"This is one of my favourite films, and I’m going to almost insist that you say in this article that people must go and watch a song called Carol Brown, from the new series of Flight of the Conchords. It’s been directed by Michel Gondry, and it’s just so amazing; for the rest of the episode you can’t really see that it’s him, but up comes this dazzling thing. I just think for a movie with such a massive concept, that idea, that sort of fantasy, should be done by being completely realistic. In a way it’s like Let the Right One In – the office where they alter your mind feels like a ghastly dental surgery. So you’re in this weird mixture between something that feels terribly realistic, with Kirsten Dunst jumping up and down on a bed, absolutely normal, and yet it’s completely freakish and odd and had these spectacular special effects in it. I love the sort of downbeat-ness of the love story — the fact that, really, they’re sort of right for each other, but only because they’re not right for anyone else. I think it’s a genuinely great fantasy movie, a great love story, and Kate Winslet‘s hair is, after all, blue, so that’s obviously a good reason for seeing it. You’ve been on this massive ride, and it gets back to these people in a corridor, which I suppose is like — if you land on the moon, there’s just you on the moon, and I think there’s something profound about the whole thing."

"""AM is one of my favourite records of the last ten years. I've always liked the fact that Arctic Monkeys sidestepped the indie scene and reinvented themselves as a rock band. I think Alex Turner gets a lot of unfair flak but he's a phenomenal songwriter, one of the best of our generation, and this record in particular has some incredible songs on it. People like rockstars until they don't like rockstars, and then if you're a rockstar you'd better fucking duck. He's always just been himself, and luckily himself is just rock & roll through and through. I'm incredibly jealous of his mind, he's a great guitarist but as a lyricist it's incredibly frustrating to be alive at the same time as him. As a rockstar he just has it, and luckily he's not put too much of a foot wrong yet. As far as I'm concerned he can do no wrong, and I'm putting that all on his lyrics. It's mental that he can squeeze a line like ""She's got a Barbarella silver swimsuit"" into a song and make it relevant, make it just feel new, yet he's referencing things from such a long time ago, probably from before he was alive. He has an understanding of pop culture and is a master of manipulating it to do whatever he wants. As a lyricist myself it's quite amazing to see."""

"Let’s tall about Kurosawa‘s Dreams. When Bravo first came on television, they were figuring out who they were as a cable network and would just play random foreign films. This was before the travesty of reality television permeated their station. I was at home alone in high school, I think I was a junior in high school and Dreams comes on by Kurosawa. I could not separate myself from it. I didn’t know who Kurosawa was — I didn’t care. I was just a kid absorbing things that flashed on the screen in front of him. I was immediately captivated by this thing that was at once beautiful — obviously surreal — but at the same time palpable enough to actually hit home emotionally. I think not many people would probably describe scenes in my movies as surreal, but there are some. Kind of this magical realism that exists in that film. Also it feels ancient; it feels like when this boy comes home having witnessed the wedding of foxes and his mother’s there and says he can’t enter the home because he spied on the foxes and then presents a dagger to him and says, “They want you to kill yourself. Run. Run and ask for forgiveness.” It feels like an ancient story, it feels like something — I’m not sure what. It feels like something that kind of bubbled up from our beginning. I was fascinated by that. Just go watch it. It’s all skits, it’s basically short films strewn together. Get’s real weird by the end, but the first three are three of the greatest films I’ve ever seen."

"This book isn’t strictly just a book – it’s a play that became a political movement that became a world-wide phenomenon. Just say the title The Vagina Monologues and, even now, twenty years after Eve Ensler first performed her ground-breaking show, the words feel radical…I’m so interested to see which monologues we all like best, and which ones still shock us. Has the world moved on in twenty years, or are there still aspects of women’s sexuality we can’t talk about, through our own fears or because others try to stop us? Do we think art can change the world?"

"I’ve got one more? Oh man, my newest favorite movie is This Is It, the Michael Jackson movie. ‘Cause I went into it and I was like, “Eh, whatever, it’s just another Michael thing”, but I didn’t think I’d be that impressed by it. I was just going to kill an afternoon, but it was so good. And I walked out going, “He was so good; he was murdered.” Because he didn’t seem incoherent at all. He was such a genius. He could hear things that no one else in the world could hear musically. That’s one of my latest favorite movies."

"This was Robert Redford‘s follow up to Ordinary People. It’s just about a small South-Western town that is being taken over by moneyed interests. There’s this beautiful scene in the beginning where this obnoxious pig comes and wakes everybody up in the village out of bed, and everybody is like “Ergh, get away from me you pig.” But actually the pig is a force of great good; he’s just rousing everybody for the morning. There’s a certain poetry and stillness to the picture, and a magic that seems to emanate from the land and it casts a delicate spell."