"It's black rock & roll basically - it's a way of being offensive. Turn up loud and say 'Fuck you'. It's a great album just the whole way through. Its R n B but it has some hip hop in it, but it wasn't sappy 'I'm going to love you to that sky falls' stuff - I don't like that kind of shit. And then, I kind think back now how it used [producer] Kyle West - his name was mentioned throughout. 'Kyle West break it down...' he shouted himself out in those tracks. I've never seen Kyle West, I don't know who he is. He's like a mystery, but his name stays with me, and that’s one reason why this album sticks out - you think, 'I wonder what happened to him?' If that one moment is never recaptured by an artist, you know even moreso that that moment was special. Al B Sure! never really did it again like with In Effect Mode, but he was on top with that record."

"In a weird way for me, same as Jeff Buckley, Count Ossie and Buju, this feels really churchy to me. It's quite an odd tune when you think about Jimi, the drumbeat is very meditative, the same way you get with Ossie and his repetitions. Lyrically it's not, man is on a lot of LSD but there’s something about it that I’ve always gone back to. I still can't really explain what it is, it's definitely linked in the same way. It’s got that sort of mysticism about it. And when you listen to that whole album, it’s like wait, what happened there? Everything else makes sense, but what's that? I love those kind of tracks. We know Jimi for this one thing and this is just like, somebody explain this? I wonder if he had to fight to get that record on the album because if I was an A&R I’d be like ‘Sick, but this doesn’t fit, maybe we should put that somewhere else.’ Whether it’s right or wrong I don’t know - but it's sick."

"You know, I haven’t seen the film in a very long time, but because it was another thing that my sister and I, as kids, would watch — the film Lady Jane, with Helena Bonham Carter. And Helena Bonham Carter was, I think she was like, 17. I feel funny saying that’s one of my favorite films, but it really inspired us, and we’re both actors now, and she is, to us, still amazing. When I watched it, I just remember thinking, “Oh my gosh, that’s my dream,” to play that role. I love her. Lady Jane started my love of period films and the British accent, which I’m obsessed with. I just did my first one. I did a medieval film [Ironclad] that… Do you know Jason Flemyng? He’s one of my really good friends. As soon as I heard Jason Flemyng was doing it and that it was medieval, I was like, I don’t even care what it’s about — I gotta do it just for the fun. I was the only girl on the movie. It was hilarious. And yes, I got to do my British accent."

"Another would be Sergio Leone’s Once Upon a Time in America. I know they finally did a new complete version; they restored it back to the original as close as they could. I think Scorsese was involved with that. I haven’t seen that. I think there’s another 12 minutes added; that’s what I’ve heard. Anyway, that’s been one of my favorite movies forever.I think it’s one of the most important movies I’ve ever seen, because I was like a young teenager when I saw it the first time, and I was so… I mean, I grew up in the countryside in a small village in Denmark, as far from the Lower East Side of New York as you can possibly get, and still I remember just identifying 100 percent with Noodles, the main character. I was feeling everything. I was going through his heartbreak. And I do remember at the time feeling like, “I want to do that. Imagine if I could be in something where someone else could have the experience I just had watching this movie.” So that was a very important film for me. I’ve seen it many times, and it’s just beautiful."

"I love When Harry Met Sally. Every girl actress is like, “I’m looking for my Annie Hall.” But I’ve always looked for my Sally. That’s been my favorite. I prefer it, I have to say. I just think, again, it’s dry, it’s funny, the characters are layered and interesting. All the supporting characters in that film have great moments and great roles, and you remember every single one of them. It always makes me laugh, and I feel like it’s timeless. And who doesn’t fantasize about falling in love with their best friend? Isn’t that the whole point? And I loved all the intertwining stories of the old people, and their little stories of how they met and fell in love. What a great idea; it’s so cool. And, of course, Nora Ephron’s the best. And that famous scene where she has the fake orgasm — I mean, the balls of that performance. Just great, it’s really great. It’s also kind of grown-up. I remember watching it when I was younger, thinking, “God I hope I’m like them.” Now I’m so much older than they are. [laughs] But they all were moving to New York City to try to make it in Manhattan, so there was that element to it that I loved. And then the settling in, and realizing that life is different than you thought it would be. I just think it’s a perfect romantic comedy, and it is different than the usual formula, because you do have these sort of interstitial moments that are so funny, with these couples describing how they met and fell and love."