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Becs (244 KP) rated Auctioned to Please: The Complete Series in Books
Oct 2, 2019
Audience/ Reading Level: 18+
Interests: Erotica, Romance, BDSM, Virginity, High School, Internet Dating, Money for Sex.
Point of View: Third Person
Insights: Okay, I’m going to be a little salty about this series. But, there were grammatical errors littered throughout the entirety of the novels. THIS MAKES IT SO HARD TO READ. The characters were developed very poorly and the ending just came abruptly. Like it was legit the stupidest and most horrific ending you could ever think of. As a reader, it almost seemed like the author (no offense Jacey) just got too busy to really put any care into the ending. It. Literally. Ended. Like. This. Not the greatest and nothing really special that’s different from other writers.
Will I reread? I think not satan. Honestly, the story seems either like it shouldn’t have been written or that it should have had an entirely different plotline. Do I recommend? This is a hard one because I want too. To help an author out. But I just can’t.
Favorite Quotes: “She was the hundred thousand dollar girl, and she was untouchable.”
“Because I don’t want to be one of those sorts of girls.”
○ interested in its physical book
○ a continuous read / page-turner
○ diverse in any way
● something’s lacking
○ took me a long time to finish
○ an LMAO read
○ I laughed more than a few times
● it’s j u s t awkward
○ gave me goosebumps
○ one of the best books I’ve read
○ painful & sad
○ tear-jerker
○ a roller-coaster of emotions
○ thrilling
● confusing
○ sooo relatable
● it is kind of annoying
○ it has a lot of flashbacks
○ it moved me
○ would recommend!
○ great even for a reread
○ definitely a YAY
● I’m sorry it’s a NAY
○ it’s between YAY and NAY
Interests: Erotica, Romance, BDSM, Virginity, High School, Internet Dating, Money for Sex.
Point of View: Third Person
Insights: Okay, I’m going to be a little salty about this series. But, there were grammatical errors littered throughout the entirety of the novels. THIS MAKES IT SO HARD TO READ. The characters were developed very poorly and the ending just came abruptly. Like it was legit the stupidest and most horrific ending you could ever think of. As a reader, it almost seemed like the author (no offense Jacey) just got too busy to really put any care into the ending. It. Literally. Ended. Like. This. Not the greatest and nothing really special that’s different from other writers.
Will I reread? I think not satan. Honestly, the story seems either like it shouldn’t have been written or that it should have had an entirely different plotline. Do I recommend? This is a hard one because I want too. To help an author out. But I just can’t.
Favorite Quotes: “She was the hundred thousand dollar girl, and she was untouchable.”
“Because I don’t want to be one of those sorts of girls.”
○ interested in its physical book
○ a continuous read / page-turner
○ diverse in any way
● something’s lacking
○ took me a long time to finish
○ an LMAO read
○ I laughed more than a few times
● it’s j u s t awkward
○ gave me goosebumps
○ one of the best books I’ve read
○ painful & sad
○ tear-jerker
○ a roller-coaster of emotions
○ thrilling
● confusing
○ sooo relatable
● it is kind of annoying
○ it has a lot of flashbacks
○ it moved me
○ would recommend!
○ great even for a reread
○ definitely a YAY
● I’m sorry it’s a NAY
○ it’s between YAY and NAY
Dave Navarro recommended 2001: A Space Odyssey (1968) in Movies (curated)
Debbiereadsbook (1647 KP) rated Once Upon A Wolf (Wayward Wolves #1) in Books
Feb 16, 2018
MAHOOSIVE sugar rush!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This book is the first in a new series by Rhys Ford. You all know I love her work, and this one is no exception! It came with a warning though, and I was curious as to how that warning would play out.
The warning?? It is "sweet, dammit!"
And it really is!
It's only short. just under 100 pages, but it packs such a sugar rush, I didn't even notice it was nearly finished, til I ran out of bloody book!
Gibson is looking after his brother, Ellis, who is stuck as his wolf. Something happened that trapped him there, we are not told what exactly, just hints are thrown, and I expect that (insert puppy dog eyes, all begging like at Ms Ford) Ellis will get his own story and all will then become clear. Ellis chases Zach, new owner of local bed and breakfast into the freezing lake, and Gibson has to save him from hypothermia. The fact the Zach pushes every single one of Gibson's buttons is not lost on Gibson, and all becomes clear as to why Ellis choose Zach later in the book.
