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Automatic Writing by Robert Ashley
Automatic Writing by Robert Ashley
1996 | Classical, Pop
(0 Ratings)
Album Favorite

"Robert Ashley is famous for having made these so-called operas, a lot of them were for TV. He works with the voice in these really great ways. I love this record because you don't know exactly what's going on: there's a lot of mystery. You have to piece together what's going on within the minutiae of the musical environment. Or you don't and you just listen and enjoy it. The sounds are very beautiful. Ther's a distant organ in the background just playing this one chord and you can also hear a bass. You can hear this woman whispering in French but you can barely hear her. Then this male singer appears but there's some crazy modulation on his voice. So all these crazy elements combine to create this crazy environment that you want to listen to for maybe ten minutes, because it's not like a song but it's got the elements of a song: you've got a bassline, you've got these instruments playing harmonies and you have voices. But you can't tell what's going on. It has an atmosphere. The album is called Automatic Writing but the track I'm talking about here, specifically, is called 'Automatic Writing'. It's important for me because it reinforced this idea that you could put beauty into music without necessarily using sweet melodies or whatever. I do have that in my music, but I also like the drama that can come from just… voices."

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Nothing Tastes as Good
Nothing Tastes as Good
8
8.0 (1 Ratings)
Book Rating
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)

So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.

We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.

But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.

Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.

At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.

But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.

I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.

At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.

The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
  
The Mortal Instruments 1: City of Bones
The Mortal Instruments 1: City of Bones
Cassandra Clare | 2007 | Children
1
8.2 (111 Ratings)
Book Rating
Magnus (0 more)
Pretty much everything (0 more)
I hated almost every minute I wasted reading this.
Read in May 2013
The more I thought about this book after finishing it the lower my rating got. While reading the characters and plot were okay nothing all that special or really memorable about half way through I was just reading so I could finish and see if some of my guess were right...and yeah they were. The writing style was okay also nothing all that special or memorable about it just came off as childish.

First and foremost the reason why I hated this book so much was Clary and Jace they are both two of the most unlikable characters I have ever read. Clary is your typical female protagonist that complains about her looks,get jealous through out the whole book and is all around just so unlikable I wanted to jump in and strangle her.

Jace is also your typical leading brooding teen male that is so popular right now, I really couldn't find a single thing I like about him or really even remember.

The only character and really the only reason I even bothered to rate the book was Magnus he was interesting flamboyant and I think I kept reading just hoping he would pop up again.
  
AP
10
10.0 (1 Ratings)
Book Rating
A story of love, that all consuming kind that never runs smooth, Pound of Flesh is a book that everyone needs on their bookshelf. Carter and Kat seem to be polar opposites, him a convicted felon, her a woman from the posh part of town, but when fate intervenes there's no stopping the force of their love.

Let me just start by saying this: WOW. I could just leave this review there, because that is just what I feel about this book. I've sat for a long time trying to figure out how to put into words just how amazing this reading experience was. That's not even me gushing, this is me, honest to goodness, being totally speechless at how amazing this tale was.

I'll start with the characters - Carter and Kat, and of course, the extended family and friends of theirs. Kat is a teacher, a woman with a sad past, but it's made her such a strong individual. She's captivating to read, you just want to find out what makes her tick, heal her pain and help her find her purpose. Carter, well, let's just say him and I have had a few snuggles together! He's a diamond in the rough as my Grandad would say, a gentleman who has just been dealt some very rough cards to play and did the best he could. He's an absolute pleasure to try and unravel, capturing your whole attention when he's in the scene and just so darned awesome. He has firmly secured his place in my top Book Boyfriends list. Joking aside, the characters are all brilliant. They weave together into a cohesive little bunch that are all developed, well thought out and interesting to read.

Weaving excellent characters isn't the only thing Jackson is good at doing. The plot and pace of this novel was extraordinary. There were so many twists and turns, ups and downs that you really did feel like you had been on an emotional rollercoaster. I laughed, cried, winced at stupid choices, gasped at revelations and a whole host of other emotions as well. I got hot under the collar during the brilliantly written sex scenes (Carter is a man who knows what he's doing!) and still I felt the tenderness of the moment. Everything in this book was balanced just the way I like it, it was, quite simply, perfect for me.

And that said, I shall cease waxing lyrical about this brilliant book. Jackson has made a stunning addition to the Indie community and I am sure she will continue to flourish in her craft. This book could not come with any higher recommendation from me, in fact, I was telling friends to buy it when I hadn't even reached the half way mark, I just knew it was that good. Just one word of warning readers, make sure your schedule is clear and you have tissues ready, because once you start you really cannot put this book down. A stellar novel, and one I am certain I will read again before too long, all that is left to say is congratulations Sophie Jackson, you wrote a bloody good book and should be very proud of yourself! Thank you for sharing Kat and Carter, and I am waiting on tenterhooks for more from this fabulous lady!

