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Mark Arm recommended Duty Now for the Future by Devo in Music (curated)

 
Duty Now for the Future by Devo
Duty Now for the Future by Devo
1979 | Rock
(0 Ratings)
Album Favorite

"I could have chosen the first record Q: Are We Not Men? A: We Are Devo! or, to a lesser extent, Freedom Of Choice, but I like the rawness of Duty Now For The Future. I think the Eno production on the first one was great but this is just a little bit different. To me, they were very cynical but also really funny. They obviously created this whole myth for themselves. Devo had this whole package before bands really came up with that. They had this whole mythology built around them. Other people had that - I guess Magma had this whole mythology built around them so they're maybe not the first - but at the time it felt really futuristic and it felt like a whole new thing was happening."

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Gruff Rhys recommended Flammende Hferzen by Michael Rother in Music (curated)

 
Flammende Hferzen by Michael Rother
Flammende Hferzen by Michael Rother
1999 | Rock
(0 Ratings)
Album Favorite

"It's a beautiful record. It's the Neu/Can supergroup in a way with Jaki from Can on drums and Michael on guitar. It's the pop end of Krautrock and sounds like Utopian sports montage music or something! It evokes the future, even still, for me or my idea of what the future would be at that time. It's a record I listened to a lot in recent years and just a record that I really recommend. I wouldn't have heard any of this stuff until the early-1990s but it was something we listened to a lot of as the Super Furry Animals. I quite like listening to instrumental music as it means I can still think over it without lyrics interfering; there's a time and a place for lyrics!
"

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Days of Heaven (1978)
Days of Heaven (1978)
1978 | Drama

"Every man I’ve ever gotten close to has loved this movie to the point where I am less interested in a guy’s astrological sign than the degree of his obsession with Days of Heaven. So I was a little resistant to the whole Malick canon. Which is nonsense because this is the greatest film of a great director. It’s so stunning and genuinely suspenseful, which is a rare combination. It’s a classic but not in the way that some classics can feel like taking your medicine. Like Do the Right Thing, no one needs me to be the one to introduce them to Days of Heaven. So maybe I’ll just describe the order of images that pop into our collective heads when we think of this film: Wheat, wheat, wheat, wheat, Sam Shepard, wheat, wheat . . ."

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Toy Story 4 (2019)
Toy Story 4 (2019)
2019 | Animation, Comedy, Sci-Fi
Toy Story 4 was good, I enjoyed it, but didn't really seem necessary(other than to make money and can't fault them for that, it is business). Toy Story 3 was a proper ending in my opinion and if my heart had a pull string it ripped it hard, but for me Toy Story 4 just didn't capture the emotion like the last three did, nor did it really feel like a kids movie. Some of the scenes in the antique store are legitimately creepy and startling. Now that I think about it though, those scenes in the original with Sid were pretty dang creepy too. Any adult who enjoys the Toy Story franchise will enjoy this one I think, but I'm not sure how it'll be received by kids.
  
Scott Walker Sings Jacques Brel by Scott Walker
Scott Walker Sings Jacques Brel by Scott Walker
1981 | Pop, Rock
(0 Ratings)
Album Favorite

"He had to get in there. He's definitely my all-time favourite singer, vocalist, simply because there's something about the arrangement of his vocal cords that really strikes an instant... I just recognised it from the moment I heard it and I felt, "this is like my surrogate brother or something!" The moment that I heard it, I could sort of sing a bit like him, I'd developed those vibrato tones and I enjoyed doing it so I just felt an instant kinship. Add to that he wrote some great songs, but more than that he was like the foremost interpreter of Jaques Brel in English. I'd not heard of Jaques Brel before I'd heard Scott Walker's songs - after I listened to Scott, I listened to Brel, and enjoyed that hugely also, but in a very different way. Scott and also the Walker brothers, they did make a particularly awesome noise back in the sixties, which many other people tried to do but didn't do as well. The first record that I heard by Scott was the wonderful best of that came out in the early nineties, The Best Of Scott Walker And The Walker Brothers I think. It's pretty much the only collection you need if you want to hear what they did. But Scott Walker Sings Jaques Brel is fantastic - it's only ten songs I think. He only did ten songs, so that seems reasonable, but 'Jackie' is hilarious and wonderful. I stopped sending all my albums to Scott Walker after I read, I think it was in Les Inrockuptibles as well, they managed to get an interview with him, which nobody could at the time and he said "yeah, this wee Irishman keeps sending me his records - I don't know why". And it was simply because I loved him so much I wanted to give my things unto him [laughs]! You know, "I've made this for you Scott!" I suppose I've got a bit older and I don't feel the need anymore. As well as that, I understand where he's coming from these days much better. I enjoy his modern records, his insane modern records, but it's quite obvious that he doesn't care about the old sixties output, so the fact that some guy is really terribly enamoured of them, I'm sure he doesn't give a shit [laughs]! He can buy them in the shops like anybody else!"