Both Gibson and Zach have their say, and you get just enough of them both to fully engage you in their story, their here and now and their past.
It is sweet, almost sickly, but I think for these two guys, it is right their story be this way. There is very little actual physical stuff between the guys, and I was kinda expecting it to be totally clean, but it isn't, not quite. I think, maybe, even if it HAD been clean, I would still have loved it!
And love it I did! I had just finished a much longer, heavier book, and this was just what I needed at that time, hence the hang over cure tag.
So, a much needed, perfectly written, perfectly delivered, MAHOOSIVE sugar rush....
5 stars
ps, just remember, it IS sweet, dammit!
**same worded review will appear elsewehere**
This book is the first in a new series by Rhys Ford. You all know I love her work, and this one is no exception! It came with a warning though, and I was curious as to how that warning would play out.
The warning?? It is "sweet, dammit!"
And it really is!
It's only short. just under 100 pages, but it packs such a sugar rush, I didn't even notice it was nearly finished, til I ran out of bloody book!
Gibson is looking after his brother, Ellis, who is stuck as his wolf. Something happened that trapped him there, we are not told what exactly, just hints are thrown, and I expect that (insert puppy dog eyes, all begging like at Ms Ford) Ellis will get his own story and all will then become clear. Ellis chases Zach, new owner of local bed and breakfast into the freezing lake, and Gibson has to save him from hypothermia. The fact the Zach pushes every single one of Gibson's buttons is not lost on Gibson, and all becomes clear as to why Ellis choose Zach later in the book.
Both Gibson and Zach have their say, and you get just enough of them both to fully engage you in their story, their here and now and their past.
It is sweet, almost sickly, but I think for these two guys, it is right their story be this way. There is very little actual physical stuff between the guys, and I was kinda expecting it to be totally clean, but it isn't, not quite. I think, maybe, even if it HAD been clean, I would still have loved it!
And love it I did! I had just finished a much longer, heavier book, and this was just what I needed at that time, hence the hang over cure tag.
So, a much needed, perfectly written, perfectly delivered, MAHOOSIVE sugar rush....
5 stars
ps, just remember, it IS sweet, dammit!
**same worded review will appear elsewehere**
Emma @ The Movies (1786 KP) rated Apocalypse Tomorrow (2014) in Movies
Jun 11, 2020
We get thrown into the disasters pretty quickly, so quickly in fact that I really thought I'd missed something, you will be glad to know that it's isn't so complex that you can't pick it up, it's just ridiculous.
The main characters of Neil and Colin are introduced very quickly and we get a rather clumsy potted backstory before they get swept up into the action. Joel Gretsch is a face I know from various things but it's The 4400 that sticks out the most, his acting in this isn't much of a stretch beyond what he's had experience with and he probably has the best character next to Marty.
Apocalypse Tomorrow, or Zodiac: Signs Of The Apocalypse, ticks all the classic TV disaster movie points... animals fleeing from impending danger, terrible CGI, vehicles and people being able to outrun nature, terrible CGI, and a dubious love interest moment... credit where credit is due, they did catch me out with this one. What I was severely upset by though was the fact that we hear about devastation around the world and there were no crappy shots of world famous landmarks being destroyed, don't they know that's what we come to these films for?!
You may know that I hate bouncy camera work, I was pleasantly surprised when (excluding in-car scenes) the camera was solid and not frustrating, TV movies tend to be a little erratic on that point. Sadly they do randomly have one scene where it appears that the cameraman was wearing trampoline shoes while going through caffeine withdrawal, even more confusingly there was a scene where I could have forgiven it happening but they chose a very calm moment to have it and it did nothing but annoy.
The props that are introduced suddenly looked very familiar and if I didn't know any better I'd have said they were original concept pieces for Stargate that had been found in a shed somewhere. The physical pieces don't actually look too bad visually, but the CGI is a mix of passable, bad and terrible, at no time convincing. Bizarrely that gives it pretty good marks for this sort of film.
As with many films that want to be more action than story our characters all get to jump to conclusions and accurate deductions without any work being put in. Significantly in this one it means that right near the beginning we jump from one scene to another and skip what feels like two scenes in the middle. From a tense situation everything goes calm instantly and everything is back to normal. With some better scripting there are a lot of moments like this that could have been avoided.