*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
  
The Umbrella Academy
The Umbrella Academy
2018 | Action, Fantasy
Characters (2 more)
Storyline
Klaus ❤
Family... the other 'F' Word
I was seriously late to the party on this show but still managed to avoid all spoilers (yay!) What can I say except this is literally the greatest thing I watched all year and it is an utter masterpiece which will be forever in my heart. I finished the final episode last night and I had a fandom hangover for like 3 hours, I must have sat there for ages just wondering where the hell it's going now. Every character is their own unique mess and I love them. Oh and Klaus, good gravy, Klaus is just a beautiful mess of a human being who I just want to bundle up in a blanket and feed him hot chocolate ❤. There's so much realness to the characters, such utterly human flaws that make it feel like you're surrounded by your own insane super family. I'm freaking dying for the next season. If you're looking for something sci fi/super heroish with a dash of apocalypse, a sprinkle of humour then this is definitely the show for you. It's just - *sighs* I loved it.
  
40x40

Jonathan Higgs recommended Showbiz by Muse in Music (curated)

 
Showbiz by Muse
Showbiz by Muse
2008 | Rock

"This is another case of, "Where's my Radiohead gone?" Hearing Muse for the first time was like, "Holy shit, this is like Radiohead, but heavier, and more pop, but also darker as well", and I just absolutely fell for it, hook, line and sinker. I was at the perfect age, was just getting into actually being good at playing stuff, and Matt Bellamy was all over the place in terms of his musical talents, playing the piano and guitar, and stuff that teenagers love. Stuff that sounds flashy and complex and twiddly but is actually not. And the bass player! Fuck me, the basslines on the album! Bass players don't do that kind of stuff! He's the sort of main character in an awful lot of those songs. It was an absolute revelation. I was a bass player before I was anything else, and I remember thinking, "Holy shit that sounded ace"! They ripped up the rulebook in so many ways for rock music. It was so enjoyable as well. Every song had a real sense of performance and razzmatazz. Of course it's called Showbiz and it is a type of show. So I think, more than anything, that's probably what you would say about my band, particularly live - we're not subtle, it's over the top. Whether people like it or not, that's got into us now and it's hard to take a step back."

Source
  
TT
The Third Floor (Angel Hill, #1)
10
10.0 (1 Ratings)
Book Rating
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


The feels with this book! This book scared me, and I loved it! It was the blurb that made me want to read this book. Even reading the blurb now sends chills down my neck. This is the kind of horror I wish more authors would write.

The title is perfect for the book. Most of the ghostly goings on happen on the third floor. While it's not an overly creepy title, it still works.

I don't really like the cover. Yes, it is the house the story is about, but it doesn't give off any spooky vibes. I, personally, would've liked to see some creepy stuff on the cover like ghosts, but to each their own I guess.

The world building was eerie and perfect for a horror novel. I got chills so many times while reading this book. Moore did an excellent job as portraying just how scary Angel Hill is as well as the spooky house the Kitches live in. (Oh, and if you're a fan of Silent Hill, I just want to say that Angel Hill reminded me a bit of Silent Hill). I read this book at night, so every noise and shadow scared me thanks to this book. (I did like being scared though).

The pacing was fantastic!! I was hooked from the first page. In fact, I was actually hooked from the first sentence. I love the way the story unfolded and flowed easily from one paragraph to the next.

The story line was great! While the whole plot of a house being haunted isn't new at all, Moore did a fantastic job of making it feel like it was a whole new concept. There was a skeptic and a believer in the same household, and while it was frustrating that Jack didn't believe Liz, I was interested in finding out what it'd take to make Jack believe. There was a minor plot twist that I wouldn't have predicted either. For those of you who don't like cliff hanger endings, then this a book for you. No cliff hanger endings are found in The Third Floor.

I thought all the characters, even minor ones, were very well written. I sympathized with Liz because she had to experience all the ghostly activity first hand. I felt scared for her, and I was also worried that something bad would happen to her in that house. I found myself wanting to protect Liz. I didn't really like Jack to much, not because he was a poorly written character which he's quite the opposite. I just didn't like how he, to me, tried to make Liz feel like she was crazy. He'd get angry with her about things that she didn't do. It was like he didn't trust her at all. I understand that he's a big time skeptic, but I thought, maybe, he could've been a little bit nicer to her and more willing to listen. I loved little Joey. He came across as such a sweet child. He was also experiencing supernatural events firsthand and even more so than Liz. I just wanted to go over to that house, get Joey, and never bring him back until Jack realized what was going on.

The dialogue in this book was never awkward or disjointed. The character interactions felt realistic and never forced. There were a few grammar mistakes that I came across in the book, but nothing major that would take away from how fantastic the book is. There is violence and swearing in the book as well as a few sexual references (though not many).

Overall, The Third Floor is an incredibly spooky read which I think most horror fans will love. It has a fantastic plot, great world building, and likable characters. This is a story that you may want to leave the lights on when you read it though.

