"This one just hits the spot with me. I don't know. I found the first album [Innerspeaker] too derivative of stuff I was familiar with. I loved it, don't get me wrong, and a true test of whether or not I love a record is if I bring it into the studio and try it on the guys, because they are unequivocal in their tastes. So if I take a record in and say listen to this, if one of them doesn't like it, it makes me like it a little less. So I've got to be really sure that a band is great and the guys will love it before I even chance taking it near them. I took the first album in and said, "This sounds like a lot of stuff like you love already." But it's punchy. It's from Australia, and it is amazing."

"As narrated in his highly entertaining autobiography, over the course of his life Preston Sturges had a long string of failed schemes, inventions, films, and affairs. And it seems like he had the great fortune to find it all funny. The climax of Unfaithfully Yours, when every possible minor physical thing goes wrong in Rex Harrison’s murder plot, isn’t just perfect circus-like slapstick. It’s a downright celebration of the ways that record players, telephones, wicker chairs, and gloves are these ridiculous, weird contraptions we can barely use competently. We aren’t the masters of the physical world; it’s really a wonder we survive out there. This is the huge insight Unfaithfully Yours has over a film like Modern Times or any other techno-dystopia. Like, sure, sometimes machines crush the souls of humans into their perfectly calibrated gears. But most of the time, it’s a miracle if they fucking work."

"When I think about why I love Queen my head just fills with every single Queen song that I know by heart. It's just like a box of Quality Street. Everything is amazing. The reason that I've chosen the second album is because the song 'Ogre Battle' is on there, which is one of my favourite tracks. It's rare that you struggle to label a band. If you're a heavy metal band you're meant to look and sound like a heavy metal band but you can't really call Queen anything. They could be a pop band one day or the band that wrote 'Bicycle Race' the next and a full-blown metal band the next. In terms of the depth of the musical landscape that they covered, it was very similar to some extent to the Beatles. I mean 'Helter Skelter' was a pretty heavy track, and 'Yellow Submarine' really wasn't. I think Queen have a lot of similar ingredients. Everybody was writing the songs as well, so Freddie was writing differently to John Deacon, and then John was writing differently to Roger [Taylor, drummer]. They were all accepting each other though, and nobody was sat there saying that they couldn't do something because it didn't sound like Queen. If it was a good song they'd record it, and this album is nothing but good songs. It's a style that we've tried to adopt into Judas Priest. A good song is a good song at the end of the day, and there's no point in wasting time arguing about whether Priest are supposed to sound like the British Steel record or the Painkiller record or whatever. I felt such a sense of loss when Freddie died, but he fucking loved his life. He partied like a maniac. I've lost a lot of friends to AIDS and it's such a terrible thing to have to suffer through. Such a cruel condition to be taken by. From what I've seen and heard there's a horrible sense of loss in those early days. There was a lot of rejection and almost pariah-like status heaped upon you by people. And it's still around today, which is so sad and unfair. It's interesting though, because I don't know if Freddie would still have been doing what he did now. Would he still be going out on the road with Brian and Roger, who, by the way, I love? Especially Adam [Lambert]. But Freddie would have been 70-something I think, and I get a feeling that at some point, he would have just said, "I've had enough now darling." We lost him, but he left behind such an incredible legacy and canon of work. I listen to Queen almost every day still."

"If I had to pick my favourite record of this year it'd be Black Noise, I've certainly listened to it the most this year. It's another of those records that I can listen to whatever I'm doing - it's borderline background music if you know what I mean, but sometimes if you just put it on really loud it's totally hypnotic. I never thought I'd like techno music, but this really brought me in. Normally when I hear 4.4 beats I just put it in one category, but the sonics of this are amazing - bits of it sound like little pieces of metal, there are all these organic, earthy sounds. It's programmed noise. There's a dark edge to it, but not too dark. Also I love the artwork, it really pairs with the music, really made me listen to it in greater depth."