I feel like my score could be misleading, was this film bad? Yes. But it's just ridiculous enough to be amusing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/apocalypse-tomorrow-movie-review.html
The main characters of Neil and Colin are introduced very quickly and we get a rather clumsy potted backstory before they get swept up into the action. Joel Gretsch is a face I know from various things but it's The 4400 that sticks out the most, his acting in this isn't much of a stretch beyond what he's had experience with and he probably has the best character next to Marty.
Apocalypse Tomorrow, or Zodiac: Signs Of The Apocalypse, ticks all the classic TV disaster movie points... animals fleeing from impending danger, terrible CGI, vehicles and people being able to outrun nature, terrible CGI, and a dubious love interest moment... credit where credit is due, they did catch me out with this one. What I was severely upset by though was the fact that we hear about devastation around the world and there were no crappy shots of world famous landmarks being destroyed, don't they know that's what we come to these films for?!
You may know that I hate bouncy camera work, I was pleasantly surprised when (excluding in-car scenes) the camera was solid and not frustrating, TV movies tend to be a little erratic on that point. Sadly they do randomly have one scene where it appears that the cameraman was wearing trampoline shoes while going through caffeine withdrawal, even more confusingly there was a scene where I could have forgiven it happening but they chose a very calm moment to have it and it did nothing but annoy.
The props that are introduced suddenly looked very familiar and if I didn't know any better I'd have said they were original concept pieces for Stargate that had been found in a shed somewhere. The physical pieces don't actually look too bad visually, but the CGI is a mix of passable, bad and terrible, at no time convincing. Bizarrely that gives it pretty good marks for this sort of film.
As with many films that want to be more action than story our characters all get to jump to conclusions and accurate deductions without any work being put in. Significantly in this one it means that right near the beginning we jump from one scene to another and skip what feels like two scenes in the middle. From a tense situation everything goes calm instantly and everything is back to normal. With some better scripting there are a lot of moments like this that could have been avoided.
I feel like my score could be misleading, was this film bad? Yes. But it's just ridiculous enough to be amusing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/apocalypse-tomorrow-movie-review.html
BookInspector (124 KP) rated Playing Nice in Books
Nov 9, 2020
The protagonists in this story were Pete and Maddie, and the story is told from their perspectives. Pete is unemployed/freelance journalist, who loves being the main carer of his son – Theo. Pete is very sweet and a true people pleaser. Maddie is working in advertising and has difficulty finding her motherly instinct when it comes to Theo. We also have Miles and Lucy, the real Theo’s parents, that are truly strange. The only character I really liked was Pete, he is just so sweet and innocent man. I did not like Maddie, I think she is an absolute hypocrite. However, I have to admit, her input in this book was intriguing. The author is an absolute expert when it comes to creating psychopaths in his novels. Every single book has one, and they are really well developed and delivered. In this book it was Miles. I really have nothing good to say about him at all, except that he is a master of deceit and nastiness.
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
Joe Julians (221 KP) rated Ready Player One (2018) in Movies
Mar 21, 2018
Full disclosure, I’m a fan of the book and it’s quite possible that it’s swayed my opinion somewhat on the movie. So, the movie then. How is it? It’s fine. I was worried going in. I just had a feeling that it would be one of those movies that winds up being disappointing. I know the trailers weren’t that well received, but I loved them. Hell, I even liked those posters they used for the advertising campaign that got a lot of people’s backs up. And yet, when it comes to the movie itself, I came out of it feeling a little underwhelmed. I enjoyed it and I’m definitely glad I saw it but on the whole, I found it to be oddly a little empty.
Let’s start with what worked then. This is a gorgeous looking film and there were many moments that blew me away in terms of pure spectacle. This is an easy day one purchase on UHD just so I can pause it at various moments to see all the Easter eggs that were impossible to catch the first time around. It’s got a great score too. It very much plays on nostalgia as much as the visuals do and almost every song choice works perfectly.
Then there’s the cast. The main roles here are cast well enough. Tye Sheridan is a likeable lead who’s quest is one that’s easy to get behind. I always love Mark Rylance and Ready Player One does nothing to change that. His Halliday is a nervous man with a clear lack of social skills and he’s played here in a way that makes him seem extremely endearing. Simon Pegg is fun too in a much more understated role than I’m used to seeing him. Perhaps the standout for me though is Olivia Cooke. She really impressed me in The Limehouse Golem (do check that film out) and she does again here. It’s nice to see that her star is rising. It’s only really Ben Mendelsohn that doesn’t come out of this brilliantly, but that’s not really his fault. Sorrento is a bit of a nothing villain on the whole and as such, he isn’t really given anything decent to work with. I understand his goals and desires, but there’s nothing about him that elevates him beyond being just a generic villain.
