection lacks a great family game for younger gamers or you are completely invested in the dinosaur theme then this one is a no-brainer. If you enjoy family games with a little bit of take-that, then this is a little gem for you to consider. I am so glad to have this in my collection and my son is already asking to be its caretaker. He has only ever requested two games to ever become “his,” and this is one of them. High praise from the son of a game reviewer.
Dinos Not Assembled is a competitive set collection board game with hints of take-that for two to four players that can be enjoyed by players as young as four years old (I know this because my son is four and he loves it). In it players are acting as assistant paleontologists vying for the prestigious opportunity to join a world-famous paleo on their next dig. The player who is first to display three complete dinosaur skeletons in their portion of the museum will win the chance to go on the dig and win the game.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup place the main Museum Board and Dig Site Board in the middle of the table. The Dino Cards are shuffled and each player receives two cards. In addition each player will choose their Character Boards and section of the museum. All Bone Tiles are shuffled into the Dirt Sack, four of these tiles are drawn and displayed on the Dig Site Board, and the Dino Meeples are placed on the table nearby. The first player receives the velociraptor talon (in my copy) and the game may begin!
On a turn a player may perform one action from a choice of five actions: Dig, Steal, Clear, Make, Plan. Since the players are attempting to build their dinosaur skeletons based on the necessary tile types from their Dino Cards, players may Dig by selecting two Bone Tiles from the Dig Site Board to add to their Character Board. Players may never have more than four tiles at any one time. Perhaps the Dig Site Board offers nothing of interest to the active player. The active player may choose to instead Steal one Bone Tile from another player onto their own Character Board. When this happens the player that was just stolen from alerts the Security Meeple and they take the meeple to their Character Board to signify they may not be stolen from again until another player has suffered a Steal action. The active player may choose to instead Clear the board by removing the tiles on offer and drawing four new tiles to the board.
Once a player has collected the necessary Bone Tiles to build a dino skeleton they may Make the skeleton. This requires the player to discard their Bone Tiles back to the Dirt Sack (which I mistakenly kept calling the Dirt Bag), place their completed Dino Card on their Character Board, and place the appropriate Dino Meeple on one of their museum spaces. This player is now one dino closer to winning the game.
If none of these options suit the active player they may always Plan a new dig by drawing a Dino Card from the pile on the Dig Site Board and adding it to their hand. Players may not hold more than three Dino Cards at any one time.
Play continues in this manner of players choosing one action to perform on their turn until one player has made their third dino skeleton. That player wins the game and then gloats to their father. I mean, that didn’t happen…
Components. This game is fabulously produced. The artwork is just perfect for this game. It is colorful, cartoony without being too wacky, and lovable all around. The components themselves are also very good quality. My favorite pieces are all the Dino Meeples and the fancy Security Meeple. Securiteeple?
For a game that states it is intended for players aged eight and above this is a great family game. Yes, my four year old plays it and loves it, and absolutely zero reading skills are necessary to play. The Dino Cards have some fun facts on them, but are not required to enjoy the game. Once players truly understand the five actions that can be taken (and it may take several turns to click) the game is a breeze and flows really well. I would caution gamers playing with younger kids that the Steal action may cause some tears, but it can be used as an essential teaching moment.
Even with strictly adults this game is excellent. Very light and gateway, but still very enjoyable. There is just something about collecting dinosaur bones and building your beasts, but having to also struggle with deciding which bones to keep and which to pass on, as your board can only hold four tiles at a time, but each dinosaur requires three bones to complete. It can be a tasty balancing act of resource collection that I truly love.
This all said Purple Phoenix Games gives this one a very enthusiastic 11 / 12, with a guest score from my son. If your collection lacks a great family game for younger gamers or you are completely invested in the dinosaur theme then this one is a no-brainer. If you enjoy family games with a little bit of take-that, then this is a little gem for you to consider. I am so glad to have this in my collection and my son is already asking to be its caretaker. He has only ever requested two games to ever become “his,” and this is one of them. High praise from the son of a game reviewer.
Ivana A. | Diary of Difference (1171 KP) rated The Cruel Prince in Books
Oct 25, 2018
The Cruel Prince - Holly Black [BOOK REVIEW]
I asked you guys on a Goodreads poll to decide what should be my next read. And a huge number of you have decided that The Cruel Prince should be the one! And here I am, one week later, saying THANK YOU, for giving me a reason to read this book now!
Now, before I say anything else, I want you to know that I don’t have much experience living and reading about the Faerie world. I know fairies exist, and I know about that world, but I wasn’t too involved when I grabbed this book.
And I am glad for that, because…
The Cruel Prince is a great book to start your experience in this magical world. It starts with a great statement that there won’t be any fish sticks, or ketchup or TV Shows (believe me, that is Chapter 1), and it gives you a wonderful introduction to what turns out to be a beautiful place.
We follow the story through Jude’s eyes. Jude and her two sisters witness the murder of their parents. And not just that, but they also get dragged into the Faerie world because the person that kills their parents is the father of Jude’s oldest sister.
