"Help me out here! Can I give you an all-time favorite animated film? An all-time animated favorite is Ratatouille. I do not know why, but that film about that rat really got me. I loved Lion King as a kid, but as a thinking animated film [Ratatouille] really has something that I like about it. I thought it was amazing. And Peter O’Toole’s voiceover as Anton Ego is just brilliant."

"I loved the mood of it, I loved the dialogue, I loved the relationship. Every aspect of that film, and I didn’t want to leave the mood of it for hours after leaving the theater. I watch that movie over and over again just because of the mood. I feel like it’s so hard to put poetry into a movie, but Sofia Coppola did that. The ending is one of my favorite endings ever."

"I didn't give them the time of day until I was probably in my thirties. I've learnt that a lot of the records that you love are things that you grew up with and really excited you when you were a kid. But there a few things that creep in later on, when you realise the greatness. I could've put in Bridge Over Troubled Water, but I didn't at the last minute, because the back end of that record doesn't do as much for me. Whereas the clunkily-titled Parsley, Sage, Rosemary And Thyme has got a lot of more of the tunes from them - I mean I just really love Simon And Garfunkel, I couldn't quite pin down the album that I wanted to put in. I think this is the one with most of the songs on it that I love. I'm generally quite a contrary person and I don't like to be told what I like. There's always people telling me "oh, you've got to hear this, it's really great and you'll love it". It's like, "How the hell do you know what I will love?" Music is such a personal thing, you can't tell other people what they will like and what they will love. People have given me things that they think I will love and I've just thrown them out the window of my car I've hated them so much. But this is the exception that proves the rule. I think my favourite is 'Feelin' Groovy' - I could say one of the more arty ones, but I like that one the best [laughs]!"

"I loved The Prodigy and obviously this album The Fat Of The Land was a big deal for us. I was about 13 years old when it came out and I’d already come up on their other two records, but this was just ‘whoa’. It was the best thing I’d ever heard. I can remember my brother talking to me about ‘Climbatize’ and saying that he got stoned to it and I remember thinking how cool that was. The production is just phenomenal across all their records to be honest. “It felt like a new world to me then, this deeper dance thing; even though it’s not even dance music, really, but that was my childish interpretation of it. I loved that squall and I just thought they were a great band."

"This Is Spinal Tap. Let’s put that one on there. This list is gonna get really long in a minute. I mean, I love all of Christopher Guest’s movies, but I’ll put that one up there. I could easily say Best in Show as well. I don’t know, there’s just something about the Britishness of the rock and roll, which has always made me laugh, in a way. It seems to say a lot about the age that I grew up in and just before I came along. At the age I first saw it, I was very right for watching a satire about the ’70s and ’80s and a culture that had just come before, I guess. The performances are so delightful. I also really like Waiting for Guffman. God, he’s wonderful director."

"Again, I think chronologically, is Blade Runner. It was the movie right after Raiders. And Harrison Ford is, you know, my favorite actor. He just has this… He’s just such a likeable guy. He’s obviously been one of the biggest stars in the last 20, 30 years. But he’s really been underappreciated now. And Blade Runner, to me, was such a cool film. And I know it didn’t do well at the box office, but I saw it opening night. People were expecting a lot because Raiders was the film that had just come out before. I just thought it was so ballsy, you know, especially for Harrison Ford to do this, because it wasn’t an action film, it was more of a noir/science fiction movie. And just that opening sequence of going over Los Angeles and those big fire plumes, and the spinners and the angelic soundtrack, it was just, it was religious. It was like a religious experience. Again, I really got into how they made it. I had already been a fan of Ridley Scott but this really solidified him as one of my favorite directors. Just the mood of that movie, it’s just beautiful. It’s one of those weird movies where I’ve seen all the versions and I actually like the original studio version better. I really love Harrison Ford’s narration. To me it was just kind of classic noir, crime/mystery film, you know? But it was set in this frickin’ crazy science-fiction future and I just loved it."

"Just a preface: All of these are movies that I can’t escape. You know, there’s ones that you’re interested in, in the moment, because they’re inspiring you in certain ways. But these are ones that I’ve always kind of revisited and can always get something out of it. So Nashville is one of them. It’s such a world that I didn’t know about, and you have all of these insane concerts in real time with all of these people. All of these emotions and ideas all happening within the performances, and everything is happening almost at the same time. And I just kept sitting there, like, how did he do this? And it just kept happening, scene after scene. There’s this one scene that’s unbelievable, when Keith Carradine’s singing the “I’m Easy” song, and you literally see the same song affecting three different people in the audience, totally differently, at the same time. It’s literally one of the most incredible experiences I’ve had. And just going in to listen to these performances and then to recall these emotions that I never had before, but I feel like they’re mine, is incredible. And the sound in that movie is an achievement that I don’t even understand how they did it with the actual performances, the audience, whatever. Incredible."