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Since I'm a crafty-ish person, I wanted to like this book better than how it ended up. That's not to say there aren't some cute things in here, like the Monster Week Tampon/Pad Case, which could be used to hold other items as well, or handy, like the Secret Stash in Your Rack craft. Even the silly ones could be fun for a craft party or something. However, I don't see myself making many of these as they're just not how I am as a feminist. I'd like more crafts that have to do with equality than how women-centric those in this book are. I do like the cassette tape turned into a business card holder, although I could see ways of making it better, plus I'd urge those to keep the inside workings as they can be used for other things. I've had plans for more years than I care to think about to crochet with the tape. I like that there are recommendations for books, music, films, plus some quotations. I think this book would be better for newer crafters as the projects are fairly basic, but even those who are more advanced could think of ways of making the crafts more clean and upscale. Overall, this is a silly book and not to be taken too seriously.
  
The Girl in Red
The Girl in Red
Christina Henry | 2019 | Horror, Science Fiction/Fantasy
8
7.7 (3 Ratings)
Book Rating
Very enjoyable
I was exceedingly excited to read this book and was a little disappointed that it didn't live up to my very high expectations of it but I think that was just because I felt that the story didn't really fit in with the Little Red Riding Hood story except for a girl in red going to grandma's house.

The story itself is really well written and I loved the characters in the story, I wasn't keen on the book going back and forth from present to the past and back again but I don't really like this setup in books in general. I thought the book would explain more about what had happened but it did leave some really big questions that were never answered in the end. I love that Henry uses a lot of 'damaged' characters in her books, from those with a mental illness to Red being an amputee, as she displays them as strong characters that deserve to be treated with respect and that they can be just as inspiring as those without disabilities.

Overall, I really enjoyed reading this book but it didn't really seem to fit in as well as her other books.
  
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Ama (21 KP) rated Detroit (2017) in Movies

Sep 11, 2017  
Detroit (2017)
Detroit (2017)
2017 | Drama, History, Thriller
Shattering
The first couple of questions when writing a review here are What's good? and What's bad?
Now, as you've seen I have given this film a full score, but I could not for the life of me put into a sentence what was good about it. It's not a nice film. Nothing about it is good. Except the way it makes you feel with it. But then even that is not a good thing. It's ugly.

I watched Detroit yesterday at the local cinema. I had seen the trailer, knew it was gonna be a tearjerker, knew I would hate the world and myself after watching it.
What I realised is that I completely underestimated the film.
About half an hour to an hour in all I wanted to do was to turn it off. I had an urge to just turn the cinema off, go home and potentially have some chocolate.
It wasn't the fact that the film was bad (I repeat, I gave it a full score), nor was it surprising narrative (again, I had seen the trailer and my tiny bit of historical knowledge filled in the gaps), but something in the way it was presented somehow evoked that feeling of wanting it to go away.


When I walked out of the cinema and forced myself to think about it, I realised a couple of things (all of which eventually made me come to the conclusion that that might have been deliberate).
First of all that film was lit like a feature film and shot like a documentary. This means that watching it, my brain was trying to fool me into thinking this was real a lot more than it usually would. It's film like a documentary, so it's a documentary so this is exactly what must have happened, right? There was a camera at the scene, right?
Well, of course there wasn't. Of course it was still a feature film and of course before the credit it was even stated that besides the testimonies of the parties involved, there was still dramatic licence taken. But that didn't change the fact that it shook me. It shook me because that little shake of the camera that was a little more intense that I was used to and that little zoom every now and then to get closer to an action as though the camera had only just noticed it all lead to that convincing idea of this being real and having happened exactly as I was seeing it.


The acting was splendid. Again, upon contemplating the film, I wondered what it was like for all of these black people (the term used deliberately) to play these roles, having grown up in that country themselves. I wondered what it was like for Will Poulter to become an asshole from the work 'Action!' and while that isn't any different than any other set, somehow, in Detroit, it seemed like so much bigger a deal. On this note, kudos to all the actors in this piece. There was none of you that felt out of place or irrelevant. Each of you portrayed a character dealing with the situation at hand differently and on a spectrum that showed how truly diverse humans are - even if united in a cause, be it on the white side or the black.


I could go on for hours (which I did, with the friend I went to see it with) about how this film made me feel and how much insecurity in the current world it made me feel, but there is no point in doing that. Feelings are best felt, rather than read so just watch it and I'm sure you'll understand.
I do want to say this though:
This film made me realise that the world we live in today is not the product from its past, but rather a work in progress towards what is to come.


I in no way mean that I did not know that previously, but there is a difference between knowing and understanding.


On this note, this film is not for the faint hearted but it is one of those important films that need to be watched at the moment.
  
Ant-Man and the Wasp (2018)
Ant-Man and the Wasp (2018)
2018 | Action, Sci-Fi
Michael Pena (0 more)
I waited to write this review until I saw this movie a 2nd time, but my opinion still stays the same. It makes me sad, because I wanted to love this movie.
Overall, this film was ok. I wanted to give it a 7, but I just can't justify it. Don't get me wrong, there's nothing inherently wrong with this film. It just wasn't made for me. It skewed towards an older, family-having demographic that I'm just not part of. My parents loved it, so, case in point.
Once Ghost's motivations were revealed, she wasn't a villain. I feel like this should have been released last year, not now, right after Infinity War.
The only thing I found funny was the running Morrissey joke, and Michael Pena in general.