"Moonlight (A Vampire’s Dream), a song on my new album, was written about New Moon. The song is about what happens when a relationship breaks down or, more specifically, when you are abandoned in some way. I could totally relate to that. I think that Meyer’s stories are magnificent and I’m amazed at how she built her complex world. Writing a song seems much simpler that writing a novel – a song is just five verses and a chorus! I think the love story between Edward and Bella is going to live on forever, like Beauty and the Beast."

"I love that movie, when I was a kid I went to the movie theater and saw it 14 times the first weekend. You could see it over and over, they wouldn’t kick you out of the theater back then, so I would just stay there everyday and watch it. To this day, I still love that movie. I think it was brilliant. Sometimes with things like that, you attach a certain period of your life to it, and I saw this when I was a kid. If I’d been 40 years old in 1966, maybe I would have felt differently."

"I was so caught up in that book and when I got off the bus I was beside myself. The book just wrecked me. I was like twenty-four years old. All that stuff with the tiger. People have a lot of opinions about Conroy, but that book is very, very moving. I remember being incredibly upset and moved and I had to go to work in two hours. It screwed me up so bad. All I could think about was this damn book, and I had to play this impressionable kid who could really give a shit about reading books."

"Amazingly fun movie. My brother always argued this had the weakest storyline because Marty McFly is selfish and greedy and it’s about a sports almanac. It became a very destructive element. But I think it has really exciting visuals. The imagination. The props. The hoverboard, the fashion. Those shoes. That jacket that shrank and blow-dried. And then his cool hat. It’s just another one of those rad movies. That’s another one I can easily watch over and over and over again.I thoroughly enjoy the visual elements [of movies]. Between Terminator 2 and Back to the Future II, like, the logic they create, like, time travel…it makes no f—ing sense! You know, John Connor sends his father back into the past to f— his mom, what the f— is going on? But, then, it makes perfect sense. You just buy into it."

"I love Three Feet High And Rising as well - I could have taken up two slots! De La Soul are just one of my all time favourite groups, and happen to be personal friends of mine as well. Three Feet High... was a more manic album, there were all kind of little bits and pieces of things that I love, and songs like 'Can You Keep A Secret'. But De La Soul Is Dead was a reaffirmation; they were typecast as hippies and they resented that, similar to how the Goodie Mob were typecast as being country - we may have been Southern, but we weren't country. There's something defiant about it. This is when they were concentrated, and not random and manic like Three Feet..., which is great as well - but this is streamlined, but still just as alternative and experimental. And a lot more effective."