I'd recommend this book to those aged 17+ who are into spooky ghost stories and those who like being scared.

<b>I'd give The Third Floor by C. Dennis Moore a 4.75 out of 5.</b>


(I borrowed this book for free from the Amazon's Kindle Owners' Lending Library. I was not required to write a review).
  
Do Androids Dream of Electric Sheep?
Do Androids Dream of Electric Sheep?
Philip K. Dick | 2013 | Fiction & Poetry
5
8.2 (13 Ratings)
Book Rating
The setting / World building- I love dystopian sci-fi setting and the world the author built in the book. (1 more)
The characters - There were some really great charaters through out the book espically the protagonist Rick Deckard he really wasn't that great of a person but for some odd reason I still can't fully grasp I really liked him..
About halfway it felt like the author gave up. (3 more)
Insta-love out of freaking nowhere.
Way to much useless details.
Female Characters where done so half ass it was crazy.
Started out so good then just fell flat.
Contains spoilers, click to show
Okay first off I have wanted to read this book for a while and I finally got around to it, I always enjoyed Blade Runner and figured I should probably read the book since it could only be better, right?

Well, Do Androids Dream Of Electric Sheep? started out really well like I was instantly hooked and blew through the first half pretty fast Philip K. Dick managed to do what I find that not that many authors can do is he managed to world build pretty fast to where I didn't lose interest but at a certain point it's like the dude just fucking gave up and slap together an ending.

He gave us multiple pages of Deckard buying a freaking goat but one sentence for two characters who had only briefly met once to somehow fall in love.... COME ON!

Oddly enough the thing I like most was the main character, Rick Deckard. He really isn't that likable and he's pretty self-absorb but oddly enough it makes him seem so human that I found myself liking him in a really odd way while still really disliking him.

Not sure if I'll read more of the series or not, I kind of liked the way it ended.
  
Tempted (House of Night, #6)
Tempted (House of Night, #6)
P.C. Cast | 2008 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
4
7.7 (17 Ratings)
Book Rating
In terms of plot, I would say this is the worst book of the series. Loose ends are left dangling all over the place, more questions are formed than answered, and (spoiler!) the main character, Zoey escapes into the afterlife "Otherworld." The last page is like a huge "To Be Continued..." and I just hate so-called endings like that. Most of the book is spent making plans regarding Kalona and Neferet, the red fledglings, and the House of Night school, but very little is actually accomplished. I appreciate that the series seems to move in real-time, but at the same time, things need to move a bit faster for anything to actually happen. The most exciting thing was Stevie Rae's near-death experience, which isn't saying much. I was greatly antipating the group's trip to Venice, but their meeting with the High Council was strangely short and anti-climactic. I think that at least one vampyre on the council should have disagreed with Neferet's lies, since Kalona's hypnotic powers are supposed to rely on choice.
The things I did like about the book are what I've like about the entire series. I love how the characters all strive for normalcy, even when everything around them is completely paranormal. I love the dialogue and how it is very typically teenager-ish. I also love how Zoey makes tons of mistakes, even though she has the favor of the Goddess. The one "loose end" that did seem to get taken care of in a way was the Imprint between Aphrodite and Stevie Rae being broken, though it just formed another loose end with Stevie Rae hiding the Raven Mocker Rephaim from everyone else.
I will likely stay loyal to the series in the hopes that the plot improves with the next book, Burned.
  
The Dead Fathers Club
The Dead Fathers Club
Matt Haig | 2019 | Fiction & Poetry
7
6.5 (2 Ratings)
Book Rating
Philip’s father has just died in a car crash, but he doesn’t think it was an accident. His father’s ghost comes back and tells him that he must have been murdered because he is part of the Dead Fathers Club – just for murdered fathers. He tells Philip that it must have been his Uncle Alan who murdered him, and tells him that he must get revenge.

In an odd take on Hamlet, The Dead Fathers Club follows Philips hunt for revenge for the death of his father.

It’s definitely a disturbing read. Philip is a young boy whose father has just died unexpectantly, and now he sees his father’s ghost, telling him to do awful things, to the point where he is listing ways he could kill his uncle.

The novel is written like it was Philips diary, so the childish grammar with the disturbing thoughts that Philip is experiencing work together to create a definitely troubling novel.

I was definitely questioning Philip’s mental health throughout the novel and wondering whether his father’s ghost was all in his imagination or it was actually happening.

Philip is a misfit with no friends, a girlfriend in part of the novel (which I’m not too sure what that did to the plot) and he’s bullied constantly. He found comfort in the fact that he had the chance to change his own life. He knew he could kill his uncle if he tried, and he saw that as the only way ahead. In killing his uncle, he would get revenge for his father’s death and stop his father from suffering and finally send him to heaven. He could get everything he needed and at the same time feel like he had a friend in his father’s ghost.

It was definitely a good read, but a big change to Matt Haig’s usual writing style.