As for the plot itself, it’s a bit of a cookie-cutter version of the source material in a lot of ways. Take the first key for example (mild spoilers for this bit). In the book, it’s a brilliant moment when Wade works out where it is and the challenge to obtain is fun and wonderfully nerdy. Here, it’s just a race. I mean sure, it’s a race that includes a T-Rex and Kong, but by going for spectacle it loses a lot of the charm. It's like that throughout really. The actual game itself doesn’t seem all that hard and as a result, it’s not all that impactful when players progress to the next stage. Finding Halliday’s easter egg is supposed to be the biggest game the world has ever seen and yet, aside from a climactic final act, it doesn’t feel like it.
A lot of that is down to world building. There’s not much in the way of showing us how the world is reacting to someone finally getting onto the leaderboard, or how the general population is following what Parzival and co are doing. Ready Player One needed that to really enforce what a huge deal it is and how much is at stake. At times, it comes across as if Spielberg is more interested in showing us what is cool in The Oasis rather than how important it is to the people that are so absorbed by it.
That being said, there are moments when the film just comes to life. The second key, for example, features a trip into something that I didn’t see coming and it’s one of the best parts of the movie. There are actually a few moments that made me laugh that I won’t mention for fear of spoilers. One, in particular, comes right around the time the film drops its only F-bomb. On the whole, Ready Player One isn’t a classic, but it is a fun adventure movie that is certainly worth checking out.
Let’s start with what worked then. This is a gorgeous looking film and there were many moments that blew me away in terms of pure spectacle. This is an easy day one purchase on UHD just so I can pause it at various moments to see all the Easter eggs that were impossible to catch the first time around. It’s got a great score too. It very much plays on nostalgia as much as the visuals do and almost every song choice works perfectly.
Then there’s the cast. The main roles here are cast well enough. Tye Sheridan is a likeable lead who’s quest is one that’s easy to get behind. I always love Mark Rylance and Ready Player One does nothing to change that. His Halliday is a nervous man with a clear lack of social skills and he’s played here in a way that makes him seem extremely endearing. Simon Pegg is fun too in a much more understated role than I’m used to seeing him. Perhaps the standout for me though is Olivia Cooke. She really impressed me in The Limehouse Golem (do check that film out) and she does again here. It’s nice to see that her star is rising. It’s only really Ben Mendelsohn that doesn’t come out of this brilliantly, but that’s not really his fault. Sorrento is a bit of a nothing villain on the whole and as such, he isn’t really given anything decent to work with. I understand his goals and desires, but there’s nothing about him that elevates him beyond being just a generic villain.
As for the plot itself, it’s a bit of a cookie-cutter version of the source material in a lot of ways. Take the first key for example (mild spoilers for this bit). In the book, it’s a brilliant moment when Wade works out where it is and the challenge to obtain is fun and wonderfully nerdy. Here, it’s just a race. I mean sure, it’s a race that includes a T-Rex and Kong, but by going for spectacle it loses a lot of the charm. It's like that throughout really. The actual game itself doesn’t seem all that hard and as a result, it’s not all that impactful when players progress to the next stage. Finding Halliday’s easter egg is supposed to be the biggest game the world has ever seen and yet, aside from a climactic final act, it doesn’t feel like it.
A lot of that is down to world building. There’s not much in the way of showing us how the world is reacting to someone finally getting onto the leaderboard, or how the general population is following what Parzival and co are doing. Ready Player One needed that to really enforce what a huge deal it is and how much is at stake. At times, it comes across as if Spielberg is more interested in showing us what is cool in The Oasis rather than how important it is to the people that are so absorbed by it.
That being said, there are moments when the film just comes to life. The second key, for example, features a trip into something that I didn’t see coming and it’s one of the best parts of the movie. There are actually a few moments that made me laugh that I won’t mention for fear of spoilers. One, in particular, comes right around the time the film drops its only F-bomb. On the whole, Ready Player One isn’t a classic, but it is a fun adventure movie that is certainly worth checking out.
Heathere' (25 KP) rated Fables & Fairy Tales to Cross Stitch in Books
Apr 24, 2018
Cross Stitch/ point de croix~with a retro feel!