And living in the Faerie world as a human is not easy at all. At school, Jude and her sister Taryn are constantly being bullied, and the biggest bully of them all is Cardan. He is the prince, the last son of the king, and he is so evil and self-assured. *gasps* And I love him!
‘’The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.’’
While Taryn is calm and tries to avoid trouble, Jude is restless and keeps talking back to Cardan. She won’t let him win, and she won’t let him humiliate her. And that brings her a hell of a trouble.
And one day, she had enough. She decides to be even more fierceless and brutal, because that is the only way of survival…
‘’If I cannot be better than them, I will become so much worse.’’
I love Jude, with all my heart. I loved her bravery and the way she never gives up, and keeps going for what she wants, even if people think she is being silly. I strongly agree with Jude - we should all strive towards our goals, no matter how difficult or ridiculous they may seem.
I also love Cardan. He is not a mean person,even though he is really cruel, but the background story is so harsh, and the reasons behind it are so strong. I could understand where he came from, but I am not in any way encouraging his bullying. I think that’s not acceptable under any circumstances. He was amazingly described, and there is the fight between good and evil going inside him.
‘’Love is a noble cause. How can anything done in the service of a noble cause be wrong?’’
The love and hate between Jude and Cardan is something you need to read about. Only Holly Black is able to describe the way they are towards each other. But this is the best love-hate game I have read in a while.
When we enter this world, we also see it from the eyes of her sisters Taryn and Vivi, and what I loved was that we get told the pro’s and con’s of the world, and why Taryn would decide to marry a faerie and get her place in the Court, or why Vivi would leave and go back to the human world. And sometimes, when you are a human in a world so beautiful, but so cruel, you realise that you can’t live with it (all that have read the book will know exactly to which scene I am referring to…).
If you haven’t picked up this book yet, please do so. I could not recommend it enough! It is filled with a lovely scenery of an amazing world, great adventure, great characters and stories around them. I read it in almost one go, as I couldn’t put it down!
A masterpiece, where faeries would give up their immortality to have this on their bookshelves, I am sure!
‘’And no matter how eager you are for it, you cannot make the moon set nor rise any faster.’’
Now, before I say anything else, I want you to know that I don’t have much experience living and reading about the Faerie world. I know fairies exist, and I know about that world, but I wasn’t too involved when I grabbed this book.
And I am glad for that, because…
The Cruel Prince is a great book to start your experience in this magical world. It starts with a great statement that there won’t be any fish sticks, or ketchup or TV Shows (believe me, that is Chapter 1), and it gives you a wonderful introduction to what turns out to be a beautiful place.
We follow the story through Jude’s eyes. Jude and her two sisters witness the murder of their parents. And not just that, but they also get dragged into the Faerie world because the person that kills their parents is the father of Jude’s oldest sister.
And living in the Faerie world as a human is not easy at all. At school, Jude and her sister Taryn are constantly being bullied, and the biggest bully of them all is Cardan. He is the prince, the last son of the king, and he is so evil and self-assured. *gasps* And I love him!
‘’The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.’’
While Taryn is calm and tries to avoid trouble, Jude is restless and keeps talking back to Cardan. She won’t let him win, and she won’t let him humiliate her. And that brings her a hell of a trouble.
And one day, she had enough. She decides to be even more fierceless and brutal, because that is the only way of survival…
‘’If I cannot be better than them, I will become so much worse.’’
I love Jude, with all my heart. I loved her bravery and the way she never gives up, and keeps going for what she wants, even if people think she is being silly. I strongly agree with Jude - we should all strive towards our goals, no matter how difficult or ridiculous they may seem.
I also love Cardan. He is not a mean person,even though he is really cruel, but the background story is so harsh, and the reasons behind it are so strong. I could understand where he came from, but I am not in any way encouraging his bullying. I think that’s not acceptable under any circumstances. He was amazingly described, and there is the fight between good and evil going inside him.
‘’Love is a noble cause. How can anything done in the service of a noble cause be wrong?’’
The love and hate between Jude and Cardan is something you need to read about. Only Holly Black is able to describe the way they are towards each other. But this is the best love-hate game I have read in a while.
When we enter this world, we also see it from the eyes of her sisters Taryn and Vivi, and what I loved was that we get told the pro’s and con’s of the world, and why Taryn would decide to marry a faerie and get her place in the Court, or why Vivi would leave and go back to the human world. And sometimes, when you are a human in a world so beautiful, but so cruel, you realise that you can’t live with it (all that have read the book will know exactly to which scene I am referring to…).
If you haven’t picked up this book yet, please do so. I could not recommend it enough! It is filled with a lovely scenery of an amazing world, great adventure, great characters and stories around them. I read it in almost one go, as I couldn’t put it down!
A masterpiece, where faeries would give up their immortality to have this on their bookshelves, I am sure!
‘’And no matter how eager you are for it, you cannot make the moon set nor rise any faster.’’