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Faris Badwan recommended City to City by Gerry Rafferty in Music (curated)

 
City to City by Gerry Rafferty
City to City by Gerry Rafferty
1978 | Pop, Rock, Singer-Songwriter
5.7 (3 Ratings)
Album Favorite

"I think this might be one of my least favourite sleeves of all time. It's truly awful. That style of dodgy seventies graphic artwork is fucking disgusting. It almost looks like the side of a waltzer, but that actually makes it sound a little better because I'm a big funfair fan. To the point where I actually went to Blackpool Pleasure Beach on my own once, but more about that later. I think this sleeve is really fucking horrible and the record only just about redeems it. ‘Baker Street' is the one everyone knows with the long sax solo, but there's another song called ‘Right Down The Line' which is really cool. It was actually Honor [Titus] from Cerebral Ballzy that introduced me to that song. There's a lot more narrative here than in most of my interviews."

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Saving Private Ryan (1998)
Saving Private Ryan (1998)
1998 | Action, Drama, War

"I think this is one of the best war movies ever made. It covered the heroics of World War 2 which we’re all familiar with from the greatest generation, but it was the first movie to ever capture the absolute terror of being a soldier in the war. It was okay to be absolutely terrified during that world war. Every other movie is mostly about showing bravery in such an unrealistic context, it’s like every soldier that fought there died gracefully. But I know people who fought in that war who saw that movie when it came out, and it brought back a lot of memories and fears and terrors. You weren’t encouraged to get help after the war for the trauma back then. And that movie did more for a lot of those soldiers and veterans, and it is just great filmmaking."

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The Thin Blue Line (1988)
The Thin Blue Line (1988)
1988 | Classics, Documentary, Documentary
(0 Ratings)
Movie Favorite

"Another documentary. [Director Errol Morris has] got so many movies that I love and there are so many other documentaries that I love too. But The Thin Blue Line is interesting to choose right now because now there is a resurgence of true crime documentaries — a lot of them [are] series like Making a Murderer or The Jinx. But Thin Blue Line was kind of the original true crime documentary that really sort of made you question police tactics and I think anyone who’s into Making a Murderer or Serial or The Jinx — or any of these shows right now, and podcasts — and hasn’t seen Thin Blue Line should check that out. It’s just a well-made movie in general but it’s also a fascinating story of a crime that someone may or may not have done."

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Salmon Fishing in the Yemen
Salmon Fishing in the Yemen
8
8.0 (1 Ratings)
Book Rating
I promised myself I'd read this before allowing myself to see the movie. I have to say, it was certainly a fun ride, and yet one that I think might make a good film. However, there do seem to be a few things that wouldn't translate.

That said, Torday certainly knows how to write sympathetic characters and put them in interesting situations. This one doesn't tie all the loose ends up at the end, and we wonder what happens with some of these people. That could be a good thing, but I somehow feel this concluded a touch too quickly - and perhaps a nice epilogue would have helped conclude just one or two things that felt a bit too unfinished. Even so, the style is solid and unique - and nothing like the other book of his I read - The Girl on the Landing!
  
Who's Your New Professor by Sam Prekop
Who's Your New Professor by Sam Prekop
2005 | Alternative, Rock
(0 Ratings)
Album Favorite

"Just like we had a group of friends in Toulouse, we had a group of friends in Chicago, with everybody playing in each other's bands, and really we found a family there. Those were wonderful years, but since then a lot of people have moved to LA, or just moved out. Sam I believe still lives in Chicago. I don't know if he's still making music. I sure hope so. He moved away from this type of music to buying analogue electronic machines and playing around with those a lot and it was divine, but he'd moved away from the pop format the last time I heard him. But I do love Sam Prekop, and I probably have even more of a soft spot for his solo albums than for his work with The Sea And Cake, which I also find superb, but the solo stuff has always touched me more somehow. Maybe it's because there's less at stake. Maybe they're more free and therefore more direct. You don't have to show off your prowess so much, I don't know. But I do like the freedom of them. It's like laughter, the way it comes out. I really like that. I find that in beautiful, well-crafted songs we approach perfection. Not that we should seek perfection necessarily; we're perfect as we are. But for me, artistically and aesthetically, we're coming close to something quite perfect, and therefore it makes it into my list. The album feels so lightly or deeply attuned that you don't have to force it down. You don't force it, you just let it be and follow it. You let it guide you, and that's a big quality to Sam's writing. Sam could probably have been a much bigger star in terms of having more fans, but I think he's probably always protected himself from that, knowing very well it would probably destroy his muse. It's very difficult to not get crushed by too much popularity. You want to please people and meet their expectations, and expectations are just the worst thing. They're the worst poison. They should be absolutely prohibited and fought against, actively. I sense that also: that people when they meet me have expectations. They have a whole story in their mind and then when they meet me and I'm just me it's somehow ah, I'm not what you expected me to be. But that's a trap, the expectation, and I try to avoid it. I try to not have expectations, because most of the time you're going to be disappointed. So why live a life of disappointment, when you can live a life of joy?"

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TM
The Manifesto on How to be Interesting
8
8.0 (2 Ratings)
Book Rating
I fell in love with Holly Bourne's writing after reading Am I Normal Yet? and immediately decided to check out some of her other work. Hence me reading this novel.

The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.

Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?

But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.

I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.

My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.

This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
  
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KyleQ (267 KP) rated Halloween (2018) in Movies

Jul 20, 2020  
Halloween (2018)
Halloween (2018)
2018 | Horror
I wanted to like it.
Ignoring every entry other than Carpenter's original, 2018's Halloween attempts to reboot the Franchise in anew direction.
Oddly enough, comedian Danny McBride was a writer, while director David Gordon Green (Pineapple Express) directed.

I blame much of my distaste on their overhyping it. They said this would be a slower movie focused on creating suspense ala the original.
In reality, this more than tripled the body count, even surpassing Rob Zombie's remake which was 10 minutes longer.
From the get-go, Michael just wanders about killing people, at one point we just follow him walking down a street randomly killing people. This has more senseless violence then Zombie's outings.


Another thing I didn't like was that, with this only following the original in which after escaping, he killed 4 people. It doesn't make sense that he would be this popular legend still talked about 40 years later.
Also, victims are idiots, it's no shock who gets killed. Honestly, Laurie (Jamie Lee Curtis) was the only likable character, and even she pushed it a bit.

For positives, Carpenter's score was great, I liked some of the camera work. Intro credits were cool, throwing back to the original. And Curtis was good returning as Laurie Strode.

I really wanted to like 2018's Halloween, but it lacked suspense, characters were dumb, it felt more like a senseless action/comedy than horror. This would've fit the Friday the 13th franchise better. I really hope that the sequels are better.
  
Kingsman: The Golden Circle (2017)
Kingsman: The Golden Circle (2017)
2017 | Action, Comedy
Great mindless fun but sadly just didn't live up to the original.
I keep bouncing between a 7 and 8 rating but after some of the shit that was pulled and I'm still upset about it's getting a 7.

Okay don't get me wrong Golden Circle was a fun movie with the same over the top violence as the first one but to me it felt like parts of the movie were missing for some reason and after seeing it I found out the apparently the original cut was like 3 1/2 hours long and to me it really did feel like they left out a fair bit of the story and a hell of a lot of the character development.



But hey Elton John was fabulous and the fight scenes were fucking Ace!