There are so many patterns to choose from in this book by, Véronique Enginger. This is a newer release book and originally available in French with a different cover and at a much higher price. I adore Véronique's patterns and am a big fan of her work! This book is full of fairy tale characters, characters from fables and French nursery rhymes. My favorite is Little Red Riding Hood but Beauty & The Beast and The Little Mermaid were also in the run for my favorite. I would complete all of the patterns, I love this book, that much! I like that Véronique creates patterns that can tell a story or you can choose to stitch a smaller scene or character. Véronique's patterns of faces are incredible and look like true works of art. It is very difficult finding cross stitch patterns with such natural looking faces. I have made several of her patterns and they are easy to follow and look just like the finished samples on the pages of her books. This book has given me so much inspiration and joy and I can't wait to work on more of the patterns. The book is hardcover and has nice big pages to make it easy to work from. The patterns have a retro feel that you might find on a 1940's-50's apron, blanket or tablecloth. I highly recommend this book for cross stitch enthusiasts, like myself. This isn't a beginner's book, however and should know how to read a cross stitch graph. It's also helpful to know how to stitch on linen to give these a more professional feel and more realistic look.
67 People I'd Like to Slap
Book
67 People I'd Like to Slap is one man's journey through the labyrinthine world of human angst and...
Leanne Crabtree (480 KP) rated A Brutal Tenderness (A Terrible Love, #2) in Books
Jan 11, 2021
3.5 stars.
I think this is the first time I have ever read the second book in a series that tells it from another’s POV. If you don’t know what I mean here’s an example: Hopeless (girl’s POV) and Losing Hope (guy’s POV) by Colleen Hoover… but I have to asmit it was very interesting seeing everything from Cas’ POV.
Well, there’s something about a guy who talks dirty when your in bed with him that I like. And Cas with Jess/Jewell is no exception. I think it’s his dominance that I like so much. He wont take no crap, at all, and he uses his body as a weapon in this; both in a seductive and a fighting way.
The bits we read from the crazy psychopath also know as Jess’/Jewell’s step-brother are weirdly creepy but insightful. We never saw anything from his POV in the first book so that was an interesting change between the two stories.
As was reading about the FBI team who were sent out to keep a watchful eye on her. Seeing the interaction between them when they were at FBI headquarters and how they acted when in close confines with Jess was quite fun. Friends one minute, beating each other up the next.
I’m not sure if I’ll ever read another duet like this, if I’m honest, because it is basically just another version of the first book but from another’s POV (although I do have Walking Disaster in paperback, yet-to-read) with added bits when they disappear from the pages of the other.
But if you like New Adult books then this duet are not to be missed. Sure they’re a little darker compared to others but they are compelling reading. I highly recommend them.
I think this is the first time I have ever read the second book in a series that tells it from another’s POV. If you don’t know what I mean here’s an example: Hopeless (girl’s POV) and Losing Hope (guy’s POV) by Colleen Hoover… but I have to asmit it was very interesting seeing everything from Cas’ POV.
Well, there’s something about a guy who talks dirty when your in bed with him that I like. And Cas with Jess/Jewell is no exception. I think it’s his dominance that I like so much. He wont take no crap, at all, and he uses his body as a weapon in this; both in a seductive and a fighting way.
The bits we read from the crazy psychopath also know as Jess’/Jewell’s step-brother are weirdly creepy but insightful. We never saw anything from his POV in the first book so that was an interesting change between the two stories.
As was reading about the FBI team who were sent out to keep a watchful eye on her. Seeing the interaction between them when they were at FBI headquarters and how they acted when in close confines with Jess was quite fun. Friends one minute, beating each other up the next.
I’m not sure if I’ll ever read another duet like this, if I’m honest, because it is basically just another version of the first book but from another’s POV (although I do have Walking Disaster in paperback, yet-to-read) with added bits when they disappear from the pages of the other.
But if you like New Adult books then this duet are not to be missed. Sure they’re a little darker compared to others but they are compelling reading. I highly recommend them.
BankofMarquis (1832 KP) rated The Florida Project (2017) in Movies
Feb 18, 2018
Not Strong Enough To Keep My Attention
THE FLORIDA PROJECT is one of those "slice of life" films, shot on a low budget that doesn't really have a plot but exposes the audience to 2 hours of what it would be like to live the life of someone - usually a disaffected fringe group. There is no real plot, so the film needs to hang itself onto how interesting the characters - and the situation they find themselves - are.
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)