"I really like how Aki Kaurismäki manages to create in the viewer such a strong sense of warmth and emotional involvement by subtracting the classical elements that one would associate with that expression of feeling. He manages to capture mankind in a brilliant way with just one shot or one gesture that opens an entire backstory of a character. He can be very serious without taking himself seriously. What is important in his films is that he believes in the strength of images and doesn’t see the need to add and add and add."

"Last but not least, man, will be a classic that really holds up and it’s not a comedy. I don’t want to end this on a neutral or serious note, but Rebel Without a Cause, man. I really, really dig that movie. I really dig that movie and I really dig James Dean. I dig what he was about. I’ve watched interviews and movies about him and stuff, and I just dig him as an artist and I really think that that captures… It’s a coming-of-age story, too, but it’s not the ones that we’re used to — that we’re going to laugh at and feel like, “Oh, they won out.” He’s coming from a very dark place as a teenager, which we all go through. I’m sure a lot of us haven’t been in the darkness as long as his character has, but we get how that feels and it’s kind of cool to see him simmering in that emotion. It’s not anticipated at all, so it’s really seamless. It’s really nice to see. You kind of see him growing up in, like, the scrappiest version it can look like."

"When I heard Elizabeth Fraser for the first time, first of all I was so excited that they were based in Scotland and hearing her sing felt like I was in touch with alien life [laughs]. I heard it and I didn't even understand what she was saying but I could feel what she's saying. It was so emotive and so extraordinary. I felt like every time I listened – and I still have the same reaction – when I listen to these records I feel like I'm literally being transported in angel wings. I find it euphoric to listen to and nobody's ever sounded like her before. She's totally unique and just this extraordinary talent. 
 Funnily enough, I once met her at a Nick Cave concert in Edinburgh. She was there and I was just so in awe of this incredible woman – I also loved that she was so shy and so unassuming. She wasn't really a front person, more of an instrument using her voice. 
 I'm not a religious person, but I always think it's like music from the Gods. It's not of this world. I want them played at my funeral. I always say that to my husband: 'Play the Cocteau Twins all the way through my funeral, that's all I want' [laughs]."

"The best voice. Even against Leonard Cohen’s, Bowie’s, or whoever’s – Frank Sinatra’s is the best voice. My favourite was the period in the Sixties when his voice was just unbelievable. The only thing with Frank is you sometimes think he is just standing there and all he’s thinking about is shagging someone straight afterwards. It’s that good – it’s like he’s taking the piss. Did he mean it? I can’t see how he could, cos he’s thinking “I am going to fuck off to Rio de Janeiro like it says in one of these songs” or “I’m gonna shag someone absolutely beautiful and then I’m gonna get pissed.” That is sometimes what I hear, and you can’t be that good. It’s like he’s written the words, but that’s another thing, to be able to do that with the words – which were generally brilliant in those days, lyrics have gone by the wayside these days, it’s generally Les Miserables crap now. I’m sure Sinatra would have puked up had he heard my man Michael Ball strangle the fucking life out of things. I love Michael Ball just because he’s so crap, but when he’s on telly he fluctuates in weight, so sometimes you think: who the fuck’s that? He turns into that Doctor Who bloke, Colin Baker. He’s dead funny in interviews and you have to have one of them on the telly, and it was either him or Bono, and I decided he’s the one."

"I think one of the things I like about this record, and most of the records I've chosen, is that it has a real self-contained universe about it. When you listen you don't imagine they've done that, or what have they done there, it just seems completely in its own world and self-existing. It's a really psychedelic and strange record, but it's also a lot of fun… a theme that won't run through most of the albums I've chosen. Hahaha."